BBC Four Music Specials

Built around the earliest, until now unseen, footage of the Clash in concert, filmed by Julien Temple as they opened the infamous Roxy club in a dilapidated Covent Garden on January 1st 1977, this show takes us on a time-travelling trip back to that strange planet that was Great Britain in the late 1970s and the moment when punk emerged into the mainstream consciousness. Featuring the voices of Joe Strummer and the Clash from the time, and intercutting the raw and visceral footage of this iconic show, with telling moments from the BBC's New Year's Eve, Hogmanay and New Year's Day schedules of nearly 40 years ago, it celebrates that great enduring British custom of getting together, en masse and often substantially the worse for wear, to usher in the New Year. New Year's Day is when we collectively take the time to reflect on the year that has just gone by and ponder what the new one might hold in store for us. Unknown to the unsuspecting British public, 1977 was of course the annus mirabilis of punk. The year in which the Clash themselves took off, catching the imagination of the nation's youth. As their iconic song, 1977, counts us down to midnight, we'll share with them and Joe Strummer, in previously unseen interviews from the time, their hopes and predictions for the 12 months ahead.

Compilation of performances and appearances by Nigel Kennedy from the BBC archive, following his music development and career from a seven-year-old child on Town and Around to his virtuoso showstopper Czardas from the Last Night of the Proms 2013. Featuring interviews with him through the years, and demonstrating a versatility of styles from classical to experimental to a jazz duet with Stephane Grappelli.

In December 2014, the BBC's historic Radio Theatre opened its doors to Coldplay, one of the biggest stadium rock bands in the world. The Grammy award-winning group perform a selection of classic tracks from their big-selling catalogue through to their sixth album Ghost Stories. For a band accustomed to playing to many thousands, this intimate gig in front of a few hundred is a must-see event.

1980 was the year that both pop music and TOTP changed. A new generation of British pop arrived with Dexy's, Adam Ant, the Human League and OMD. The show changed as the veteran TOTP orchestra was laid off, the studio audience doubled in size, new sets were built and a range of celebrity co-hosts from Elton John to Kevin Keegan to Russ Abbott arrived. This documentary explores these dramatic changes in Top of the Pops, British pop and British society with a cast including Adam Ant, the Human League, OMD, Kevin Rowlands, Coronation Street actress Sally Lindsay (who appeared with St Winifred's School Choir), Kelly Marie, Ray Dorset, Johnny Logan, the Vapors, the Piranhas and Richard Skinner.

In this documentary, the BBC have exclusive access to Agnetha Fältskog, 'The Girl with the Golden Hair' as the song goes, celebrating her extraordinary singing career which began in the mid-60s when she was just 15. Within just two years, she was a singing sensation at the top of the charts in Sweden. Along came husband Björn Ulvaeus and the phenomenal band ABBA that engulfed the world in the 70s, featuring Agnetha's touching voice and striking looks. Agnetha lacked confidence on stage as the global demand for the group grew and grew, while being away from her young children caused her great turmoil. With special behind-the-scenes access to the making of her comeback album, the film follows this reluctant star - the subject of much tabloid speculation since she retreated from the stage post-ABBA - as she returns to recording aged 63. Included in the film is her first meeting with Gary Barlow, who contributes a duet to the new album. The programme features interviews with Björn Ulvaeus, Benny Andersson, Gary Barlow, Tony Blackburn, Sir Tim Rice and record producers, Peter Nordahl and Jörgen Elofsson.

A celebration of Placido Domingo, the world's most famous tenor, through four decades of performance highlights from the BBC film archives. Featuring great arias from Aida, Die Walkure, Simon Boccanegra and Pagliacci, as well as appearances on Wogan and Parkinson, including an unforgettable Moon River with Henry Mancini at the piano.

Since the release of the Bat Out of Hell album, Meat Loaf has possessed the kind of international status that few artists obtain. His larger-than-life persona and performances are fuelled by a passion for theatre and storytelling. This candid profile reveals the man and his music through his own testimony and from the accounts of those closest to him. Meat Loaf's life story is one of epic proportions - he survived a childhood of domestic violence only to face years of record company rejection before eventually finding global fame. Along the way he experienced bankruptcy, health scares, bust-ups and one of the greatest comebacks of all time. All this and more is explored in the film, which features behind-the-scenes footage of his recent Las Vegas residency, plus plans for a new album featuring songs by Jim Steinman. The film also revisits the Dallas of Meat Loaf's early years and includes insights from his high school friends, who reveal how Meat really got his famous moniker. After his mother died, Meat Loaf fled Texas for the bright lights of LA. He sang in itinerant rock bands, but no-one would give him a recording contract. By 1969 he was broke and disillusioned. His break would take the form of a musical. He was offered a part in Hair, having been invited to audition whilst working as a parking attendant outside the theatre. Shortly afterwards he met Jim Steinman and the road to success really began. Yet the Hair gig was the beginning of an enduring love affair with theatre that is reflected in his singing persona today. His first album, the now legendary Bat Out of Hell, was initially rejected by scores of record companies, yet went on to spend a staggering 485 weeks in the UK charts. The whole album is a masterwork of storytelling that Meat Loaf and Steinman worked on for four years and then battled to get heard. Meat Loaf and those who worked on the album - from Todd Rundgren to Ellen Foley - reflect on the songs, and celebrate the alchemy that r

Tom Service plunges into the life and times of Mozart to try and rediscover the greatness and humanity of the living man in his moment. Mozart's prodigious output and untimely death have helped place him on a pedestal that can often blind us to the unique brilliance of his work in the context of his life and times. Tackling the sentimental tourist industry of Salzburg and the cloying reverence in which Mozart is too often held, Service visits the key cities and rooms in which Mozart lived and worked, plays some of Mozart's original instruments and scores, and gradually uncovers the brilliance and originality of his work as the 18th century turns into the early 19th. There is the prodigious childhood when Mozart was feted as an infant phenomenon around Europe's most glittering courts, and his golden decade in Vienna in which masterpiece followed masterpiece - operas, symphonies, piano concertos, string quartets - as if this short, high-voiced man-child must have been taking dictation from some divine source, until his death at the age of just 35 in 1791. Even more than the music, Mozart's tragic demise sets the seal on his myth. The trajectory of Mozart's life sets the template for the romantic paradigm whose throes we are still in today, which requires our creative heroes to die young to prove that they were too good for this madding world, whether it be Wolfgang Amadeus or Jimi Hendrix. Service travels from London to Vienna and Salzberg, unpicking the living, breathing genius that was Mozart. With Sir John Eliot Gardiner, Nicola Benedetti, Paul Morley and others.

Documentary telling the amazing story of how a group of reclusive Rhineland experimentalists called Kraftwerk became one of the most influential pop groups of all time. It is a celebration of the band featuring exclusive live tracks filmed at their Tate Modern shows in London in February 2013, interwoven with expert analysis, archive footage of the group going back to 1970, newsreel of the era and newly shot cinematic evocations of their obsessions. With contributions from techno pioneer Derrick May, Can founder Holger Czukay, DJ and remixer Francois Kevorkian, graphic design guru Neville Brody, writer Paul Morley, band photographer Peter Boettcher, Tate Modern curator Caroline Wood and others.

A feature-length documentary about one of the most successful British bands in rock music, reuniting Phil Collins, Peter Gabriel, Tony Banks, Mike Rutherford and Steve Hackett to tell their story. The film recounts their extraordinary musical story, exploring the songwriting and the emotional highs and lows. It features previously unseen archive material and rare footage from across their entire career.

Genesis filmed in November 1981 on the Abacab tour in North America, originally released on VHS to coincide with the live album of the same name. It has only ever been released on DVD in the limited edition box set The Movie Box 1981-2007. Originally filmed in 16mm, the footage has now been fully restored and is being reissued as a standalone DVD and Blu-ray for the first time. The show focuses on tracks from the Duke and Abacab albums, and the tracks are intercut with behind-the-scenes footage and interviews with the band members. As ever with Genesis, the show is visually stunning and it captures the band in their transition from their progressive days in the 70s through to the hugely successful pop/rock act they became from the mid-80s onwards.

During a career which was originally designed to make him a classical pianist, the musical achievements and statistics of singer-songwriter Neil Sedaka have made him a compelling figure in contemporary music, with 600 songs written and 20 million records sold. The hits from his early rock 'n' roll days to his later, more lyrical age are all included in this special one-man show from the 1980s.

It's a time for guilty pleasures, for courtship, for declarations of love, for looking someone in the eye and whispering sweet nothings, accompanied by a compilation of some of the greatest and squishiest love songs from the likes of Celine Dion, Joe Cocker and Jennifer Warnes, Jason and Kylie, 10cc and Lionel Richie, all from the Top of the Pops era. If Hot Chocolate and Chaka Khan don't get the temperatures rising, then nothing will.

Three British bands defined the British Invasion of 1964 which changed America. The Beatles, the Rolling Stones and the Dave Clark Five. Fifty years later this film tells the story of the Dave Clark Five, their emergence from working-class Tottenham, their unique sound, their close friendship, their self-managed business philosophy and the youthful exuberance with which they captured the USA. Testifying to the lasting impact of the band and what made them unique in an era of brilliant, game-changing creativity, Dave Clark's two-hour documentary features newly-filmed interviews with Sir Paul McCartney, Sir Elton John, Sir Ian McKellen, Stevie Wonder, Sharon and Ozzy Osbourne, Bruce Springsteen, Steven van Zandt of the E Street Band, Gene Simmons of Kiss, Whoopi Goldberg, Dionne Warwick and Twiggy. Interwoven throughout, boyhood fan Tom Hanks's inspirational and moving speech at the DC5's Rock & Roll Hall of Fame induction ceremony in 2008 explains what five guys from north London and the Tottenham Sound meant to Hanks's generation. As well as barnstorming live and TV performances by the DC5, the film weaves archive interviews with band members alongside extraordinary footage of the DC5 on tour and in the studio and also features rare TV footage from the legendary Ready Steady Go! series, where the DC5's fellow pop pioneers the Beatles, the Rolling Stones, the Who, Dusty Springfield, Stevie Wonder, the Supremes, Martha Reeves and the Vandellas, Marvin Gaye and Otis Redding highlight a time of unparalleled excitement and innovation. This film captures the youth, innocence and zany zest of the swinging 60s and the Dave Clark Five's driving role in those years. And beyond the 60s? Unseen archive interviews and performances with Sir Laurence Olivier and Freddie Mercury feature among the rare footage telling the story of TIME, the spectacular, innovative and visionary rock musical with which producer and entrepreneur Dave Clark reinvented London's live music th

Throughout Status Quo's six decades of rockin' and double denim, they have notched up 65 hit singles, sold over 100m records worldwide and have spent 415 weeks in the British singles chart, so it's no wonder Francis Rossi and Rick Parfitt were awarded OBEs in 2010 for their services to music. And now, in a rare departure from their usual heads-down and boogie approach, they've gone acoustic! Autumn 2014 saw the release of their 31st studio album and, in a complete departure from their usual rock sound, they transformed many of their legendary songs into acoustic, stripped-down versions. To celebrate this unique enterprise, they then performed many of the songs live at north London's legendary Roundhouse. Sitting down! This concert features many of their classic tracks including Pictures of Matchstick Men, Down Down, What You're Proposing, Whatever You Want, Marguerita Time, Rockin' All Over the World and many more, performed with a string section, percussion, accordion, backing vocals and a front line of five acoustic guitars. Throughout the show Francis and Rick reminisce about taking this bold step and remind us of some of the stories behind some of their classic songs.

On June 4 1976, four young men from ruined, post-industrial Manchester went to see a Sex Pistols show at the Manchester Lesser Free Trade Hall. Inspired by the gig that is now credited with igniting the Manchester music scene, they formed what was to become one of the world's most influential bands, Joy Division. Over thirty years later, despite a tragedy that was to cut them off in their prime, they are enjoying a larger audience and more influence than ever before, with a profound legacy that resonates fiercely in today's heavily manufactured pop culture. Featuring the unprecedented participation of all the surviving band members, this film examines the band's story through never-before-seen live performance footage, personal photos, period films and newly discovered audiotapes. A fresh visual account of a unique time and place, this is the untold story of how four men transcended economic and cultural barriers to produce an enduring musical legacy, at a time of great social and political change.

Pioneering the journey from rhythm and blues to funk, James Brown forever changed the face of American music. Mr Dynamite follows the story of Brown as he escaped his impoverished southern roots to become the biggest name in soul music and one of the most important music talents of the 20th century. This captivating film utilises never-before-seen concert footage, interviews with Brown from a variety of sources and recent insights from band members and others who knew the singer to tell the remarkable story of the supremely gifted and enormously influential American musical icon. Mick Jagger is among those who recall his magnetic showmanship - first catching Brown's act from the balcony of the Apollo Theatre in Harlem, only to have Brown steal the spotlight when they performed on the same Los Angeles television show. Beyond musical talent, the film documents how Brown played a pivotal role in the civil rights movement, whilst later endorsing Richard Nixon, whose politics chimed with his own entrepreneurship.

In the early 1980s, Culture Club was one of the biggest bands in the world, selling 150 million records worldwide. Formed in London, the band was comprised of Boy George on vocals, Mikey Craig on bass, Roy Hay on guitar and keyboards and Jon Moss on drums. As well as their UK success, the band was huge in the USA - notching up ten top 40 hits. Being part of Band Aid cemented them as stalwarts of the 80s, a band that broke down barriers and left a huge legacy for the stars that came later, before they disbanded in 1986. However, they are a band with a past as colourful as their music. George had a secret affair with his drummer Jon Moss and when they acrimoniously split, the band fell apart and George descended into heroin addiction. Over the years there have been numerous failed attempts to reunite the band. In 2014 Culture Club decided to come back together to record a new album and embark on a UK and US tour. Director Mike Nicholls has unique access, following the band as they first meet in George's London home to write new material. However, it's not long before creative differences and tensions from their past begin to emerge. Faultlines develop further when the band travel to Spain to record the new album, spending two weeks working and living together in a remote recording studio. As the band return to London to prepare for the tour, they suffer a Twitter mauling after their first big public performance on Strictly Come Dancing. Relations are even more strained when George and the band sign to separate managers and a sudden illness threatens the whole reunion. The film looks at the band's troubled past, examining the themes of success, fame and ego, and reveals the personalities behind one of the most iconic bands of all time.

Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC... At the dawn of the 80s, a whole host of strangely-dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk. They came mainly from the London club scene, led by gender-bender host Steve Strange and pioneering electronic DJ Rusty Egan, and conquered the charts with classic tracks such as Do You Really Want to Hurt Me, To Cut a Long Story Short, Kings of the Wild Frontier, Planet Earth, Fade to Grey, Calling Your Name and Poison Arrow. Magenta Devine narrates this gay and colourful behind-the-scene documentary of sex & drugs & frocks & hair-rollers, which includes interviews with Boy George, Gary Kemp, Adam Ant, Nick Rhodes, Steve Strange, Rusty Egan, Marilyn, Jonathan Ross, Caryn Franklin, Fiona Bruce and Robert Elms.

A whistlestop tour of rock from over the water, taking in some of the finest Irish rock offerings from the early 70s to the present day, as captured on a variety of BBC shows from The Old Grey Whistle Test and Top of the Pops to Later... with Jools Holland. Kicking off with Thin Lizzy's 1973 debut hit Whiskey in the Jar, the programme traces Irish rock's unfolding lineage. Performances from guitar maestro Rory Gallagher, Celtic rock godfathers Horslips and John Peel favourites the Undertones feature alongside rivals Stiff Little Fingers, with their Top of the Pops performance of Nobody's Hero, followed by post-punk U2's 1981 debut UK performance of I Will Follow from The Old Grey Whistle Test. Then there is Sinead O'Connor's debut single performance of Mandinka, and the Pogues play the Ewan MacColl classic Dirty Old Town from 1986. Into the 90s, there is the Frank and Walters and Therapy? on Top of the Pops, along with early performances on Later...with Jools Holland from Ash and the Divine Comedy. There is rockabilly with Imelda May's debut hit Johnny Got A Boom Boom, and then bang up to the moment is Cavan's the Strypes and Hozier, whose Take Me To Church completes this hit-driven tour through Irish rock.

This film tells the story of how rock music helped to change Ireland. The 40-year-old story of Irish rock and pop music is grounded in the very different musical traditions of the two main cities of the island, Belfast and Dublin. This musical celebration charts the lives and careers of some of the biggest selling acts in Irish rock, punk and pop from Van Morrison and Thin Lizzy to the Undertones and U2. From the pioneers of the showbands touring in the late 50s through to the modern day, the film examines their lineage and connections and how the hard-core, rocking sound of Belfast merged with the more melodic, folky Dublin tradition to form what we now recognise as Irish rock and pop. The film explores where these bands and musicians came from and the influence the political, social and cultural environments of the day had on them and how the music influenced those environments. With contributions from many of the heavyweights of Irish rock and pop, including U2, Sinead O'Connor and Bob Geldof, it follows their careers as they forged an international presence and looks at how they helped change the island along the way.

A Julien Temple film about the Strypes, the young Irish band from Co Cavan bringing blistering R&B and rock 'n' roll to a whole new generation. The film explores the band's evolution from toddlerhood, when they first began playing together, through the hard work and twists of fate that have catapulted them straight out of their small rural hometown to screaming crowds. Theirs is a success story of the digital age. Born in the late 90s, the boys have never known a world without computers and smartphones. Going on the same musical coming-of-age quest as their early heroes, the Beatles, Stones and Kinks, they searched out the origins of R&B and the wellspring of the blues to produce their own distinctive, hard-edged sound. A deeply human story of four young childhood friends, with a profoundly shared passion and goal, as they become adults in the world of 21st-century rock 'n' roll success. The film is produced by Parallel Films and Elton John's Rocket Pictures.

An intimate portrait of Sir James Galway, regarded by many as the finest flautist of his generation. The programme charts his remarkable rise to the top of the classical music world from humble beginnings with a Belfast flute band, and is given unique access to Galway at home and on tour. Galway was born in Belfast at the outbreak of the Second World War and established himself performing with the top London orchestras in the 1960s before becoming first flute with the Berlin Philharmonic. In the mid-70s he took the unusual step of leaving to launch a solo career and became a household name with the release of his instrumental version of John Denver's Annie's Song. He has sold more than 30 million albums and at the age of 75 continues to tour the world performing to packed houses and giving masterclasses to the next generation of world-class flute players. In the programme Galway speaks frankly about his life and career and puts his success down to hard work and daily practice. The documentary captures Galway backstage, in rehearsal and performing, and at his home overlooking Lake Lucerne, Switzerland, with his wife and fellow flautist, Jeanne. The programme is narrated by Jeremy Irons and contributors include broadcaster Melvyn Bragg, Riverdance composer Bill Whelan and the conductor of the Detroit Symphony Orchestra, Leonard Slatkin.

1979 was a unique year for Top of the Pops, which saw the show record its highest audience of 19 million viewers and in which physical format singles sales hit an all-time high of 79 million. 1979 is maybe the most diverse year ever for acts on Top of the Pops with disco at its peak, new wave, 2 Tone, reggae, rock, folk and electro records all making the top five. Original interviews with Gary Numan, Nile Rodgers, Woody from Madness, Jah Wobble, Chas and Dave, Janet Kay, Linda Nolan, Jim Dooley, Secret Affair, the Ruts, Legs and Co and many others tell the story of an exceptional year. In the year that the 'winter of discontent' saw continuing strikes black out ITV and TOTP reduced during a technicians strike to a narrator introducing videos, the show also found itself the site of conflict backstage. TOTP's old guard of 70s MOR acts had their feathers continually ruffled by new wave bands, as the Skids spat at the Nolan Sisters backstage and Generation X urinated off the roof onto the Dooleys. Elsewhere in the corridors of TV Centre, in preparation for playing their single Death Disco, Public Image Ltd demanded their teeth were blacked out in make-up to appear ugly while Gary Numan remembers the overbearing union presence which prevented TOTP artists moving their own microphones without a union technician and the Musicians Union trying to ban him from the show for his use of synthesizers. The most popular musical styles of 1979 were 2 Tone, reggae and disco. The latter saw Nile Rodgers, the man of the year, score four hits with Chic as well as writing and producing a further four hits with Sister Sledge, Sheila B Devotion and Sugarhill Gang, who appeared with what would prove to be the first ever rap hit. Jamaican and UK reggae artists scored continual hits through the year and then watched as the Police notched up three hits with white reggae and the label 2 Tone revived the 60s reggae style known as ska. In November, in what is remembered as the 2 T

Johann Sebastian Bach's majestic Cello Suites are among the world's best-loved pieces of music - but did another Bach write them? Australian musical sleuth Martin Jarvis explosively claims the suites were composed not by Bach, but by his much-loved second wife, Anna Magdalena. Jarvis's controversial quest for clues takes him from London to Paris to Berlin and beyond. Using advanced techniques of forensic document examination and drawing on his vast experience as a conductor and musician, he sets out to uncover the truth of the Cello Suites and rewrite some musical wrongs. Narrated by composer Sally Beamish.

Celebrating the men whose vocal stylings have carried the torch for soul across six decades. It showcases the rarely-seen but infectious Brenton Wood's Gimme Little Sign and offers the velvet voice of Curtis Mayfield singing Keep On Keeping On. There are groundbreaking artists from the '60s to the noughties, with performances from Billy Preston, Bill Withers, Billy Ocean, Alexander O'Neal, Barry White, Bobby Womack and many more.

Directed by BAFTA winner Kieran Evans and Paul Kelly (the first time the pair have collaborated since 2003's Finisterre), this film documents Dexys' celebrated residency at the Duke of York's Theatre in London in spring 2014. It captures songs from those theatrical shows with a striking visual style and a real sensitivity to the performances onstage. Interspersed throughout the film is an honest, revealing and touching interview with Kevin Rowland and Jim Paterson that details the remarkable story of the band. The film frames the motivation and desire that oversaw the artistic triumph of the band's album One Day I'm Going to Soar and the live performances that subsequently developed from its narrative.

During the 1940s, 50s and 60s, Sister Rosetta Tharpe played a highly significant role in the creation of rock & roll, inspiring musicians like Elvis Presley, Jerry Lee Lewis, Johnny Cash, Little Richard and Chuck Berry. She may not be a household name, but this flamboyant African-American gospel singing superstar, with her spectacular virtuosity on the newly-electrified guitar, was one of the most influential popular musicians of the 20th century. Tharpe was born in 1915, close to the Mississippi in Cotton Plant, Arkansas. At the age of six she was taken by her evangelist mother Katie Bell to Chicago to join Roberts Temple, Church of God in Christ, where she developed her distinctive style of singing and guitar playing. At the age of 23 she left the church and went to New York to join the world of show business, signing with Decca Records. For the following 30 years she performed extensively to packed houses in the USA and subsequently Europe, before her death in 1973. In 2008 the state governor of Pennsylvania declared that henceforth January 11th will be Sister Rosetta Tharpe Day in recognition of her remarkable musical legacy.

Don Giovanni had its premiere performance in Prague on October 29, 1787. Mozart's vastly successful opera, based on the stories of legendary libertine Don Juan, delighted the city that had taken him to their hearts. But what brought them all - composer and audience, theatre manager and cast - to this time and place? Acclaimed tenor Rolando Villazón presents the story of one of the best-known operas of all time. Based in Prague, Rolando explores the run-up to that candle-lit first performance, looking at the music of the opera and the social setting in which it was first performed, before recreating the finale of the opera close to how it would have looked and sounded on that autumn evening. Rolando visits the Estates Theatre, where Mozart conducted Don Giovanni's premiere. He works with local orchestra Collegium 1704, their conductor Václav Luks and opera singers Svatopluk Sem, Alžběta Poláčková, Fulvio Bettini and Jan Martiník, performing and dissecting the music of the opera. By singing and discussing key passages, Rolando reveals Mozart's genius as a composer and the revolutionary musical techniques he used. As he explores, we are able to grasp how Don Giovanni not only entertained the audience but terrified them by playing on the deepest fears of the 18th century; how different it would have sounded played on the instruments of the time; and how with this masterpiece Mozart went beyond the musical conventions of the day and created something unique. By talking with a range of experts and drawing on historical sources, Rolando brings to life the setting, costumes and audience, and presents a detailed picture of the world in which the opera was first performed.

Archive compilation celebrating the incredible body of work by Detroit's finest songwriting teams and artists for perhaps America's greatest ever record label, Motown. This compilation of Motown covers spans the 1960s to the present day and features: Paul Weller and Amy Winehouse with I Heard It Through the Grapevine on Jools's Hootenanny; Roberta Flack's version of Stevie Wonder's Never Dreamed You'd Leave in Summer from an early edition of the OGWT; early adopter Dusty Springfield with Nowhere to Run on her '60s BBC TV show; and The Flying Lizards with Barrett Strong's Money (That's What I Want) from Top of the Pops in 1979. Of course, there are quite a few '80s hit covers from the decade that rediscovered Motown as a hitmaking machine, many of them from Top of the Pops including Kim Wilde's You Keep Me Hangin' On and Paul Young's 1983 Number 1 with Marvin Gaye's 1962 b-side, Wherever I Lay My Hat. Then it's on into the '90s with Mercy Mercy Me from the late lamented Robert Palmer and Mariah Carey's take on the Jackson Five's I'll Be There. Plus, of course, Phil Collins but, rightly or wrongly, not with You Can't Hurry Love but with his 21st-century reading of Stevie Wonder's Blame It on the Sun from Later with Jools.

The sisters are truly doing it for themselves in this celebration of the legendary female singers whose raw emotional vocal styles touched the hearts of followers worldwide. Featuring the effortless sounds of Aretha Franklin, Roberta Flack, Gladys Knight, Randy Crawford, Angie Stone, Mary J Blige and Beyonce, to name a few. The Queens of Soul presents the critically acclaimed and influential female singers who, decade by decade, changed the world one note at a time.

Mark Radcliffe presents a look at the highs and lows of band life - the creative tension that produces great music and the pressures that come with success and fame, and pull most bands apart. Radcliffe lifts the lid on the main reasons why bands break up and the secrets of bands that manage to stay together.

Great pop records are the soundtrack to our lives and that is why number one hits hold a totemic place in our culture. This film goes in search of what it takes to get a number one hit single, uncovering how people have done it, and the effect it had on their lives. As the exploration moves through the decades the goal is to trace the various routes that lead to the top of the singles chart, and discover the role played by art, science, chance and manipulation in reaching the pinnacle of pop.

Compilation of some indelible hits by artists we hardly heard from again, at least in a chart sense. Featuring Peter Sarstedt's Where Do You Go To My Lovely? a number one in 1969, a hit he never really matched, Trio's 1982 smash Da Da Da, Phyllis Nelson's 1985 lovers rock-style classic Move Closer, and the New Radicals' 1999 hit You Get What You Give. We travel through the years selecting some of your favourite number ones and a few others that came close, revealing what's happened to the one-hit hitmakers since and exploring the unwritten laws that help make sense of the one-hit wonder phenomenon.

Sting performs songs from his album The Last Ship in an intimate live performance recorded at the Public Theatre, New York. Inspired by the shipbuilding community of Wallsend in the north east of England where Sting was born and raised, the songs form part of his Broadway play. For his first new work in a decade he and his band, many of whom hail from the north east, are joined by actor and singer Jimmy Nail.

Rock legend and tour bus afficionado Rick Wakeman takes us on a time-travelling trip through the decades in this first-hand account of rockers on the road from the late 1950s to the 80s and beyond. It's an often bumpy and sometimes sleepless ride down the A roads and motorways of the UK during the golden age of rock 'n' roll touring - a secret history of transport cafes, transit vans, B&Bs, sleepless roadies and of loved ones left at home or, on one occasion, by the roadside. And it's also a secret history of audiences both good and bad, and the gigs themselves - from the early variety package to the head clubs, the stadiums and the pubs. This is life in the British fast lane as told by Rick and the bands themselves, a film about the very lifeblood of the rock 'n' roll wagon train. With members of Dr Feelgood, Suzi Quatro, the Shadows, the Pretty Things, Fairport Convention, Happy Mondays, Aswad, Girlschool, the Damned and many more.

The birdsong of sunrise in all its uninterrupted glory, free from the voiceover and music of traditional television. With the first glimmers of sunlight, the birds of Britain's woodland, heathland and parkland burst into song. This is an opportunity to sit back and enjoy a portrait of three very different habitats and the natural splendour of their distinctive chorus.

"I want to make people cry even when they don't understand my words." - Edith Piaf This unique film explores the story of the lyric-driven French chanson and looks at some of the greatest artists and examples of the form. Award-winning singer and musician Petula Clark, who shot to stardom in France in the late 1950s for her nuanced singing and lyrical exploration, is our guide. We meet singers and artists who propelled chanson into the limelight, including Charles Aznavour (a protégé of Edith Piaf), Juliette Greco (whom Jean-Paul Sartre described as having 'a million poems in her voice'), Anna Karina (muse of Jean-Luc Godard and darling of the French Cinema's New Wave), actress and singer Jane Birkin, who had a global hit (along with Serge Gainsbourg) with the controversial Je t'aime (Moi non plus), and Marc Almond, who has received great acclaim with his recordings of Jacques Brel songs. In exploring the famous chanson tradition and the prodigious singers who made the songs their own, we continue the story into contemporary French composition, looking at new lyrical forms exemplified by current artists such as Stromae, Zaz, Têtes Raides and Etienne Daho, who also give exclusive interviews. The film shines a spotlight onto a musical form about which the British are largely unfamiliar, illuminating a history that is tender, funny, revealing and absorbing.

Acclaimed trumpeter/bandleader Wynton Marsalis and the Jazz at Lincoln Center Orchestra play a selection of classic tunes from the legendary American jazz label Blue Note composed by the likes of Horace Silver, Bud Powell and McCoy Tyner on the label's 75th anniversary, recorded live at Royal Hall, Harrogate as part of Harrogate International Festivals in June 2014.

Journalist Kate Mossman explores the unique relationship between artist and fan, from the Beatles to One Direction and her own evolving fascination with Queen.

The story of Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. In 1939 Alfred Lion and Francis Wolff, who had emigrated from Nazi Germany to New York, 'discovered' an American art form which at the time received little serious attention from mainstream America - jazz music. Without money or connections and speaking little English, they began to record practically unknown musicians, following their own taste and judgement. Today the list of artists who recorded for their label reads like a who's who of jazz. A portrayal of the rise of modern jazz, the film explores a very special friendship in exile and uncompromising artistic excellence. Told by the musicians, friends, associates and fans of the Blue Note recordings from all walks of life, it recreates an era of American cultural history and is widely regarded as one of the best films ever made about jazz.

The iconic artists that have been booked to play the Glastonbury Festival have often been the talking point each year. A look back at performances from the likes of Dame Shirley Bassey, Tony Bennett, Neil Diamond, Al Green, Willie Nelson, BB King, Johnny Cash, and of course 2014's appearance by the Queen of Country, Dolly Parton.

Classic music-filled movie that introduced the world to some great recording artists. Chancing upon a small-town rock 'n' roll band and dancers, Steve Hollis believes he can manage them to the heights of success, unaware that his cynical former girlfriend and boss Corinne will seek to sabotage his plans.

Lauren Laverne hosts an all-star discussion from London's iconic 100 Club, asking if rock 'n' roll is in crisis and what it now means in the 21st century. Can rock 'n' roll still be as dangerous and subversive as the original or has it become more about lifestyle and decoration? Joining Lauren are Savages' lead singer Jehnny Beth, Dr John Cooper Clarke and former Animal Eric Burdon. Featuring original contributions from Noel Gallagher, Dave Grohl, Sleaford Mods and Alabama Shakes. Music from Mercury-winning Young Fathers and Matthew E White.

A celebration of rock 'n' roll in the shape of a compilation of classic artists and songs, featuring the likes of Jerry Lee Lewis, Dion and Dick Dale who all featured in the Rock 'n' Roll America series, alongside songs that celebrate rock 'n roll itself from artists such as Tom Petty (Anything That's Rock 'n' Roll), Joan Jett (I Love Rock 'n' Roll) and Oasis (Rock 'n' Roll Star).

Concert specially recorded for BBC Four on 24 June 2015 at the Empress Ballroom Blackpool, where Jools Holland and his band were joined by special guests Rumer, Marc Almond and Ruby Turner. More than 14,000 people applied for tickets and a lucky 800 were in the audience, and by the end of the concert Jools and his orchestra had almost every one of them on their feet. The concert celebrates the golden age of big band music from the 1930s to 1950s and Jools presents his interpretations of standards from the greats such as Count Basie, Louis Armstrong and Woody Herman. Jools's orchestra includes some of the best musicians in the business and the concert combines the incomparable power and sophistication of the big band sound with brilliant individual performances. Highlights include Rumer's joyful Ac-cent-tchu-ate the Positive, Marc Almond's stunning rendition of Edith Piaf's Hymn Le Amour and singer Ruby Turner's extraordinary vocals.

Much-mourned national treasure Cilla Black commenced her eminent career as a TV host in 1968 on the BBC. Her career as perhaps the nation's favourite female pop singer of the decade had already been established after landing her first Number 1 with Anyone Who Had a Heart, the biggest-selling hit by a female singer in the 1960s. This tribute compilation celebrates the BBC's coverage of Cilla's 60s pop star years on programmes like Peter Cook and Dudley Moore's Not Only...But Also, The Ken Dodd Show, Top of the Pops and The Royal Variety Performance, before selecting just some of the golden moments from the long-running self-titled series she hosted for the BBC between 1968 and 1976 including the Paul McCartney-penned theme song Step Inside Love and that 1973 famous duet with Marc Bolan on Life's A Gas.

Recorded on his birthday, highlights of Van Morrison's unique live performance on the Belfast avenue he made famous through the iconic album Astral Weeks.

It is a quarter of a century since the death of Leonard Bernstein, composer, conductor and icon of 20th-century music. This programme features 50 years of great archive performances and interviews, some unseen since their original broadcast, including music from West Side Story, Elgar's Enigma and Beethoven.

Errol Brown, who died aged 71 in May 2015, was probably the most famous and ubiquitous black British pop star of the 70s and early 80s. He co-founded Hot Chocolate with Tony Wilson in 1970 and the band went on to have a hit every year between 1971 and 1984. This compilation of BBC performances and rare interview extracts celebrates Errol and Hot Chocolate, showcasing their top ten hits alongside rarely seen early performances and cult fan favourites. We journey through over 15 years of chart smashes showcasing all the infectious numbers - Every 1's A Winner, Emma, So You Win Again and It Started With a Kiss - and of course, The Full Monty scene-stealer You Sexy Thing, a song that was in the charts in the 70s, 80s and 90s. There are reminders of just how many top ten moments they had, with Girl Crazy and No Doubt About It, the hit that got away Mindless Boogie, and their first appearance on BBC television with Love is Life. Hot Chocolate were that rarity, a 70s British pop band who largely wrote their own tunes and arrangements and a mixed race band who perhaps inadvertently helped foster an early sense of British multi-culturalism. In Errol, they had a frontman who was not only a great singer, songwriter and frontman, but also resolutely and undemonstratively always himself, at ease in his own skin.

Charismatic conductor and composer Andre Previn looks back at some of his greatest television moments, from thrilling performances of orchestral favourites by Mozart and Berlioz to his classic comedy encounter with Morecambe and Wise.

Filmed over the course of four years, award-winning director Phil Grabsky follows one of the world's greatest pianists, Leif Ove Andsnes, as he attempts, in a series of sold-out worldwide performances, to interpret one of the greatest sets of works for piano ever written - Beethoven's five piano concertos. However, Concerto is more than a portrait of a famous musician on tour - it is an exploration into Ludwig van Beethoven's life as revealed by these five masterworks. The relationship between the composer and his world is mirrored by the relationship between the pianist and orchestra in these concertos. The film seeks to reveal Beethoven in a way rarely seen before and bears witness to what is increasingly being regarded as one of the greatest interpretations ever of these five great pieces of music. Considered one of the top pianists of the age, Leif Ove Andsnes offers rare insights into the mind of a world-class pianist and access to his personal and professional life. Andsnes gives an insight into the world of a contemporary classical musician. Against the wonderful background of Leif Ove playing these five pieces, we also peel back the many myths of Beethoven's life - from prodigious talent in Vienna to greatest composer alive by the time he wrote the fifth concerto. Perhaps above all, it is the fresh new biography of Beethoven that is most revealing.

Documentary exploring the rise and fall of the most visionary period in British music history: five kaleidoscopic years between 1965 and 1970 when a handful of dreamers reimagined pop music. When a generation of British R&B bands discovered LSD, conventions were questioned. From out of the bohemian underground and into the pop mainstream, the psychedelic era produced some of the most ground-breaking music ever made, pioneered by young improvising bands like Soft Machine and Pink Floyd, then quickly taken to the charts by the likes of the Beatles, Procol Harum, the Small Faces and the Moody Blues, even while being reimagined in the country by bucolic, folk-based artists like the Incredible String Band and Vashti Bunyan. The film is narrated by Nigel Planer with contributions and freshly-shot performances from artists who lived and breathed the psych revolution - Paul McCartney, Ginger Baker, Robert Wyatt, Roy Wood, the Zombies, Mike Heron, Vashti Bunyan, Joe Boyd, Gary Brooker, Arthur Brown, Kenney Jones, Barry Miles, the Pretty Things and the Moody Blues.

All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock and roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.

Compilation celebrating some guitar band performances at the BBC that feature some of the best female musicians in rock. Beginning with the oft-forgotten American group Fanny performing You're the One, it's a journey along rock's spectrum from the 1970s to now. The selection includes the powerful vocals of Elkie Brooks on Vinegar Joe's Proud to Be a Honky Woman, the mesmerising poetry of Patti Smith's Horses and the upbeat energy of the Go-Go's on We Got the Beat. Mighty basslines come courtesy of Tina Weymouth on Psycho Killer and Kim Gordon on Sugar Kane, whilst we trace the line of indie rock from the Au Pairs through Lush, Elastica and Garbage to current band Savages.

A feast of cover versions of Bob Dylan songs from the BBC archives, with classic tracks old and new and some surprises from the 1960s to the present. From the essential folk queen Joan Baez to punk princess Siouxsie and the Banshees, from the Hollies to Adele, taking in the likes of Julie Felix, Richie Havens, Bryan Ferry and KT Tunstall along the way, the programme reflects Dylan's long career of writing extraordinary songs and the fascination of other artists with them. Peter, Paul and Mary's sublime The Times They Are A-Changin' rubs shoulders with the close harmony of Cliff Richard and the Nolan Sisters' smooth interpretation of the protest classic Blowin' in the Wind. The Blues Band's energetic 1980s updating of Maggie's Farm contrasts with Tom Jones's powerful rootsy What Good Am I? A treat for the Dylan fan and the Dylan novice alike.

Documentary which celebrates the role of the cover version in the pop canon and investigates what it takes to reinvent someone else's song as a smash. Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as the Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process. Narrated by Meera Syal, it explores the stories behind such iconic hits as House of the Rising Sun, Respect, Tainted Love, I'll Be Missing You and Hallelujah, with contributors including John Cale, Gloria Jones, Marc Almond, Rick Rubin, Faith Evans and British singer-songwriter Nerina Pallot. The cover version has always been a staple of the pop charts. Yet it's often been viewed as the poor relation of writing your own songs. This film challenges and overturns that misconception by celebrating an exciting, underrated musical form that has the power to make or break an artist's career. Whether as tribute, reinterpretation or as an act of subversion, the extraordinary alchemy involved in covering a record can create a new, defining version - in some cases, even more original than the original.

Smash hits from 60 years of great cover versions in performance from the BBC TV archive. Reinterpretations, tributes and acts of subversion from the British Invasion to noughties X Factor finalist Alexandra Burke. Artists as varied as the Moody Blues, Soft Cell, Mariah Carey and UB40 with their 'retake' on someone else's song - ultimate chart hits that are, in some cases, perhaps even better than the original. Arguably the Beatles alongside Bob Dylan and the Beach Boys introduced the notion of 'originality' and self-generating artists writing their songs into the pop lexicon in the 60s. One of the most fascinating consequences of this has been the 'original' cover version, a reinterpretation of someone else's song that has transformed it into pop gold with a shift of rhythm, intent and context. The pop cover has proved a remarkably imaginative and durable form and this compilation tracks this pop alchemy at its finest and most intriguing.

On a sunny day in September 2015, Rod Stewart took to the stage in London's Hyde Park to bring to a close BBC Radio 2's annual Festival in a Day. In front of 50,000 people, Rod delivered not his usual stadium set but a bespoke selection of hits from his back catalogue spanning his career, including Gasoline Alley, Angel, In a Broken Dream and The Killing of Georgie (Part 1 & 2), plus Faces classics such as Ooh La La and the blues standard Rollin' and Tumblin', a number that Rod used to perform with Long John Baldry back in the day. To close the set Rod brought on his old pal guitarist Jim Cregan to help him perform his 1978 hit I Was Only Joking. All in all, a memorable and unique concert that is unlikely to be repeated anytime soon.

A unique concert staged at the Royal Festival Hall celebrating the music of the legendary songwriter and performer Burt Bacharach. Some of Burt's most famous songs are performed by a stellar line-up of artists including Alfie Boe, Sophie Ellis-Bextor, Shaun Escoffery, Rebecca Ferguson, Justin Hayward, Michael Kiwanuka, Laura Mvula and Joss Stone. Burt himself also performs accompanied by his band. During the concert Burt chats to Michael Grade about the art of songwriting and shares the stories behind some of his best-loved hits.

In celebration of the 40th anniversary of smash hit I'm Not in Love, the original members of 10cc - Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme - reunite to tell their story. The documentary shares the secrets to some of their most successful records, from the writing and the recording to the tours and the tensions. With contributions from an impressive array of music industry legends including 10cc's band manager Harvey Lisberg, lyricist Sir Tim Rice, broadcaster Paul Gambaccini, legendary producer Trevor Horn, Stewart Copeland (the Police), Graham Nash (the Hollies) and Dan Gillespie Sells (the Feeling), not only does this film highlight the diversity of these four brilliant musicians' songwriting talent, but it also delves into the influence they had, as well as the politics beneath their acrimonious split in 1976, at the height of their fame.

In 1975, the Bay City Rollers were on the brink of global superstardom. The most successful chart act in the UK with a unique look and sound were about to become the biggest thing since the Beatles. Featuring interviews with Les McKeown and other members of the classic Bay City Roller line-up, and using previously unseen footage shot by members of the band and its entourage, this is the tale of five lads from Edinburgh who became the world's first international teen idols and turned the whole world tartan.

To mark the 40th anniversary of Bohemian Rhapsody, this documentary digs deep into archive to tell the story of Queen as it follows their journey from a struggling band gigging at pubs and colleges to the moment they captured the UK's hearts and minds with what was to become one of - if not the - greatest song of all time. Queen's formative years have never been explored in such detail. With a wealth of unseen interviews, recently unearthed rushes of Queen's first ever video and outtakes from the recording sessions of Bohemian Rhapsody itself, this is the unique story of early Queen, told by the band themselves. This documentary completes the final part of the trilogy alongside Days of Our Lives and Freddie Mercury: The Great Pretender. It's simple. It's real. It's raw. It's what happened.

Before Bruce Springsteen became a global superstar in the '80s with Born in the USA, he and the E Street Band released the 1980 double album The River and then began a tour that celebrated its combination of haunted ballads and joyous rock'n'roll to great acclaim. In this film Springsteen gives a first-hand account of the events and aesthetic behind the writing of The River, performing a number of the key songs on acoustic guitar. A unique account of one of the great rock 'n' roll statements, in which Springsteen explores his working-class roots and the ties that bind.

Bruce Springsteen and the E Street Band in concert delivering a raucous celebration of rock 'n' roll on The River tour of 1980. Filmed on November 5 at the former ASU Activity Center (now Wells Fargo Arena) in Tempe, part of metropolitan Phoenix, Arizona in front of an enthusiastic 10,000-strong audience. Starting with the album's meditative title track, the concert opens up into a celebratory stomp culminating in that E Street Band staple Jungleland, and taking in rock 'n' roll anthems from The River including Hungry Heart, Cadillac Ranch and You Can Look (But You'd Better Not Touch).

Biography of iconic rock balladeer Roy Orbison told through his own voice, casting new light on the triumphs and tragedies that beset his career. Using previously unseen performances, home movies and interviews with many who have never spoken before, the film reveals Orbison's remote Texas childhood, his battles to get his voice heard, and how he created lasting hits like Only the Lonely and Crying. The film follows Roy's rollercoaster life, often reflected in the dark lyrics of his songs, from success to rejection to rediscovery in the 80s with the Traveling Wilburys supergroup. It uncovers the man behind the shades, including interviews with his sons, many close friends and collaborators like Jeff Lynne, T Bone Burnett, Bobby Goldsboro and Marianne Faithfull.