BBC Four Music Specials

Between the mid 1960s and the late 1970s, the long-playing record and the albums that graced its grooves changed popular music for ever. For the first time, musicians could escape the confines of the three-minute pop single and express themselves as never before across the expanded artistic canvas of the album. The LP allowed popular music become an art form - from the glorious artwork adorning gatefold sleeves, to the ideas and concepts that bound the songs together, to the unforgettable music itself. Built on stratospheric sales of albums, these were the years when the music industry exploded to become bigger than Hollywood. From pop to rock, from country to soul, from jazz to punk, all of music embraced what 'the album' could offer. But with the collapse of vinyl sales at the end of the 70s and the arrival of new technologies and formats, the golden era of the album couldn't last forever. With contributions from Roger Taylor, Ray Manzarek, Noel Gallagher, Guy Garvey, Nile Rodgers, Grace Slick, Mike Oldfield, Slash and a host of others, this is the story of When Albums Ruled the World

In 2013, on the 50th anniversary of the famous 12-hour session at Abbey Road which resulted in the Beatles' iconic album Please Please Me, leading artists such as Stereophonics, Graham Coxon, Gabrielle Aplin, Joss Stone, Chris Difford and Glenn Tilbrook of Squeeze, Paul Carrack, Mick Hucknall and I Am Kloot attempted to record the same songs, in the same timescale, in the same studio. The results are captured in this programme, presented by Stuart Maconie. Amongst those paying their own tribute to the album's success are Burt Bacharach and Guy Chambers, as well as people lucky enough to have been there 50 years ago telling the remarkable story of what happened that day, including engineer Richard Langham and the Beatles' press officer Tony Barrow.

Documentary looking at the life and work of soul and pop diva Dusty Springfield, singer of such classics as You Don't Have to Say You Love Me and Son of a Preacher Man, who was equally famous for her trademark panda eyes and blonde beehive. Using archive footage and interviews shot in the UK and the US, it charts her progress from plain Catholic schoolgirl to glamorous star and ventures behind the extravagant image to reveal a complex and vulnerable character. Featuring interviews with fellow musicians from a career spanning four decades, including Elton John, Burt Bacharach, Neil Tennant, Lulu and Martha Reeves. Dusty's protective inner circle of friends have never spoken about her on camera before. Dusty's personal secretary for her entire solo career, Pat Rhodes, her manager Vicky Wickham, ardent fan-turned-backing singer Simon Bell and others talk about the highs and lows of the woman they knew and loved.

Documentary telling the bruised and battered, but triumphant, tale of one of the UK's most cherished rock 'n' roll bands, Mott the Hoople. Originating from Herefordshire, the band were thrown together in 1969 and signed to Island Records by the increasingly erratic manager/producer Guy Stevens, in a bid to find a band that would combine The Rolling Stones rhythmic power with the melody and lyricism of 'Blonde on Blonde' era Bob Dylan. The documentary charts their journey from cult struggling touring band to their successful transformation into 'glam rock players' thanks to the intervention of David Bowie who gave them their biggest hit, 'All The Young Dudes', and their subsequent collapse after the addition of Mick Ronson to their line-up. Mott the Hoople's story is brought to life through a combination of rare and unseen archive footage, their magnificent music and the testimony of band members Ian Hunter, Mick Ralphs, Verden Allen, Dale Griffin, Luther Grosvenor aka Ariel Bender and various other associates and witnesses, including boyhood fan Mick Jones of The Clash and Queen's Roger Taylor.

Nile Rodgers has sold over 100 million records. As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the 70s, as disco took the world by storm. Nile and musical partner Bernard Edwards captured the essence of New York's iconic Studio 54 creating hits like Dance Dance Dance, Le Freak and Good Times for Chic and We Are Family and Lost In Music for struggling vocal group Sister Sledge. But the music that had made Chic would also break them, thanks to the 'Disco Sucks' backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer, helping create some of the biggest hits of the 80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. In this profile documentary, the ever-charismatic Rodgers contributes an engaging and often frank interview to tell the tale of how, born to Beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco's most successful artists In the 70s and 80s he lived the party lifestyle thanks to his success with Chic and as one of the music industry's hottest producers. Drugs and alcohol would become part of everyday life for Nile, contributing in part to the break up of Chic in the early 80s. The band would reform in the mid-90s, but their return was quickly marked by tragedy with the death of Nile's longtime friend and musical partner, Bernard Edwards in 1996. Then in 2010 Nile was diagnosed with a particularly aggressive form of prostate cancer, which last year he announced he had beaten. In spite of, or perhaps because of this, Nile's talent and ambition remains undimmed, deservedly earning himself the title of hardest-working man in pop, with Chic's seemingly inexhaustible live performance schedule. Nile Rodgers: The Hitmaker recounts a captivating and moving story of a man who has created some of the most sparkling and ebullient pop mu

As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the 70s, as disco took the world by storm. But the music that had made Chic would also break them, thanks to the 'Disco Sucks' backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer, helping create some of the biggest hits of the '80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. The ever-charismatic Rogers contributes an engaging and often frank interview to tell the tale of how, born to beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco's most successful artists. In the '70s and '80s he lived the party lifestyle thanks to his success with Chic and as one of the music industry's hottest producers. Drugs and alcohol would become part of everyday life for Nile, contributing in part to the break-up of Chic in the early '80s. The band would reform in the mid '90s, but their return was quickly marked by tragedy with the death of Nile's long-time friend and musical partner Bernard Edwards in 1996. The film recounts a captivating and moving story of a man who has been making hit music for nearly four decades and has found himself back in the limelight once again.

A celebration of some of the greatest female jazz singers of the 20th century. It takes an unflinching and revealing look at what it actually took to be a jazz diva during a turbulent time in America's social history - a time when battle lines were being constantly drawn around issues of race, gender and popular culture. The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America. This is a documentary about how these women triumphed - always at some personal cost - to become some of the greatest artists of the 20th century, women who chose singing above life itself because singing was their life.

An intimate portrait of five key years in David Bowie's career. Featuring a wealth of previously unseen archive this film looks at how Bowie continually evolved, from Ziggy Stardust to the soul star of Young Americans and the 'Thin White Duke'. It explores his regeneration in Berlin with the critically acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let's Dance. With interviews with all his closest collaborators, this film investigates how Bowie became an icon of our times.

Documentary about the legendary soul singer Otis Redding, following him from childhood and marriage to the Memphis studios and segregated southern clubs where he honed his unique stage act and voice. Through unseen home movies, the film reveals how Otis's 1967 tour of Britain dramatically changed his life and music. After bringing soul to Europe, he returned to conquer America, first with the 'love crowd' at the Monterey Festival and then with Dock of the Bay, which topped the charts only after his death at just 26. Includes rare and unseen performances, intimate interviews with Otis's wife and daughter and with original band members Steve Cropper and Booker T Jones. Also featured are British fans whose lives were changed by seeing him, among them Rod Stewart, Tom Jones and Bryan Ferry.

In this documentary, the BBC have exclusive access to Agnetha Faltskog, 'The Girl with the Golden Hair' as the song goes, celebrating her extraordinary singing career which began in the mid-60s when she was just 15. Within just two years, she was a singing sensation at the top of the charts in Sweden. Along came husband Bjorn Ulvaeus and the phenomenal band ABBA that engulfed the world in the 70s, featuring Agnetha's touching voice and striking looks. Agnetha lacked confidence on stage as the global demand for the group grew and grew, while being away from her young children caused her great turmoil. With special behind-the-scenes access to the making of her comeback album, the film follows this reluctant star - the subject of much tabloid speculation since she retreated from the stage post-ABBA - as she returns to recording aged 63. Included in the film is her first meeting with Gary Barlow, who contributes a duet to the new album. The programme features interviews with Bjorn Ulvaeus, Benny Andersson, Gary Barlow, Tony Blackburn, Sir Tim Rice and record producers Peter Nordahl and Jorgen Elofsson.

Barry White live in concert at the Royal Albert Hall in 1975.

Journeying through the alphabet, a showcase of music from across the world - from Africa to Uzbekistan, Norway to South America, India to Louisiana and everywhere in between. Featured instruments include Kimmo Pohjonen's accordion, the impressively large drums of the Yamato Drummers and the extraordinary vocals of Nusrat Fateh Ali Khan. The helter-skelter ride takes us from the 1970s, through to the explosion of acts in the 1980s, right up to the most sought-after musicians on the world music circuit today. From Sevara Nazarkhan's pin-drop solo to a crowd-moving set from Orchestra Baobab, this is a compilation that presents a fun, vibrant snapshot of the range of traditional music that has captured audiences the world over.

Documentary telling the story of the British world music revolution from the early 1980s to the present. Through a variety of careers, starting with Zimbabwe's Bhundu Boys and culminating with Portugal's Mariza in the new millennium, the film explores what it takes to bring music from 'out there' over here. Through the testimony of artists from all around the world alongside key British producers and broadcasters including Andy Kershaw, Joe Boyd and Nick Gold, it tracks the evolving story of what British audiences have wanted from what has come to be called 'world music' and what a range of artists, including Les Mystere des Voix Bulgares, Salif Keita, Youssou N'Dour, Baaba Maal, Nusrat Fateh Ali Khan, Buena Vista Social Club and Tinariwen, have made of us. At the dawn of the 80s, in an age of spandex and synthesizers, many music fans were becoming bored with the pop charts and hungered for a new music that could excite them once again. Where music from the rest of the world had once been regarded as mere exotica, there was increasingly a sense that world music could be the future of pop music. The documentary traces the hopes and ambitions of a new music industry as cultures came together for the first time, producing much brilliant music and a degree of human comedy. From the tribal warriors of Mali who fought in rebellions with guitars and guns strapped to their shoulders, all-female choirs from the other side of the Iron Curtain playing to rock fans, a band from Zimbabwe who supported Madonna to a group of old men from Cuba who took the world by storm with their music from another era, these tales from musicians from out there arriving over here trace an evolving market that has both offered a blueprint for the future and an escape into a romantic past.

In 1973, an album was released that against all odds and expectations went to the top of the UK charts. The fact the album launched a record label that became one of the most recognisable brand names in the world (Virgin), formed the soundtrack to one of the biggest movies of the decade (The Exorcist), became the biggest selling instrumental album of all time, would eventually go on to sell over 16 million copies and was performed almost single-handedly by a 19-year-old makes the story all the more incredible. That album was Tubular Bells, and the young and painfully shy musician was Mike Oldfield. This documentary features contributions from Sir Richard Branson, Danny Boyle, Mike's family and the original engineers of the Tubular Bells album among others. The spine of the film is an extended interview with Mike himself, where he takes us through the events that led to him writing Tubular Bells - growing up with a mother with severe mental health problems; the refuge he sought in music as a child, with talent that led to him playing in folk clubs aged 12 and signing with his sister's folk group at only 15; his frightening experience of taking LSD at 16; and finally arriving at the Manor Recording Studios as a young session musician where he gave a demo tape to a recording engineer who passed it along to young entrepreneur Richard Branson. After the album's huge success, Mike retreated to a Hereford hilltop, shunned public life and became a recluse until he took part in a controversial therapy which changed his life. In 2012 Mike captured the public's imagination once again when he was asked to perform at the London Olympic Opening Ceremony, where Tubular Bells was the soundtrack to 20 minutes of the one-hour ceremony. Filmed on location at his home recording studio in Nassau, Mike also plays the multiple instruments of Tubular Bells and shows how the groundbreaking piece of music was put together.

1968 was a time of soul-searching for the Who - with three badly performing singles behind them, they needed a big new idea to put them back at the top and, crucially, to hold them together as a band. Inspired by Indian spiritual master Meher Baba, Pete Townshend created the character of Tommy, the 'deaf, dumb and blind boy'. Broke and fragmenting when they started recording, the album went on to sell over 20 million copies. In this film, the Who speak for the first time about the making of the iconic album and how its success changed their lives.

You don't sell 128 million albums worldwide without putting in the graft and Status Quo are, quite possibly, the hardest working band in Britain. Alan G Parker's documentary Hello Quo, specially re-edited for the BBC, recounts the band's epic story from the beginning - when south London schoolmates Francis Rossi and Alan Lancaster formed their first band with big ambitions of rock 'n' roll domination, quickly adding drummer John Coghlan and guitarist Rick Parfitt. The film tells the story of Quo's hits from their unusually psychedelic early hit, Pictures of Matchstick Men, followed by a run through their classics from Down Down to Whatever You Want. The band laughs off the constant ribbing about only using three chords and the film explores how Quo's heads-down boogie defined UK rock in the early '70s. Fender Stratocaster in hand, Quo have stood their ground and never shifted, but they have managed to adapt to scoring pop hits over five decades. The original members of the 'frantic four' tell their story of a life in rock 'n' roll, alongside interviews from some prominent Quo fans, such as Paul Weller, whose first gig was the Quo at Guildford Civic Hall, to Brian May, who waxes lyrically about the opening riff to Pictures of Matchstick Men, while even Sir Cliff plays homage to the denim-clad rockers.

Documentary telling the larger-than-life story of Lionel Bart, the composer of Oliver! - one of the greatest musicals of the last fifty years. Drawing on his unseen personal archive and interviews with Barbara Windsor, Roy Hudd, Cameron Mackintosh, Marty Wilde and Ray Davies, it paints a vivid, poignant picture of the rise and fall of one of Britain's favourite songwriters.

An intimate portrait of five key years in David Bowie's career. Featuring a wealth of previously unseen archive this film looks at how Bowie continually evolved, from Ziggy Stardust to the soul star of Young Americans and the 'Thin White Duke'. It explores his regeneration in Berlin with the critically-acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let's Dance. With interviews with all his closest collaborators, this film investigates how Bowie became an icon of our times.

Film tribute to Lou Reed, who died in October, which looks at the extraordinarily transgressive life and career of one of rock 'n' roll's true originals. With the help of friends, fellow musicians, critics and those who have been inspired not only by his music but also by his famously contrary approach to almost everything, the documentary looks at how Reed not only helped to shape a generation but also helped to create a truly alternative, independent rock scene, while also providing New York with its most provocative and potent soundtrack. With contributions from Bob Ezrin, Mick Rock, Lenny Kaye, Paul Auster, Moe Tucker, Boy George, Thurston Moore, Andrew Wylie, Victor Bockris, Holly Woodlawn, Mary Woronov and Steve Hunter.

It's the sound of the heartland, of the midwest and the industrial cities, born in the early 70s by kids who had grown up in the 60s and were now ready to make their own noise, to come of age in the bars, arenas and stadiums of the US of A. Out of blues and prog and glam and early metal, a distinct American rock hybrid started to emerge across the country courtesy of Alice Cooper, Grand Funk Railroad et al, and at its very heart is The Great American Rock Anthem. At the dawn of the 70s American rock stopped looking for a revolution and started looking for a good time; enter the classic American rock anthem - big drums, a soaring guitar, a huge chorus and screaming solos. This film celebrates the evolution of the American rock anthem during its glory years between 1970 and 1990 as it became a staple of the emerging stadium rock and AOR radio and then MTV. From School's Out and Don't Fear the Reaper to Livin' on a Prayer and Smells Like Teen Spirit, these are the songs that were the soundtrack to teenage lives in the US and around the world, anthems that had people singing out loud with arms and lighters aloft. Huey Morgan narrates the story of some of the greatest American rock anthems and tracks the emergence of this distinct American rock of the 70s and 80s. Anthems explored include School's Out, We're an American Band, Don't Fear the Reaper, Paradise by the Dashboard Light, I Love Rock 'n' Roll, Eye of the Tiger, I Want to Know What Love Is, Livin' on a Prayer and Smells Like Teen Spirit. Contributors include: Alice Cooper, Dave Grohl, Butch Vig, Meat Loaf, Todd Rundgren, Richie Sambora, Blue Oyster Cult, Survivor, Toto and Foreigner.

Between 1974 and 1982 ABBA plundered the Anglo-Saxon charts, but divided critical opinion. This documentary explores how they raised the bar for pop music as a form and made us fall in love with the sound of Swedish melancholy. A saga about the soul of pop.