BBC Four Music Specials

Michael Grade saw Annie Get Your Gun as a small boy in the 1950s and ever since he has been hooked on musicals - and their stars. He and his family have represented some of the world's greatest musical performers and he knows and understands talent. But one question has always fascinated him - is it the musical which creates the star or the star who makes the musical? In search of answers, Michael interviews stars and directors on both sides of the Atlantic, including Michael Ball, Elaine Paige, Dominic West, Imelda Staunton, Joel Grey, Chita Rivera, Hal Prince and Trevor Nunn. In what way are the qualities of a musical star unique? Michael explores the alchemy of the musical by looking at performances from the 1940s onwards in key shows like Oklahoma!, My Fair Lady, West Side Story, Evita and Les Miserables - examining the union of musicals that brilliantly reflect their time with performers who can interpret their magic. Michael uses all the knowledge, taste and judgement he has built up over decades as he sets out to define what it is that makes the great musical stars great.

Neil Sedaka is one of the most successful American singer-songwriters of the last century. A classically-trained musician, he won a scholarship to the Julliard School at the age of nine and four years later he embarked on a writing career that would see him create some of the most perfect pop songs of all time. Throughout his career, he wrote, recorded and sang a litany of instantly recognisable and memorable tunes, as well as delivering a string of hits as a songwriter for other artists. This documentary portrait film tells the story of Neil Sedaka's life and career, in which he had two distinct periods of success. Between 1958 and 1963 he sold over 25 million records, but then his career nose-dived after the Beatles and the British Invasion hit the USA. Leaving his homeland, he found success in the UK in the early 1970s and relaunched his career before returning to the US and achieving new stardom with songs like Solitaire and Laughter in the Rain. Neil gives great insight into how he created catchy classics like Calendar Girl, (Is This the Way to) Amarillo, Breaking Up Is Hard to Do, Happy Birthday Sweet Sixteen and Stupid Cupid, amongst many others.

Twenty years ago, Britpop stamped its presence onto the British music scene and made boys wearing eyeliner cool again. What better reason to raid the BBC archives for a rich treasure trove of the joy and the time that was Britpop. Featuring the girls (Elastica, Sleeper) and the boys (Suede, Menswear) and many of the other bright young things that contributed to five years of Cool Britannia, Blur vs Oasis and Camden being the centre of the universe. Britpop at the BBC reminds us all why we were all so proud to be British again in the 1990s.

Nat King Cole was the only black television star in Hollywood at a time when America groaned under the weight of racial segregation and prejudice. Yet he possessed a natural talent so great that these issues were seemingly swept to one side to allow him to become one of the greatest jazz icons of all time. However, behind closed doors those around him were trying to think of a way to package him as something he was not: bi-white. This candid account of what really happened in and around his 'fairytale' life is taken from his private journals, interviews with his widow Maria and contributions from other family members, Tony Bennett, Buddy Greco, Harry Belafonte, Nancy Wilson, Sir Bruce Forsyth, George Benson, Aaron Neville, Johnny Mathis and many more. Featuring archive never seen before, it reveals Nat King Cole's feelings behind his ultimate calling as a 'beacon of hope' to the legions of the oppressed.

Documentary telling, in her own words, the story of Carole King's upbringing in Brooklyn and the subsequent success that she had as half of husband and wife songwriting team Goffin and King for Aldon Music on Broadway. It was during this era in the early 1960s that they created a string of pop hits such as Take Good Care of My Baby for Bobby Vee, The Locomotion for Little Eva and Will You Love Me Tomorrow for the Shirelles, which became the first number 1 hit by a black American girl group. Not to mention the era-defining Up on the Roof for the Drifters and the magnificent Natural Woman for Aretha Franklin. By 1970 Carole was divorced from songwriting partner Gerry Goffin and had moved to Los Angeles. It was here that she created her classic solo album Tapestry, packed with delightful tunes but also, for the first time, her own lyrics, very much sung from the heart. The album included It's Too Late, I Feel the Earth Move and You've Got a Friend and held the record for the most weeks at number 1 for nearly 20 years. It became a trusted part of everyone's record collection and has sold over 25 million copies to date. The film features some wonderful unseen material and home movies, and narrates her life as an acclaimed singer-songwriter. To date, more than 400 of her compositions have been recorded by over 1,000 artists, resulting in 100 hit singles. More recently, in 2013, Carole was the first woman to be awarded the prestigious Gershwin Prize for Popular Song by the Library of Congress for her songwriting, whilst in 2014 a Broadway production Beautiful, which tells her life story during the Goffin and King era, has received rave reviews. Nowadays Carole King would see herself as much as an eco-activist as a songwriter, and is to be found constantly lobbying congress in defence of the wildlife and eco-systems of her beloved Idaho.

Roberta Flack's Grammy award-winning song The First Time Ever I Saw Your Face was America's biggest selling single of 1972. The following year her gentle, pure voice charmed middle America once again when Killing Me Softly with His Song reached the top of the charts and ran off with another Grammy for single of the year. In the early 70s Roberta Flack was one of the most successful pop stars in the world. But Flack was no overnight sensation. She didn't have a hit single till she was 35 years of age. Nor was her success a traditional African-American rags-to-riches story. She came from the black middle class that had been born out of the self-contained hub of segregated America. She studied classical music at Howard University, America's top black university, and probably would have pursued a classical career had that door been open to her in 50s America. Instead, she taught music in Washington's public school system for 10 years while she struggled for her break. In the race conscious times, she also had her detractors. While she was singing duets of black consciousness with soul singer Donnie Hathaway, she was married to her white bass player. Also, they said she sounded too white; the gospel-infused voices of Aretha Franklin and James Brown, which came out of the dominant Baptist church, were what real soul singers sounded like. What those critics didn't understand was that there are many musical traditions within black America and Roberta Flack came from the more restrained Methodist one where they sang hymns rather than gospel. This is the story of the emergence of different kind of soul singer set against the turbulent backdrop of America's Civil Rights movement. Contributors include: Roberta Flack; Dionne Warwick; Johnny Mathis; Cissy Houston; Imani Perry - Princeton University, professor of African American Studies; Greg Tate - musician and critic; Fredera Hadley - musicologist; and John Akomfrah - filmmaker and critic.

From My Little Stick of Blackpool Rock to God Save the Queen, this is the story of ten records from the 1930s to the present day that have been banned by the BBC. The reasons why these songs were censored reveals the changing controversies around youth culture over the last 75 years, with Bing Crosby and the Munchkins among the unlikely names to have met the wrath of the BBC. With contributions from: Carrie Grant, Paul Morley, Stuart Maconie, Glen Matlock, Mike Read and Jon Robb.

Compilation of songs previously banned by the BBC including Lola by the Kinks, Jackie by Scott Walker and We Don't Need this Fascist Groove Thang by Heaven 17.

The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat. Through vivid first-hand accounts and rare archive footage, this film charts northern soul's dramatic rise, fall and re-birth. It reveals the scene's roots in the mod culture of the 1960s and how key clubs like Manchester's Twisted Wheel and Sheffield's Mojo helped create the prototype that would blossom in the next decade. By the early 1970s a new generation of youngsters in the north were transforming the old ballrooms and dancehalls of their parents' generation into citadels of the northern soul experience, creating a genuine alternative to mainstream British pop culture. This was decades before the internet, when people had to travel great distances to enjoy the music they felt so passionate about. Set against a rich cultural and social backdrop, the film shows how the euphoria and release that northern soul gave these clubbers provided an escape from the bleak reality of their daily lives during the turbulent 1970s. After thriving in almost total isolation from the rest of the UK, northern soul was commercialized and broke nationwide in the second half of the 70s. But just as this happened, the once-healthy rivalry between the clubs in the north fell apart amidst bitter in-fighting over the direction the scene should go. Today, northern soul is more popular than ever, but it was back in the 1970s that one of the most fascinating and unique British club cultures rose to glory. Contributors include key northern soul DJs like Richard Searling, Ian Levine, Colin Curtis, Kev Roberts, alongside Lisa Stansfield, Norman Jay

Actor and musician Sam Palladio hosts a musical tribute to Elvis Presley, 60 years to the day from when he recorded his first single That's All Right at Sun Studio in Memphis on July 5th 1954. Sam traces Elvis's story from childhood poverty in Mississippi, where he had to make do with a broom for a guitar, to the moment when, by accident, he ended up recording the song that changed the history of popular music. There are performances of the finest Elvis tracks from the likes of soul legend Candi Staton, LA duo the Pierces and country star Laura Bell Bundy.

This documentary explores Kate Bush's career and music, from January 1978's Wuthering Heights to her 2011 album 50 Words for Snow, through the testimony of some of her key collaborators and those she has inspired.

Blondie's album Parallel Lines captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life, selling 16 million copies. This is the story of that album, that time and that city, told primarily by the seven individuals who wrote, produced and performed it. It was a calculated and painstaking endeavour to produce surefire hits - whatever it took. The film follows Debbie Harry and the rest of the Blondie crew as they head into the studio to record their game-changing album with producer Mike Chapman. It also features commentary from Harry herself about writing music, the media's focus on her appearance and lyrically inspirational ex-boyfriends. In 1978 the New York band Blondie had two punk albums behind them and were establishing a name for themselves at the club CBGBs on New York's Lower East Side. Then Chrysalis Records exec Terry Ellis saw them and spent a massive $1m buying out their recording contract. He had to ensure that their next album was a hit - there was no room for error. To do this he brought in maverick Australian record producer Mike Chapman, who already had a string of hits under his belt. Mike's job was to turn this crew of New York punks into world stars - but did they have the popular songs which would appeal to a wider non-punk audience? At a time when rich creativity and grinding poverty and drug abuse were hand in hand on the sidewalks of the Lower East Side, the music and lyrics of Parallel Lines celebrated and captured this vibrant and edgy chemistry, shooting the band to international stardom.

Deep Purple is one of the most influential and important guitar bands in history, one of the godfathers of the heavy metal genre, with over 100 million album sales worldwide to their name. To celebrate the 40th anniversary of Deep Purple's groundbreaking double live album Made in Japan, this documentary explores these recordings and Deep Purple mark 2, the line-up between 1969 and 1973.

A feature-length documentary about one of the most successful British bands in rock music, reuniting Phil Collins, Peter Gabriel, Tony Banks, Mike Rutherford and Steve Hackett to tell their story. The film recounts their extraordinary musical story, exploring the songwriting and the emotional highs and lows. It features previously unseen archive material and rare footage from across their entire career. It was broadcast on Showtime in the US and released on home video under the title 'Genesis: The Sum Of The Parts.

On a sunny day in September, Jeff Lynne, head honcho of 70s hit-making band ELO took to the stage in London's Hyde Park and, with the help of his backing band and the strings of the BBC Concert Orchestra, brought to a close Radio 2's Live in Hyde Park annual festival. After an absence from the live stage for 28 years, this headline set by Jeff Lynne's ELO was a much-anticipated and talked-about event and... he did not disappoint. In front of 50,000 people, Jeff Lynne delivered a rousing and crowd-pleasing string of the Electric Light Orchestra's chart-topping hits, including Livin' Thing, Sweet Talkin' Woman, Don't Bring Me Down, Mr Blue Sky, and Roll Over Beethoven. And there was also a special treat, Jeff's touching tribute to his band buddies from the ultimate supergroup of all time, Traveling Wilburys, with his performance of their 1988 hit Handle With Care All in all, a memorable night and a fantastic return to the live arena for Mr Jeff Lynne's ELO!

This historical biography of the city that is the glittering hub of country music reveals the dynamic relationship between commerce and art, music and the market, that has defined Nashville since 1925. It explores the conflicts and demons that have confronted Nashville's artists and music industry down the years, such as the creative pressures of the 'Nashville Sound', the devastating impact of Elvis and then Bob Dylan, the rise and fall of the urban cowboys and the struggle of several Nashville legends to confront their inner demons. The story unfolds through the testimony of musicians, producers, broadcasters and rare archive of the country legends. These include Dolly Parton, Charley Pride, Willie Nelson, Ricky Skaggs, Steve Earle, Kris Kristofferson and several hitmaking contemporary stars, Kasey Musgraves, Brad Paisley and Jason Aldean. This cast reveal the unique power of country music to hold up a mirror to its fans and create a music that has - for decades - touched the hearts of the South and of working people. Kristofferson calls it the 'white man's soul music'. Also featured are extensive musical performances by Nashville's greatest, from Johnny Cash to Loretta Lynn and George Jones to Garth Brooks. Several of Nashville's younger stars describe their ongoing journey from their hometowns in the South to the streets of this city, from the first studio demos and the sawdust of the Broadway bars to the stadiums and promo videos that now define country stardom.

A rare chance to see Robert Elfstrom's 1969 classic film that captures the Man in Black at his peak, the first of many in a looming rollercoaster career. Fresh on the heels of his Folsom Prison album, Cash reveals the dark intensity and raw talent that made him a country music star and cultural icon. Elfstrom got closer than any other filmmaker to Cash, who is seen performing with his new bride June Carter Cash, in a rare duet with Bob Dylan and behind the scenes with friends, family and aspiring young musicians - painting an unforgettable portrait that endures beyond the singer's death in 2003.

'Whispering' Bob Harris journeys to America's country music capital to reveal why Nashville became Music City USA. From the beginnings of the Grand Ole Opry on commercial radio, through the threatening onset of rock 'n' roll in the 1950s, right up to the modern mainstream hits of Music Row, this is the story of how music has shaped Nashville and why today it's a place of pilgrimage for musicians from all over the world. As well as iconic venues on Lower Broadway and the historic hit factories of 16th Avenue, Bob also explores the East Nashville music scene and discovers a rebellious flipside to the country coin. With exclusive performances from the city's top talent, Bob explains why country music owes its enduring success to Nashville's unique nurturing community of songwriters. Includes interviews with Emmylou Harris, Duane Eddy, Dave Stewart and Rosanne Cash.

One iconic black box has probably more than anything else come to define the sound of rock - the Marshall amplifier. It has been, quite literally, behind some of the greatest names in modern music. It all started in 1962 when drum shop owner Jim Marshall discovered the distinctive growl that gave the electric guitar an exciting new voice. Music got a whole lot louder as young musicians like Clapton, Townshend and Hendrix adopted the revolutionary 'Marshall Sound'. The electric guitar now spoke for a new generation and the genre of rock was born. Soon Marshall stacks and walls were an essential backdrop of rock 'n' roll. The excesses of rock machismo were gloriously lampooned in the 1984 movie This is Spinal Tap. In an extrodinary piece of reverse irony, it was this comic exposure that rescued the company from financial meltdown. With contributions from rock legends like Pete Townshend, Lemmy and Slash, plus an interview with the 'Father of Loud' Jim Marshall, this documentary cruises down the rock ages with all the dials set to 'eleven'.

Documentary telling the story of funk, an irresistible style of music that burst out of the American black community at a time of self-discovery, struggle and social change. In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire. During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were. Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans. Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.

Sammy Davis Jr was born to entertain. He was a human dynamo who made his debut at the age of five and by the time he was a teenager was wowing audiences across America. A gifted dancer, actor and singer, and a key member of the Rat Pack, Davis is best remembered for his unforgettable rendition of Mr Bojangles and his No 1 single, The Candyman. However, as a black man, making his way in the entertainment business saw him struggle to overcome racial prejudice, letter bombs and death threats. Davis fought back with his talent and in the 1960s marched alongside Dr Martin Luther King. Despite his reputation as a civil rights campaigner and one of the world's greatest entertainers, Davis remains an enigma. Those closest to him tell of a man never quite comfortable in his own skin, a workaholic and spendaholic who put his career before his family and who died leaving them millions of dollars in debt. This documentary is Sammy Davis Jr's remarkable life story - his rise and his fall - told by those who knew him best. For the first time his family and friends including Paul Anka, Engelbert Humperdinck, Reverend Jesse Jackson and Ben Vereen share their memories - shedding new light on the legacy of one of the most gifted and loved performers in show business.

Len Goodman investigates the rise and fall of British big band music, and charts its recent revival. Before the war, popular jazz and dance band music enjoyed universal appeal, capable of reaching out to people across the generations. Len spent many of his early days listening, and of course dancing, to the music of Ted Heath, Glenn Miller and Joe Loss. He has an enormous affection for the days when swing was king and top of the pile were the big bands. Len returns to some of his old stamping grounds and discovers why we continue to love this bold and brassy art form. The film looks at how the bands survived, and indeed thrived, in the years after the war. Eventually, though, the world around them moved on. The rise of teenager culture, rock 'n' roll, pop and other forms of jazz, blues and folk meant big bands were struggling to compete in a crowded market, one that catered for an incredibly diverse range of musical tastes. Today we've come full circle. The big bands are enjoying something of a revival, and once again have universal appeal. Bands live on in towns and cities across the UK. Artists such as Robbie Williams have also introduced a new generation to the sound of swing and popular big band jazz. And, as Len says: 'Everyone seems to have an affection for it - and, you know what - when I hear Glenn Miller's music drifting lazily through the air, I can really understand why...'.