The Scream tells the life-story of the painting more widely reproduced than any other, even the Mona Lisa. It shows exactly how and why the Norwegian expressionist Edvard Munch arrived at his extraordinary image and how that image of the screaming person has reverberated down the decades to become an icon in modern culture.

Two men sitting on the grass, with a picnic nearby. They are not looking at a naked woman seated nearby, who stares brazenly out of the canvas at the viewer. In the background a second woman is doing something hard to quite see. Just what is going on? The full story of the painting that many believe is the beginning of modern art.

A popular masterpiece and yet an enduring enigma. It seems to show a quiet scene in a Paris park but there are hints at the demi-monde, if you know where to look. The most remarkable aspect of this vast canvas however remains Seurat's technique his revolutionary pointillism.

The stark portrait, mainly in greys and black, that James McNeill Whistler painted of his mother is now a picture that is widely lampooned as a portrait of a prim Victorian lady. She is shown smoking reefers, wearing trainers, having a tatoo. But Whistler's approach was revolutionary in its time, wholly departing from the Victorian tradition of sentimental narrative painting. His relationship with his mother was also an intriguing study in contrasts.

The great revolutionary masterpiece, painted by a man who soon complained that revolutions got in the way of dinner parties. Shunned by the government of the day, it has endured to become the symbol of the French republic and an icon of later revolutions.

Of all Vermeer's paintings, it was probably this picture that he held in greatest esteem. It was the painting he used to show off his skills to customers. A customer three centuries after he died was none other than Adolf Hitler.

Among the greatest of all depictions of battle, these three panels were breakthroughs in painting technique, so that contemporaries must have viewed them in awe. Also they were the victims of an audacious art crime.

One of the most sensual of paintings, achieved in the extraordinary intellectual climate of turn of the century Vienna by a male artist of prodigious sexual appetite. Yet it may portray the shift of sexual power towards the female.