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Saison 2000
Date de diffusion
Mar 18, 2000
The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.
The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.
Date de diffusion
Avr 29, 2000
The greatest advertisements ever shown in Britain.
The greatest advertisements ever shown in Britain.
Date de diffusion
Mai 11, 2000
Tells the colourful story of the telegraph’s creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French
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Tells the colourful story of the telegraph’s creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French scientist Jean-Antoine Nollet to Samuel F. B. Morse and Thomas Edison. The electric telegraph nullified distance and shrank the world quicker and further than ever before or since, and its story mirrors and predicts that of the Internet in numerous ways.
2000x11
Épisode final de la saison
Blood on the Altar: Dark Rituals of the Phoenician
Episode overview
Date de diffusion
Jun 20, 2000
Did ancient Phoenicians, a powerful Mediterranean nation of seafaring traders also known as the Canaanites in the Bible, really sacrifice their children in rituals involving human
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Did ancient Phoenicians, a powerful Mediterranean nation of seafaring traders also known as the Canaanites in the Bible, really sacrifice their children in rituals involving human sacrifice, or was this claim just a fabrication? Blood on the altar takes a look a the archaeological and historical evidence on whether the Phoenicians killed children to appease their gods.
The Phoenicians are said to have invented the alphabet, sea-faring navigation and the introduction of wine to Europe. But after the sacking of Carthage by the Romans in 146BC and the destruction of their famous library, the world was left with very little evidence of Phoenician life and culture.
To the Greeks and Romans, the Phoenicians were described as a people of unscrupulous profiteers, grubby merchants – and worse. They were seen as a morally corrupt race who forcibly prostituted their daughters in sacred rituals and killed their own young in an attempt to win over their violent gods.
But digging through history, th
Date de diffusion
Juil 15, 2000
Mark Kermode charts how the film, Blade Runner came to influence films, television, feature films and define the future, charting the genesis of what is arguably one of the all time
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Mark Kermode charts how the film, Blade Runner came to influence films, television, feature films and define the future, charting the genesis of what is arguably one of the all time great sci-fi films from Philip K. Dick's 'Do Androids Dream of Electric Sheep?' to the Director's Cut.
Interviews with production staff, including Ridley Scott give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep?
Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the Los Angeles 2019 streets, which look very different from Ridley's dark version.
The documentary then details the test screenings postproduction editing/changes (voice over and happy ending, deleted Holden hospital scene), special effects, soundtrack by Vangelis, and the unhappy relationship between the filmmakers and the investors; which culminated in Deeley and Ridley being fired but still working on the film. The question of whether or not Deckard is a replicant surfaces. After being a "disaster" in the box office (a financial loss initially) Blade Runner was reborn in the video rental market, and a great reception of a chance screening of Ridley's workprint at the Fairfax Theater, Los Angeles, in May 1990 led to Warner Bros. having the "Director's Cut" done by film archivist Michael Arick.
Date de diffusion
Juil 17, 2000
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
Date de diffusion
Août 26, 2000
An affectionate look at celebrity hellraisers whose shocking antics and outrageous exploits have gained them both ridicule and respect.
An affectionate look at celebrity hellraisers whose shocking antics and outrageous exploits have gained them both ridicule and respect.
Date de diffusion
Sept 07, 2000
Explore the real-life events that inspired the Tom Clancy novel and film, ‘The Hunt for Red October’. In 1975, disgruntled Soviet officer led a mutiny on board a state-of-the-art Russian
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Explore the real-life events that inspired the Tom Clancy novel and film, ‘The Hunt for Red October’. In 1975, disgruntled Soviet officer led a mutiny on board a state-of-the-art Russian warship. Unlike the movie captain portrayed by Sean Connery, this maverick sought to cause a revolution in his own land – and almost sparked a war in the process.
Date de diffusion
Sept 25, 2000
Broadcast as part of Channel 4's Animation Week, this documentary explores the history of the use of animation as a force for subversion.
Contains adult content of an animated nature.
Broadcast as part of Channel 4's Animation Week, this documentary explores the history of the use of animation as a force for subversion.
Contains adult content of an animated nature.
Date de diffusion
Déc 30, 2000
This film examines the recent rise in violent crime in Japan. Through individual murder stories it provides an insight into 21st century Japanese society.
This film examines the recent rise in violent crime in Japan. Through individual murder stories it provides an insight into 21st century Japanese society.
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