Extras
Mirror Georgiou receives a surprise invitation from Leland to join a mysterious organization.
Mirror Georgiou receives a surprise invitation from Leland to join a mysterious organization.
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Onboard the U.S.S. Discovery, Ensign Tilly (Mary Wiseman) encounters an unexpected visitor in need of help. However, this unlikely pair may have more in common than meets the eye.
Onboard the U.S.S. Discovery, Ensign Tilly (Mary Wiseman) encounters an unexpected visitor in need of help. However, this unlikely pair may have more in common than meets the eye.
Extras are not tracked
Onboard the U.S.S. Discovery, Ensign Tilly encounters an unexpected visitor in need of help. However, this unlikely pair may have more in common than meets the eye.
Onboard the U.S.S. Discovery, Ensign Tilly encounters an unexpected visitor in need of help. However, this unlikely pair may have more in common than meets the eye.
Extras are not tracked
After waking up in an unfamiliar sickbay, Craft finds himself on board a deserted ship, and his only companion and hope for survival is an A.I. computer interface.
After waking up in an unfamiliar sickbay, Craft finds himself on board a deserted ship, and his only companion and hope for survival is an A.I. computer interface.
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After waking up in an unfamiliar sickbay, Craft finds himself on board a deserted ship, and his only companion and hope for survival is an A.I. computer interface.
After waking up in an unfamiliar sickbay, Craft finds himself on board a deserted ship, and his only companion and hope for survival is an A.I. computer interface.
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Before he was the first Kelpien to join Starfleet, Saru lived a simple life on his home planet of Kaminar with his father and sister. Young Saru, full of ingenuity and a level of
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Before he was the first Kelpien to join Starfleet, Saru lived a simple life on his home planet of Kaminar with his father and sister. Young Saru, full of ingenuity and a level of curiosity uncommon among his people, yearns to find out what lies beyond his village, leading him on an unexpected path.
Extras are not tracked
Before he was the first Kelpien to join Starfleet, Saru lived a simple life on his home planet of Kaminar with his father and sister. Young Saru, full of ingenuity and a level of
.. show full overview
Before he was the first Kelpien to join Starfleet, Saru lived a simple life on his home planet of Kaminar with his father and sister. Young Saru, full of ingenuity and a level of curiosity uncommon among his people, yearns to find out what lies beyond his village, leading him on an unexpected path.
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Harry Mudd back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship — just in time to try out his latest con.
Harry Mudd back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship — just in time to try out his latest con.
Extras are not tracked
Harry Mudd back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship — just in time to try out his latest con.
Harry Mudd back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship — just in time to try out his latest con.
Extras are not tracked
Harry Mudd, back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship — just in time to try out his latest con.
Harry Mudd, back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship — just in time to try out his latest con.
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A scene of Burnham and Owosekun around the supper table at the colony.
Tilly runs into Stamets in the corridor, Stamets praises Tilly, but also confides in her that he didn’t see Hugh
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A scene of Burnham and Owosekun around the supper table at the colony.
Tilly runs into Stamets in the corridor, Stamets praises Tilly, but also confides in her that he didn’t see Hugh in the jumps, and is starting to wonder if he’s just making things up, seeing what he wants to see.
Tilly in the cargo bay anxiously chats about May with Nilsson.
Tilly goes through the “signatures page” of the holographic yearbook and we see young May’s video note to Tilly. The computer confirms May is dead (as in the final version) and then Tilly wonders out loud to the computer if something is wrong with her.
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Saru and Burnham in the turbolift—Saru expresses concerns about how Tilly is doing in the Command Training Program and asks Burnham to keep an eye on her. We learn that Saru and Burnham
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Saru and Burnham in the turbolift—Saru expresses concerns about how Tilly is doing in the Command Training Program and asks Burnham to keep an eye on her. We learn that Saru and Burnham went through the CTP together.
Tilly looks over the CTP list on her padd at her desk, while May sits on Tilly’s bed and talks to her. Tilly tries to ignore May as she brushes her hair in the bathroom mirror, and argues with May about the meaning of the visions of her. May tells her that she is sane, she’ll go away but she just needs the help of a “courageous genius.”
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Extended scene of Burnham talking with Amanda about needing to help Spock at the Sarek house.
Extended scene of Burnham talking with Amanda about needing to help Spock at the Sarek house.
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Cornwell implies that she got the intel about the Section 31 base from outside Starfleet.
Cornwell implies that she got the intel about the Section 31 base from outside Starfleet.
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A sweeping shot of Pike talking with Culber about still finding his feet, but that there’s a job for him: testing Burnham to see if she’s the Red Angel.
A sweeping shot of Pike talking with Culber about still finding his feet, but that there’s a job for him: testing Burnham to see if she’s the Red Angel.
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Tyler, Burnham, and Spock share an awkward turbolift ride to the ready room.
An unfinished VFX shot of the D7 decloaking and L’Rell beaming aboard the Discovery. L’Rell notes that the
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Tyler, Burnham, and Spock share an awkward turbolift ride to the ready room.
An unfinished VFX shot of the D7 decloaking and L’Rell beaming aboard the Discovery. L’Rell notes that the last time she was aboard the ship she was a prisoner.
Stamets, Nilsson, and Reno discuss if they could make a synthetic time crystal. Reno calls out Paul and tells him to focus, Stamets is still thrown by seeing Culber in the mess hall pass him by earlier in the day, he takes a break to clear his head, and Reno says she’s going to run an errand (to go see Culber with her “injured” finger as in the final version).
Tenavik tells Pike more about how the monks must have faith in the time crystals, and that they devote their entire lives to the crystals.
Tyler and L’Rell have an extended conversation about their son and his choice to continue to support Section 31. They agree that they should “always go forward.” A nice sign-off for the two characters as the camera pulls out from them looking out a window on the Discovery and into space.
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Georgiou and Stamets have a quick aside that sets up her use of the spore cube to detain Leland later on.
Spock and Burnham have a discussion on the bridge about both of them going to the future and what that would mean to Sarek and Amanda.
Georgiou and Stamets have a quick aside that sets up her use of the spore cube to detain Leland later on.
Spock and Burnham have a discussion on the bridge about both of them going to the future and what that would mean to Sarek and Amanda.
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A brief add-on to Tilly’s heroics in a Jefferies Tube in which she says, “Not today! Today I am a science beast!” Another scene that would have been a nice addition to the episode.
A brief add-on to Tilly’s heroics in a Jefferies Tube in which she says, “Not today! Today I am a science beast!” Another scene that would have been a nice addition to the episode.
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Ensign Spock's first day aboard the U.S.S. Enterprise doesn't go as planned when he and Number One are unexpectedly stuck together in a turbo lift.
Ensign Spock's first day aboard the U.S.S. Enterprise doesn't go as planned when he and Number One are unexpectedly stuck together in a turbo lift.
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Newly minted Captain Lynne Lucero is excited to take command of the U.S.S. Cabot, until she meets Edward Larkin, an ornery scientist who believes he has found a revolutionary new use for tribbles..
Newly minted Captain Lynne Lucero is excited to take command of the U.S.S. Cabot, until she meets Edward Larkin, an ornery scientist who believes he has found a revolutionary new use for tribbles..
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Executive producer Olatunde Osunsanmi, production designer Tamera Deverell, art directors Matt Middleton and Jody Clement, lighting designer Franco Tata, and construction coordinator
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Executive producer Olatunde Osunsanmi, production designer Tamera Deverell, art directors Matt Middleton and Jody Clement, lighting designer Franco Tata, and construction coordinator Marc Kuitenbrouwer discuss the redresses of various spaces. There’s also a tour of Captain Pike’s ready room and the Section 31 ship bridge, L’Rell’s home, and the Klingon Cleave ship bridge.
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Propmaster Mario Moreira discuses making props for season 2, and shows off the new Section 31 phaser—which is an anodized aluminum hand weapon with a retracting barrel—Saru’s Kelpien
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Propmaster Mario Moreira discuses making props for season 2, and shows off the new Section 31 phaser—which is an anodized aluminum hand weapon with a retracting barrel—Saru’s Kelpien knife, L’Rell’s knife, and a 9-foot fully articulated AI tentacle from 207.
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Costume designer Gersha Phillips and her team are highlighted, including L’Rell’s chancellor robes. L’Rell actress Mary Chieffo joins Phillips to discuss the new costumes. Michelle Yeoh
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Costume designer Gersha Phillips and her team are highlighted, including L’Rell’s chancellor robes. L’Rell actress Mary Chieffo joins Phillips to discuss the new costumes. Michelle Yeoh gushes about the new costumes for Emperor Georgiou and the Section 31 costumes. There are also loos at Sarek and the Vulcan costumes and the new USS Enterprise uniforms. Anson Mount and Rebecca Romijn discuss the costumes and we see Romijn getting fitted for her uniform.
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Neville Page and Glenn Hetrick and the artisans at Alchemy Studios show how aliens are brought to life. Saru and Siranna, Pike’s scarred face, the Talosians, Linus the Saurian, and
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Neville Page and Glenn Hetrick and the artisans at Alchemy Studios show how aliens are brought to life. Saru and Siranna, Pike’s scarred face, the Talosians, Linus the Saurian, and Airiam are highlighted. Lead makeup artist James MacKinnon and his team are also featured as they execute the final touches on the aliens.
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This video Easter Egg showcases an amazing conversation between Discovery prosthetic wizard James MacKinnon and actor Mary Chieffo (L’Rell) in the series’ main make-up trailer, where
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This video Easter Egg showcases an amazing conversation between Discovery prosthetic wizard James MacKinnon and actor Mary Chieffo (L’Rell) in the series’ main make-up trailer, where MacKinnon regales Chieffo with stories from his 30-plus year make-up career, spanning across seven different Star Trek productions. He speaks in reverence of his “mentor,” famed Trek make-up auteur Michael Westmore, his love for the lineage of some of the franchise’s most famous alien make-ups, and shares an embarrassing moment from his time working on one of the Trek feature films.
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Visual effects supervisor Jason Zimmerman is featured. The pods from “Brother” are shown—the lander pods were almost entirely a virtual construct. Sonequa Martin-Green discusses being in
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Visual effects supervisor Jason Zimmerman is featured. The pods from “Brother” are shown—the lander pods were almost entirely a virtual construct. Sonequa Martin-Green discusses being in the Red Angel suit and all the green screen involved. Visual effects supervisor Ante Dekovic and Zimmerman discuss preparing for the huge battle at the end of the season.
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A 43-minute feature on making the finale with Alex Kurtzman, Michelle Paradise, and director/producer Olatunde Osunsanmi. This is an in-depth look at how the final episode was made, from pre-production preparations to post-production.
A 43-minute feature on making the finale with Alex Kurtzman, Michelle Paradise, and director/producer Olatunde Osunsanmi. This is an in-depth look at how the final episode was made, from pre-production preparations to post-production.
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This is a 55-minute look back at making the season. Writers, producers, directors, and cast are interviewed about the making of the 14 episodes in season two.
This is a 55-minute look back at making the season. Writers, producers, directors, and cast are interviewed about the making of the 14 episodes in season two.
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Production designer Tamara Deverell and and construction coordinator Marc Kuitenbrouwer talk about making the Enterprise sets for Discovery.
Production designer Tamara Deverell and and construction coordinator Marc Kuitenbrouwer talk about making the Enterprise sets for Discovery.
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A complete deconstruction of the red angel, the main protagonist of the season, and the complexities that went into the design as not only an elaborate costume but a complex prop and concept.
A complete deconstruction of the red angel, the main protagonist of the season, and the complexities that went into the design as not only an elaborate costume but a complex prop and concept.
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Gag reel containing outtakes from seasons one and two.
Gag reel containing outtakes from seasons one and two.
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When an attack on Starbase 28 leaves a surprise prisoner under Cadet Thira Sidhu's watch, she is faced with making a decision that may threaten her standing in Starfleet.
When an attack on Starbase 28 leaves a surprise prisoner under Cadet Thira Sidhu's watch, she is faced with making a decision that may threaten her standing in Starfleet.
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When a lightning storm in space scares a young Michael Burnham, her father aims to ease her fears with a mythical story about a brave little girl who faced her own fears head on.
When a lightning storm in space scares a young Michael Burnham, her father aims to ease her fears with a mythical story about a brave little girl who faced her own fears head on.
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Ephraim, a humble tardigrade, is flying through the mycelial network when an unexpected encounter takes her on a bewildering adventure through space.
Ephraim, a humble tardigrade, is flying through the mycelial network when an unexpected encounter takes her on a bewildering adventure through space.
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12 year-old classmates Kima and Lil find themselves at odds with each other on a day that will change their lives forever.
12 year-old classmates Kima and Lil find themselves at odds with each other on a day that will change their lives forever.
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0x2
The Cast Of Star Trek: Discovery Unite For A Table Read Of The Entire Season 2 Finale
Episode overview
Picking up where their San Diego Comic-Con 2020 panel left off, star Sonequa Martin-Green and the rest of the Star Trek: Discovery cast reunite for a reading of the Season 2 finale.
Picking up where their San Diego Comic-Con 2020 panel left off, star Sonequa Martin-Green and the rest of the Star Trek: Discovery cast reunite for a reading of the Season 2 finale.
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Sonequa Martin-Green reveals the official trailer for Star Trek: Discovery Season 3.
Then, host Mica Burton speaks with Executive Producers and Co-Showrunners Alex Kurtzman and
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Sonequa Martin-Green reveals the official trailer for Star Trek: Discovery Season 3.
Then, host Mica Burton speaks with Executive Producers and Co-Showrunners Alex Kurtzman and Michelle Paradise, and new cast addition David Ajala (Cleveland "Book" Booker) discussing their favorite parts of the trailer (including the new logo), how they crafted a future beyond anything Star Trek has explored, and what we can expect from new characters and old in Season 3.
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Wil Wheaton hosts this special look at Star Trek: Discovery's fifth and final season. Featuring an exclusive interview with series star Sonequa Martin-Green , sneak peeks and much more
Wil Wheaton hosts this special look at Star Trek: Discovery's fifth and final season. Featuring an exclusive interview with series star Sonequa Martin-Green , sneak peeks and much more
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In Star Trek: Section 31, Emperor Philippa Georgiou joins a secret division of Starfleet tasked with protecting the United Federation of Planets and faces the sins of her past.
In Star Trek: Section 31, Emperor Philippa Georgiou joins a secret division of Starfleet tasked with protecting the United Federation of Planets and faces the sins of her past.
Extras are not tracked
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