Live from the Met

Jon Vickers was one of the most magnetic singing actors of the 20th century and Otello one of his greatest roles. He understood how to combine Shakespeare’s rich characterization and Verdi’s dramatic music to create an overwhelming figure, one whose death left audiences deeply shaken. Vickers is perfectly partnered by James Levine’s conducting and the Met’s sensational orchestra and chorus. Renata Scotto is an appealing Desdemona, Cornell MacNeil is a menacing Iago, and Franco Zeffirelli’s production is deservedly legendary. Performance date: September 25, 1978.

Every bit of the spontaneous charm that infuses Smetana’s colorful opera is conveyed in this English-language performance by a spectacular cast. Teresa Stratas as Mařenka is determined to marry her lover Jenik (Nicolai Gedda), but her father in under obligation to Micha and wants her to marry Micha’s son—the stuttering, rather foolish Vašek (Jon Vickers in a tour-de-force comic performance). Fortunately Jeník has a secret of his own and it all ends well. James Levine and the Met orchestra bring out the Bohemian color and rhythm of this enchanting score, and Pavel Smok’s choreography adds a delightful flair. Performance date: November 21, 1978.

A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century. Performance date: December 19, 1978.

Renata Scotto is the innocent Luisa, very much in love with Rodolfo (Plácido Domingo in one of his best roles). But he turns out to be the son of the Count Walter (Bonaldo Giaiotti), who has other plans for his aristocratic boy. Enter the evil Wurm (James Morris) whose blackmail eventually backfires, destroying the young lovers despite everything Luisa's father (Sherrill Milnes in a superb performance) does to protect her. James Levine's affectionate conducting and director Nathaniel Merrill's production help make this a performance to treasure. Performance date: January 20, 1979.