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Temporada 24
Elijah Moshinsky’s atmospheric production, designed by Mark Thompson, sets the stage for this gripping performance of Tchaikovsky’s passionate setting of Pushkin’s classic novel. Valery
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Elijah Moshinsky’s atmospheric production, designed by Mark Thompson, sets the stage for this gripping performance of Tchaikovsky’s passionate setting of Pushkin’s classic novel. Valery Gergiev’s idiomatic and authoritative conducting inspires a superb cast, headed by Plácido Domingo (Ghermann), breathtaking in his portrayal of a man unraveling toward suicide. Galina Gorchakova is Lisa, the woman he loves and destroys, Dmitri Hvorostovsky lends a superb voice and regal bearing to Prince Yeletsky; and Elisabeth Söderström is hair-raising as the old Countess. Olga Borodina is Paulina and Nikolai Putilin is Count Tomsky. Performance date: April 15, 1999.
The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn
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The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s great conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books. Performance date: November 11, 1998.
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