Astonishing Legends

Sometimes people come into our lives that change everything. Sometimes that change can come from an object. In March of 1974, the Betz family of Fort George Island, Florida found such an object, while investigating their property for wildfire damage. It appeared to be a shiny steel ball, measuring 7.96 inches in diameter and weighing 21.34 pounds. Being a simple, yet so out-of-place item in the middle of nowhere, it caught the attention of the eldest Betz son Terry, who took it home as a souvenir. The family, and eventually the rest of the world, would soon learn that this was no ordinary metal ball. The sphere would demonstrate highly unusual properties, like rolling that would indicate self-guidance, vibrating and emitting high-pitched frequencies, and a strange magnetic quality. These actions would be witnessed not only by the family but by the military, scientists and news media, all eager to determine who made this thing and why.

With every paranormal event or object, there are the questions of how did this happen or what was this thing? But the equally important issue is, how would this affect me? Because when something seemingly impossible happens, we have no context unless it had interaction with somebody. It becomes meaningful when we ponder the implications to our own human experience. As much as the Betz Sphere created a scientific mystery it also created a family story. Tonight, we're fortunate to present an exclusive interview with a member of the Betz family who was there to witness the entire ordeal and who has generously agreed to share their family story and set the record straight. Someone or something secretive created this sphere and while its operation and purpose remain unknown to the public, how it became known to the world and how that affected their lives is their story alone.

For something that many would claim was just a misplaced piece of industrial equipment, the Betz Sphere attracted a lot of serious attention, some official, some dubious and some a bit of both. Despite the initial vague or dismissive statements from the US Navy and noted scientists such as Dr. J. Allen Hynek that were reported by the news media, they were determined to continue seeking answers from it. The interest didn't stop with our government either, as mysterious foreign agents had shown up and expressed a keen interest in obtaining the orb. Subterfuge, manipulation both social and scientific, a disproportionate offer of a large sum of money, and even a possibly related assault all seem like a lot of effort to obtain an old discarded valve ball. Never before seen photos of the sphere posted with this episode on all of our social media.

82 years ago Amelia Earhart and her navigator Fred Noonan vanished. Since then millions of dollars have been spent at the behest of countless researchers in an attempt to find her. In all of that time, only one of those researchers has found an aircraft. Our audience knows that researcher as Bill Snavely. He was a guest on our show back in May of 2018 and now he's back to report on what the team he assembled found on their first in-depth expedition to Buka.

As we close this final chapter on the story of the Betz Sphere, we've all been given a rare and exclusive glimpse into what happens when an impossible object becomes known to the world. We've seen what can happen to a regular family that only sought to find answers about its purpose. We've seen how authorities and officials behave when they too are mystified about an item that most are satisfied to dismiss as discarded industrial junk; their public stance hiding personal and professional curiosity. We've seen how the news media tries to answer the questions we all have but falls short, leaving the real story untold and yet retold again and again with incorrect or incomplete information because that's all the public is allowed. Most importantly, we've all now seen inside this mystery but are once again reminded that when it comes to High Strangeness, the answers we receive we may not understand.

Our legends and folklore must begin somewhere, and if not from the creative imagination of a single individual then perhaps they are born from the collective experiences of a particular group. While it is difficult to trace the exact nascency of certain legends, we may be able to get a clearer idea of where a specific mystical being came to be known, the gremlin. The British pilots and aircrew of the Royal Air Force during the WWI and WWII eras began to experience baffling and inexplicable problems with their aircraft and missions. Wires that appeared to have been chewed through, sand particles found in machinery where none should be, punctures and damage that was incomprehensible were just some of the numerous mysterious problems they encountered. But with no known cause, blame fell to the gremlin a mischievous goblin-like entity said to inhabit the skies and aerodromes of the RAF and who delighted in causing trouble for airmen.

When people see horrific apparitions of a supernatural nature, what are they really seeing and what could be causing these images to appear? Could it be that the demons and terrors some people have witnessed sometimes come from a strange symptom of a rare medical condition? This seems to have been the case with tonight's guest, Sarah, who was seeing beings and elements more associated with demonic possession, a haunting or even a psychological disorder, rather than with a physiological illness. It might seem easy to say all supernatural occurrences are nothing but a byproduct of a medical ailment, but many people have also reported seeing and interacting with horrific specters similar to what Sarah was seeing, who have no medical issues. We are left to wonder then, on a case by case basis if seeing something supernatural is from a medical cause, a spiritual cause, or perhaps a combination of both.

Most everyone familiar with the tragedy of Dyatlov Pass believes that whatever mysterious and strange event occurred, not all of the details have been shared by the Russian government. Tonight, we speak with Keith McCloskey, author of two books about the subject, "Mountain of the Dead: The Dyatlov Pass Incident" and "Journey to Dyatlov Pass: An Explanation of the Mystery" who has also traveled to the site for his research. We'll hear about his hypotheses and the current state of his efforts to petition the Russian courts to reexamine the case and declassify any previously unreleased information. We first spoke with Keith for our coverage on the Flannan Isles Lighthouse mystery and trust that he will bring the same diligent investigation and keen observations into solving this unfortunate riddle once and for all.

Loftus Hall is considered one of the most haunted residences in Ireland. But what made it that way? If you believe the local legend, it started when a mysterious stranger visited the Hall one dark and stormy night. During a game of cards, he would enchant the young mistress of the house. But with his true nature discovered, he would flee most violently and mystically, leaving the woman scarred for life. They would both routinely haunt the house since. If you believe the legend, then what drew the dark visitor to the Hall? Was it the fate of this noble family or could it have been the history of bloodshed on this land for a thousand years or more? Tonight, we examine the charmed, Irish history of Loftus Hall and the tale of a handsome devil who comes to call.

As it is said with legends, when you separate the wheat from the chaff, there is often a kernel of truth in them. So what is the truth about Loftus Hall? Whether the Devil himself came to visit this prominent family who can say with certainty, but it seems accurate that the real Anne Tottenham suffered so great an instance of emotional trauma that it left her to wither in a catatonic state for the rest of her short life. There may even be proof that she remained seated for years, staring out the window of her favorite room, waiting for her bewitching love to return. What is also known is that some occult force had disturbed the family and staff of the house so greatly and frequently thereafter, that Protestant nobility had broken with fierce tradition to seek help from a local Catholic priest. The much-beloved Father Thomas Broaders was called upon to exorcize the demonic presence and was successful, mostly.

Skeptics and believers alike will always demand proof of paranormal claims. But what happens when extraordinary and therefore controversial evidence is offered? When it comes to one of the most popular and enduring legends of a cryptid, that of North America's Bigfoot or Sasquatch, we have an answer. On October 20, 1967, Roger Patterson and Bob Gimlin were about ten days into a horseback trip near Bluff Creek, northwest of Orleans, CA. Patterson had heard of Bigfoot activity in the area and hoped to film some evidence with a 16mm motion picture camera. Around 1:30 p.m. that day, Patterson got his wish, and much more than he bargained for in the long run. As the pair rode around an upturned tree stump, they suddenly spotted what appeared to be a massive, ape-like beast quickly walking away from them.

What if you had spent years searching for something elusive, something you believe existed that most didn't, and then one day you finally happened to capture it on film? What would be your immediate next steps if you wanted to present it to the world? In the days before instant media uploads to the internet, where would you take the film and who would you show it to first if you wanted to be taken seriously? Roger Patterson had thought he and Bob Gimlin had captured irrefutable proof of Bigfoot, next to bringing the beast itself out of the woods. Little could he realize that every action and claim going forward from that moment of filming would be analyzed and criticized for the rest of his life, in addition to his integrity. Whether out to prove authenticity or a perpetrate a hoax, in either case, the reaction to the film was predictable. From the few scientists who bothered to look, to the curious public, some believed, some scoffed, some didn't know what to think.

When indirect evidence of an extraordinary event defies conclusive debunking, then the easier route for some critics is to attack the presenter of the evidence. Naturally and unfortunately, Roger Patterson's integrity and thus his credibility came under scrutiny and assault as a means of discrediting the film itself. Another common tendency in dealing with an incredible incident is to accept outright the allegations of a purported hoaxer or associate as a way of comfortably coping with a disturbing possibility which can then be safely set aside. In the case of the Patterson-Gimlin Film, there are two central claims that suit this purpose for those who doubt the film's authenticity. Bob Heironimus claimed he was the one who wore an ape suit for the film, given to him and made by Patterson. Philip Morris of Morris Costumes claimed he sold his standard gorilla costume to Patterson, who may have modified it for the filming.

Tonight, we have a special bonus episode for you, a commercial-free interview with a very talented writer, director, and performer who has actually worn a sophisticated ape-like costume for a Hollywood feature film and lived to tell about it. You may know Jorma Taccone from the wildly popular comedy trio, “The Lonely Island.” Along with Andy Samberg and Akiva Shaffer, the three have gone on to produce some of the most memorable and hilarious “Digital Shorts” for Saturday Night Live and their feature films, comedy albums and live performances have garnered them millions of fans. But what you may not know about Jorma is that he portrayed the loveably goofy primate-like character “Chaka” for the 2009 film “Land of the Lost,” inspired by the original 1974 children’s television series.

It's easy for the uninformed, casual observer to make a declaration on a website's Comments Section, but what do the experts think about the Patterson-Gimlin Film? If we look to science to provide answers about the subject in the PGF, then we should consider the evaluations of physical anthropologists who specialize in primate morphology and authorities in biomechanics and bipedal locomotion. Fortunately, the academics and costume professionals who did weigh in ignored the gossip about character and focused only on the film. Unfortunately, most of the scientific community wouldn't bother giving the film any consideration and those that were asked to, dismissed it outright after limited viewing with no careful examination.

There are a few researchers for whom the Patterson-Gimlin Film has sparked a life-long quest to analyze its mystery and the possibility of Sasquatch. Concerning the preservation of the actual film itself, no one has done more to secure its integrity than William “Bill” Munns. While the original 16mm Kodachrome Color-Reversal film shot by Roger Patterson has since gone missing, Munns built a mobile High Definition digital film scanner and with exclusive permission from Patterson’s widow Patricia, has painstakingly scanned every frame of her first generation copy at 5K resolution, even discovering an additional two frames at the beginning, making the total count 954 frames in total. Bill Munns has spent most of his long career in filmmaking and creating special makeup effects, starting as a makeup artist with Universal Studios in 1969.

Whether you believe in Bigfoot or not, the story of the Patterson-Gimlin film remains a superb example of the scientific investigation of an anomalous event that falls within the realm of the paranormal. Other documentation of things like UFOs, ghosts, and other cryptids have come under close examination throughout the years, but little has been of such relative quality and few examples if any have been able to provide such relatable data to examine. This relatability is due to the corporeality of the subject in the film. Whether an unknown primate or a man in a suit, it seems it is something from the world of which we know. Perhaps it’s not any data which is so troubling and debatable amongst the authorities, but the implications that data leads to if the film is authentic. In any case, it is a film and an event which deserves full reconsideration.

Does some element of us exist after we die? Is it possible that a message in a dire time of need could reach a loved one across vast distances without the aid of electronic or mechanical means, with a form of psychic energy either just before or after death? Could our emotional spirit be so intense in a moment of crisis that it leaves an imprint or echo that can reverberate in the ether and be heard, seen or sensed again and again? There have been many reported cases where this seems to have happened, and you may have seen such stories in the news or even have one from your own family. Don't you wish scientists would study these examples in a search for answers to some of the most significant questions of all? Well, some scientists are because this type of occurrence falls under the field of parapsychology and we're fortunate enough this evening to speak with Brandon Massullo.

To really study the paranormal, any good researcher will tell you one must get out in the field to investigate the sightings, and that is especially true when it comes to cryptozoology. This is precisely what our interview guest has done. Lyle Blackburn is a full-time author, musician, and cryptid researcher from Texas, whose life-long fascination with legendary creatures has led him to write several acclaimed books, including Momo: The Strange Case of the Missouri Monster, The Beast of Boggy Creek, and Lizard Man. Lyle is a frequent guest on radio programs such as Coast to Coast AM and has been featured on numerous television shows like Monsters and Mysteries in America, Finding Bigfoot, and Strange Evidence, as well as other programs airing on the Animal Planet, Destination America, Discovery Science, and A&E channels. In addition, Lyle is a regular contributor for the monthly horror magazine, Rue Morgue.

Countess Elizabeth Báthory was a Hungarian noblewoman and one of the most wealthy and powerful aristocrats in eastern Europe during the late 16th and early 17th centuries. Together with her husband Ferenc Nádasdy, a military hero known as the Black Knight of Hungary, Báthory held numerous estates, lands, and villages. She also currently holds the Guinness World Record for being the most prolific female serial killer and most prolific murderer of the western world. Báthory had been accused in the testimonies of over 300 witnesses and survivors of some of the most horrific tortures and murders imaginable before she was arrested, even by medieval standards. Her victims were her maidservants and lesser noble protégés, all girls, with some as young as ten years old. Years after her death, a legend had formed that Báthory had even routinely bathed in and possibly drank the blood of her virginal victims, believing that the pureblood had retained her beauty.

We love to hate our villains as much as we love to love our heroes. And many of us have a morbid fascination with some of history's most sinister characters, perhaps as a means of understanding the darkest aspects of human behavior. But as is regularly the case, the truth behind the real nature and actions of historical figures we can only glean from the reporting of others in that age and often many years after. Even official accounts are just a widely agreed upon set of assessments by a group of people, each with their own biases and personal opinions. In other words, one person's villain can be another's hero, or at least grossly misunderstood. In the case of Elizabeth Báthory, the authorities finally took action against one of their own, leveling upon her a judgment that could appear both lenient and harsh, but in either case, revealing an investigation that would forever brand her as one of the evilest people in antiquity with her name living on in infamy.

As we often say on the show, if you haven't had a strange, paranormal experience, it's likely someone you know has. This happens to be the case with two college friends of Forrest, Dan Povenmire and Susan Lambert. In the mid-1980s, Susan was working as a reporter for the student newspaper of The University of Southern California, The Daily Trojan. She had asked Dan if he wanted to accompany her to an interview with a movie director. They set out on a drive that should only have taken no more than 40 minutes to complete. But upon arriving at the hotel where the director was giving interviews, learned that they were somehow almost two hours late. This seeming impossibility has baffled Dan ever since and fueled a search for answers. But to add to the mystery, this wouldn't be the only unexplainable experience of missing time, as the pair would encounter another episode during a subsequent car ride together.

Podcasters share a special bond, and this is especially true of those engaged with the pursuit of covering stories about the paranormal and unimaginable events. It is perhaps because we know our pursuit of the truth behind these ineffable events will take us beyond the fringes of belief and acceptance. It leaves us and our subjects vulnerable. But those that manage to tell these stories well have also managed to capture and relay the vulnerability and humanity and behind them. Because without it, there is little context to our own lives and therefore little empathy or meaning, and they may well remain as nothing but improbable tales. One such storyteller is tonight’s guest, Jim Perry. Jim and his critically acclaimed audio documentary podcast Euphomet, have explored the strange and our relationship to it. The result is an intimate and fascinating look at how these encounters affect us on a personal level.

At the Beinecke Rare Book and Manuscript Library at Yale University, there is a book with the catalog call number, MS 408. It is one of the most examined and researched manuscripts to date because it is one of the most enigmatic documents ever discovered. It was purchased in 1912 at Villa Mondragone in Italy by an antiquities dealer named Wilfrid Voynich, and since there is no discernible title for the book, it is more commonly known as the Voynich Manuscript. The text is written on around 240 pages of vellum and is comprised of over 170,000 characters in the form of a code that no cryptographer has yet been able to decipher from a known language. Equally puzzling are the illustrations which accompany the writing. Most seem to be botanical in content but mostly show no identifiable plants. Along with the drawings of strange flora are diagrams of astrological charts and primitive caricatures of nude women in ceremonial displays.

Since its modern discovery, no other medieval manuscript has seen as much media attention or scholarly scrutiny as the Voynich Manuscript. No doubt this is due to the fantastical strangeness of its mystery, which is also the same reason it continually captures the imagination of the public. Because it would seem, the bigger the mystery, the bigger the reward for its solving. Like with any enduring enigma, the manuscript has attracted its share of sleuths who have claimed they've been the ones to at least gain an insight into a solution. Their confidence may be due to another mystical property of the manuscript. If one looks hard enough for evidence to make their preconceived hypothesis work, they will find some within its pages. However, why such interest and debate over this old book? Other than as a specimen of 600-year-old "folk art," what is the worth of a book no one can read?

The ideal qualities of a paranormal investigator should include objectivity, a grasp of the relevant history and science, and a skeptical and inquisitive nature that’s balanced with a fair and open mind. Tonight’s guest has all of those traits and more. Author and paranormal researcher James A. Willis originally hails from the Hudson Highlands of upstate New York, the stomping grounds of the Headless Horseman of Sleepy Hollow. After spending 15 of his formative years being intrigued by macabre media and all things ghostly, strange and spooky, Willis moved to Ohio to found the nationally recognized research organization, The Ghosts of Ohio. He has since grown the organization to over 35 members, representing the regions anchored by the cities of Columbus, Cleveland, and Cincinnati. In 2004, the founders of the popular line of Weird US books invited Willis to contribute and he has since collaborated on 6 volumes in the series.

Many of us have seen all the ghost hunting shows on cable television and elsewhere, but are those accurate representations of what goes on during a paranormal investigation? After all, TV shows, have to deliver as many instances of spooky "evidence" as possible, because we, the viewing audience, demand it. In reality, like any hunting or fishing expedition, the experience is usually long stretches of waiting patiently and hopefully for brief moments of high excitement. Well, tonight we're going to find out in detail what it's like to actually go on a ghost hunt as we welcome back the previous episode's guest, author and paranormal investigator James A. Willis. We'll also be joined by our good friends Jill and Roger Pingleton, who are seasoned paranormal investigators themselves.

The Astonishing Legends podcast is proud to invite you to The Midnight Library, -Not just a show, but a place you can go-. For your listening pleasure, tonight’s reading will be about The Paris Catacombs. Once you’re inside, your Hosts, Miranda Merrick & Mr. Darling will do everything in their power to make you believe that you’re safe, so you can relax and hear the fascinating story of how 6 million skeletons made their way beneath the streets of Paris. (The Midnight Library cannot be held responsible for those who choose to visit of their own free will)

The interview you’re about to hear is one of the most compelling, fascinating, and terrifying personal accounts we’ve ever come across. We realize it may also be one of the most controversial subjects we’ve ever discussed. Our guest tonight knows these sensations all too well. The wonder, terror, decades of trauma, and the consequences from coming forward after a lifetime of these experiences are all part of his story. In June of 1977, Terry Lovelace was in the U.S. Air Force working as a medic and EMT while stationed at Whiteman AFB. He and his EMT partner and close friend felt compelled to take a weekend camping to Devil’s Den State Park in Arkansas. What started out as a carefree trip to the great outdoors would end in a night of horror and pain as they encountered a massive unknown craft about five stories tall.

Where's the one place in the world you'd like to feel the safest? Your bed, right? And in a secure home that surrounds that bed. We also become nostalgic for what we think was a simpler and more wholesome time. The atrocities we've become accustomed to hearing about on our current nightly news, we imagine inconceivable in bygone eras. But the truth is, we've always been vulnerable to the brutality of the waking world, no matter the times or the place. The darkest evil can come to find us wherever we lay our heads. One average family in America's Heartland at the turn of the century would experience this as their peaceful dreams turned into a nightmare. On the evening of June 9, or early morning hours of June 10, 1912, a depraved murderer had entered the home of the Moore family in Villisca, Iowa. He savagely crushed the skulls of Josiah Moore, his wife Sarah, and their four children with an ax as they slept.

What is at the heart of our fears? We may be afraid to encounter a supernatural specter or a creature from beyond our reality and understanding, or an agent of evil from a more earthly realm, but in either case, what we actually fear is the potential for harm to come to us or our loved ones. The deadly violence that visits randomly and one we are powerless to stop. Ironically, our tendency as humans is also to become fascinated by what scares us. We seek to glimpse into the darkness not only as a vicarious thrill but also as a means of coping. It is why we find fun in traditions like Halloween and for some, indulging our curiosity in the exploits of serial killers. As we put to bed the story of the Villisca ax murders, we find that it is a story that contains all the elements of our primal dread. Acts so horrible they left scars and echoes in the worlds of the living and the dead.

In 1931 a man and a machine were both created. James Byron Dean was born to a modest farming family in rural Indiana, and Ferdinand Porsche founded a company in Stuttgart, Germany, to build automobiles. These two men would never meet, but their egos would clash in a way that would redefine charisma, performance, and power that will never be forgotten. In 1955 both man and machine would die in a horrific crash. But is the legend of a curse in a story like this unavoidable? That’s easy for us to analyze in hindsight, but what’s not so easy is to understand are the machinations that caused it to happen. However, we can work towards that understanding tonight in part one of our two-part series on James Dean and Little Bastard.

The accident that killed James Dean was the end of his life, but it was the beginning of a legendary story about the curse of his Porsche, ‘Little Bastard.’ Parts from the car salvaged by amateur racing enthusiasts caused numerous injuries and the death of at least one man on the track. The broken shell of the car traveled around the country as part of a safety exhibition curated by legendary car customizer George Barris. Along the way, several trucks that hauled it crashed, in once case, killing the driver. The car fell apart several times while on display as well and injured bystanders. In this final episode of this series, we’ll take a look at the Curse of James Dean’s Porsche, and when the show is over, you can decide whether or not you believe in it. Of course, the thing to remember about curses is that they don’t particularly care if you believe in them or not.

In your final visit to The Midnight Library of the season, and since we now count so many among you as our friends… we thought we might impart to you some rare and useful, magical knowledge. We’re going to tell you all about the powerful Runic alphabet. What you do with it after that is up to you… but we’ll know, so just keep that in mind...friend.

At 9:20 p.m. on December 29, 1972, a Lockheed L-1011 TriStar commercial airliner, designated as Eastern Airlines Flight 401, departed John F. Kennedy International Airport in Queens, New York, bound for Miami, Florida. Onboard were 13 crew members and 163 passengers, 176 souls in all. It was a routine trip for Flight 401 until 11:32 p.m. when the plane began its approach to Miami International Airport, and an indicator light for the nose landing gear had not lit up. While the Flight Crew tried to troubleshoot the faulty indicator, the steering yoke was accidentally nudged, causing a function of the autopilot to begin a descent so gradually that no one had noticed. Ten minutes later, Flight 401 crashed into the Florida Everglades, killing five crew members and 96 passengers. It would be the first crash of a “Jumbo Jet” and have at the time, the highest number of fatalities from any one-plane accident in U.S. civil aviation history. But this tragic story doesn’t end there.

The Stanley Hotel in Estes Park, Colorado, is not so famous for its beautiful surroundings and accommodations or its famed founder as it is for its connection to a book and a movie. The Shining was Stephen King's third published novel and a bestseller. This classic of horror fiction, in turn, inspired the iconic motion picture of the same name by Stanley Kubrick. And these two works had cemented the idea in the popular imagination that the Stanley Hotel must have some dark history of troubled spirits in residence there. But as we've all learned, works of fiction often color the actual history of a person or place. So what is the real story of the Stanley Hotel? It's best to ask someone who has personal experience, and that's what we've done.

Those skeptical of the existence of a spirit world will often cite that there is no credible evidence leading to proof, this being the basis for their disbelief. Yet what constitutes as evidence or proof seems to be a personal decision, as there is an endless supply of visual and audio recordings and environmental data which at the least appear to be genuinely anomalous and unexplainable. For the mainstream scientific community, these anomalies would need to be consistently repeatable under laboratory conditions for the implications of the data to be accepted. But for paranormal researchers attempting communication with the "Other Side," although elusive, there are enough occurrences of contextual dialogue that their practices have become meaningful. The phenomenon of contact with the unseen world via electronic devices is described generally as "Instrumental Trans-Communication" or ITC.

Some time ago, we attempted a hybrid holiday special that combined a traditional episode with a call-in show. Unfortunately, it didn't really go as planned. Still, Scott seemed to think it had some value of some kind, so he talked Forrest into releasing it here and now in 2019. So tonight, the Astonishing Legends team is pleased to present a commercial-free, family-friendly Holiday episode for you to enjoy with or without your loved ones as you see fit. While it contains some fascinating background on the evolution of St. Nicholas, be warned, this is not like anything we've ever released before, but we figured now or never. Happy Holidays listeners, and thank you for your stalwart and ongoing support. We are so grateful to you.