Astonishing Legends

The term "Disclosure" in the UFO community generally refers to the long-awaited event when the government, specifically the U.S. Government, finally tells the world that UFOs exist, along with everything they know about extraterrestrials, or so enthusiasts of the topic would hope. While we wouldn't suggest holding your breath until "Full Disclosure" happens, there has been an interesting, recent development worth noting. On December 17, 2017, the New York Times published a curious article titled, "Glowing Auras and ‘Black Money’: The Pentagon’s Mysterious U.F.O. Program." Apart from the mild surprise that such a serious publication as the New York Times would bother running with any story that would give consideration to such a "preposterous" idea as UFOs being real, is the bigger surprise that from 2007 until 2012, $22 million dollars of U.S. taxpayer money was spent annually on something called the Advanced Aerospace Threat Identification Program.

How "credible" does an eye-witness have to be before their account of an Unidentified Flying Object is taken seriously? Whom would you think is the most credible sort of witness for this type of impossible craft, aside from the beings or forces that made them? How about an elite jet fighter pilot from the US Navy, highly trained to identify every known aerial threat – known to a conventional military, of course. Tonight, we sit down again for Part Two with our friend Rob Kristofferson, from the Our Strange Skies podcast to discuss in detail the eye-witness report and related consequences of David Fravor, USN Ret., former Commanding Officer of Fighter Squadron VFA-41, who along with his Weapons Systems Officer Lt. Cmdr. Jim Slaight engaged a target that behaved like nothing they could imagine. After hearing about Fravor's account, you just might start to believe that "Secret Machines" do indeed exist... and your next thought will be, "...well then, who, or what is controlling them?"

It's easy to imagine a version of ourselves that's gargantuan, magical, a hero that often plays the villain, a giant among the ordinary. Legends of giants doing as they please have been with us since the beginning and continue to fascinate us in cinema and sport. The idea of a giant is easy to entertain because either through genetics or rare disorders, extra-large humans have naturally lived throughout our existence. The idea that's not easy for the modern person to imagine, aside from a singular Goliath-like demigod here n' there, is the possibility of a race of giants having once existed, tribes of superhumans whose feats and physicality filled us with fear and wonder in antiquity. Yet with these tall tales being so pervasive worldwide, could it be that communities of giants were real or was it merely that the occasional taller than average human became the inspiration for myth? Join us tonight as we explore the mystery of legendary giants.

Please join us for a special, commercial-free BONUS episode featuring an interview with senior Astonishing Legends Research Corps member, Chemical Engineer and newly appointed Director of Research for MUFON, the Mutual UFO Network, Dr. Chris Cogswell, Ph.D. We originally interviewed Chris for our of Imminent Disclosure? Part 2 episode, but felt this congratulatory announcement and interesting discussion deserved its own segment. Chris explains how MUFON operates, what its aims are, and how through solid, scientific methodology they may continue and deepen this quest to find the truth behind the strangeness many of us are seeing in our skies.

What constitutes a "giant" in your mind? Certainly, people who are 6 to 7 feet tall are commonplace nowadays, unlike the Middle Ages, or even a hundred years ago. But what about someone who's seven feet tall or more? We may call them "giants" in jest, but it's not the same as when we think of the giants in our legends. A measurement of more than seven feet is rare, but there are plenty of healthy people living today in that range that prove it's not so legendary by our contemporary imagination. Rarer still is a human that's eight feet tall, but there has been one in recent history: Robert Pershing Wadlow stood 8' 11.1" tall (2.72 m) and weighed 490 pounds (220 kg) and showed no signs of stopping his growth at his untimely death in 1940 at age 22. So it's possible that a height for a human can approach nine feet, but could any height beyond that be sustainable?

So, what have we learned about giants? Our current understanding of human biology finds limits as to how tall a person can grow and can still be relatively healthy while enjoying an advanced age. This knowledge then places limits as to what the majority are willing to believe about the tallest humans throughout all history, that no one could have existed beyond 8 to 10 feet tall at the most. In the still-nascent field of archeology in the 19th century, excavations do seem to provide accounts of unusually large individuals in Europe and significant numbers of taller than average Native American tribal members here in the U.S., so perhaps whole communities could have been seen as giants by contemporary standards.

This podcast wouldn't be as complete or as much fun to work on if it wasn't for the help of a special group of volunteer contributors, collectively known as the Astonishing Research Corps, or ARC for short, who have now become good friends as well as valued collaborators. So we figured it would be fitting to salute their efforts on our celebratory 100th episode by having some of the ARC's founding members tell their own strange and mysterious tales. We hope you find their stories entertaining and engaging, which we believe also serve to reinforce an Astonishing Legends adage, that if you personally haven't had an encounter with the paranormal, you probably know someone who has.

Since it's no mystery that we can blather and prattle on for hours upon hours, it should come as no surprise that we ran long on Part One of our ARCapalooza 100th Episode Celebration! The result is this commercial-free, Bonus Episode, where lead A.R.C. researcher Tess Pfeifle poses questions to us submitted by listeners. We hope you enjoy this candid discussion where we talk about everything from our thoughts on show topics to producing the podcast.

As we wrap up our 100th episode celebration with "ARCapalooza! Part 2" we'd like to thank the terrific people who have come together to form the Astonishing Research Corps for their efforts, friendship, and sharing their personal stories, demonstrating their generosity and a fair amount of bravery. We'd also like to thank another crucial member of this project, and that is you, our listeners. We're astounded, humbled, and most importantly grateful for the support you've shown with your continued listenership. It's why we keep going. We've always meant for this podcast to feel less like a lecture and more like a conversation between friends who share an interest in fascinating topics. With that spirit in mind, we hope you continue to feel like a part of this group of friends and a cherished member of the team. And now on to the next 100 episodes!

Show Delay Explanation

Legend has it, that sometime in the late 1920s or early '30s, a young couple was enjoying an evening of dancing at the Oh Henry Ballroom, later renamed the Willowbrook Ballroom & Banquets, located southwest of Chicago, IL. After an argument, the woman stormed out, deciding she'd rather walk home than spend another minute with her boyfriend. As she walked along Archer Avenue on a wintery night, she was struck and killed by a hit and run driver. Her bereaved parents buried her at nearby Resurrection Cemetery in the white ballgown and shoes in which she died. Ever since, people have reported either dancing with or giving a ride to a hauntingly beautiful young woman, with long blonde hair and blue eyes, dressed in a white gown, who at some point vanishes from their midst. Accounts of these spectral encounters have been so numerous over the years that the legend of "Resurrection Mary" is perhaps Chicago's most famous and beloved ghost story.

As you delve into the legend of "Resurrection Mary," you'll soon notice that the stretch of Archer Avenue from Resurrection Cemetery to the Willowbrook Ballroom is not the only piece of land that seems haunted, nor is it haunted just by "Mary." It seems the entire locality has a supernatural quality to it, enough that Chicago's "Southwest Siders" have dubbed it "The Archer Triangle," in reference to the more famous one near Bermuda. But what is it about this region that spurs so many reports of paranormal activity? Is it the legacy of ancient Native American activity, the numerous cemeteries located here, or Ley lines and waterways? Is it all an imagined coincidence or is there a more sinister force at play? Tonight, we take a more thorough look at Mary's favorite haunts and examine why the spirits of the area appear to be so restless.

How many reported sightings of a particular ghost would it take before you started to believe that perhaps people were indeed interacting with something supernatural? Hundreds? Over a thousand? But you're looking for proof, you say. Well, what would be convincing proof for you? What about mysterious, spectral handprints melted and scorched into bronze bars that have resisted repair and coverup? Tonight in Part Three of our series, we examine the possibility that Mary may have left her indelible mark not only on the front gates of Resurrection Cemetery but also in the imaginations of Chicagoans ever since.

If Resurrection Mary is just an Urban Legend, merely another variation of the "Vanishing Hitchhiker" then her story is a common one, with similar descriptions found in folklore all over the world. If she is a spirit, then she's also not alone, because it seems people of every country have come forward with testimony of meeting a real "Lady in White." If these ladies are a myth, or if they're real, or some combination of both, why are they so universally elemental? Why is she so primal? Do we see her because of the folklore, or is there folklore because we've seen her? But whether spirits or an archetypal legend, what these women are eternally searching for is something lost, like a child or a future taken away too soon. What they want is to return to a happier time when all was right with their world, to return home, wherever and whatever that home may be, so they may finally rest in peace.

Of all the hypotheses of what happened to Amelia Earhart and her Electra 10-E, William "Bill" Snavely, Jr.'s may be the only one that starts with a found plane and traces her route backward towards her last known contact point. Operating on a hunch that due to low fuel, Earhart may have decided to turn back to a viable landing strip, which would have taken her directly over the path of Buka Island, east of Papua New Guinea. While in Buka searching for clues, Snavely received a tip that an airplane had crashed in 1937 and still lays submerged off the coast in 100' of water. According to Snavely, only roughly 30% of Earhart's route has been searched and has yielded nothing, so why not search the remaining 70%? Taking that approach has found a plane that so far, matches the description of Earhart's Electra. If an expedition could be mounted to identify this plane more thoroughly, could it be that one of the greatest mysteries of the 20th Century will be solved once and for all?

One of the highlights of our appearance at the Kent Paranormal Weekend was participating in our very first Ghost Hunt! The event took place at the Kent Stage in Kent, Ohio which was first built in 1927 and since then has continued to host concerts, films, and various performances. The theater is also host to a cast of characters who were once somehow connected to this historic theater and whose spirits remain there. We explored the most haunted areas of the theater and tried our hand at documenting spirit activity, guided by experienced paranormal investigators Theresa Argie & Cathi Weber, known as The Haunted Housewives, Ray "Gooz" Goosby, Jeff and Susie from the North Canton Paranormal Detectives team, and theater owner Richelle Charlton. One of the techniques we tried is trying to capture an "EVP" or an instance of Electronic Voice Phenomena, which some claim could be evidence of communication with the spirit world.

In 1963, archaeologists from the University of Chicago and Istanbul University examined a site known by locals as Göbekli Tepe, or "Potbelly Hill." They dismissed the site at the time as merely a medieval cemetery due to the numerous slabs of stone thought to be grave markers. However, in 1993, German archaeologist Klaus Schmidt, who was doing work at another Neolithic site in nearby Nevalı Çori, heard about the report and decided to investigate it for himself. What Schmidt and his team would eventually discover would turn out to be one of the most astounding, mysterious and important archaeological discoveries in history. Laying just below the surface was the earliest known sanctuary structure ever built by humans. Somehow, a group of prehistoric hunter-gathers had managed to quarry massive slabs of stone from nearby outcroppings, some weighing as much as 7 to 10 tons with lengths of up to 18 feet. They then moved them hundreds of feet into numerous circular configurations.

What we've learned so far about Göbekli Tepe, is what it appears to be, which is that it is possibly the world's oldest sacred temple. We think we know who built it: a collective of hunter-gatherers, who had not yet learned the skills of farming. We also think we know approximately when. But the answers to the questions of how and why and what did it all mean to these Neolithic peoples may not be so easily obtained. In fact, since the 1960s at least in American archaeology, a debate still rages as to how far and by what methods archaeologists should proceed to interpret what they have dug up. How closely should archaeology be tied to anthropology, how much informed speculation about their beliefs should be allowed and by whom? Processual and Post-processual archaeology are two schools of thought within the field that currently define this debate.

Something or someone of great importance and influence had convinced and motivated these neolithic hunter-gatherers to put their way of life on hold and come together as a group to undertake such a tremendous project as Göbekli Tepe. This is likely the first time hundreds of prehistoric peoples had formed an organized collective in order to build a religious sanctuary. The work would've taken years to accomplish and the temple would be built upon for many centuries more. The result of this work is believed to have spurred civilization as we know it today. But what beliefs or legends could have generated such a monumental task? In Part Three of our series, we examine the hypotheses put forth in Andrew Collins' book, Göbekli Tepe, Genesis of the Gods: The Temple of the Watchers and the Discovery of Eden. With his comprehensive and detailed research, Collins goes beyond the boundaries of interpretation where Processual archaeologists would not stray.

In 1899, construction on the Flannan Isles lighthouse was completed, perched atop Eilean Mòr, one of the highest points in the Outer Hebrides off the western coast of Scotland. It would soon experience its first tragedy and an enduring mystery. For several days, it's light could not be seen and on December 15, 1900, the ship Archtor documented this concern in its log while heading to port in Leith. However, 11 days would pass before the lighthouse tending ship Hesperus would be able to dock at Eilean Mòr due to foul weather, for which the area is well-known. What they discovered, or rather, didn't discover, would lead to one of the biggest mysteries of this enchanted region. Serious storm damage was evident on the island, but nothing seemed amiss inside the lighthouse itself except for the fact that the three lighthouse keepers had vanished and would never be seen again.

Flannan Isles Part 2 is delayed. This is why.

Many people enjoy a good mystery. However, mysteries often leave us slightly disturbed and unsettled, because we're also always searching for answers and when we look for answers, we're sometimes comforted the most by the simplest explanations. With the case of the Flannan Isle Lighthouse Keepers, most are willing to accept that a massive "Rogue Wave" swept the three men into oblivion. But what if meteorological science matched against clues left from the scene could show that this theory may not be the most plausible? What if several simple, yet extreme events combined to plunge this mystery into the depths of the unexplained? Join us tonight as we interview Keith McCloskey, author of the book, The Lighthouse: The Mystery of the Eilean Mòr Lighthouse Keepers. We'll discuss his in-depth research into the case and the possibility that the simplest explanations, while the easiest to accept, are often not where the real truth lies submerged.

On January 23, 1974, villagers in the community of Llandrillo in the Edeirnion area of Denbighshire, northern Wales, experienced a tremendous jolt and noise a little after 8:30 p.m., akin to a magnitude 3.5 earthquake. Highly strange, colored lights were seen over the surrounding hills at the same time. Another unusual occurrence was that the British Military was immediately on the scene as if they were tracking the "geological event" in real time. The official Ministry of Defence conclusion was that the event was caused by a simultaneous earthquake and meteor impact, with the meteor being the cause of the freakish light show. However, a meteor impact that would cause a shock of that magnitude would have left a visible crater, which was not found. And of course, there were reports by witnesses on the scene of the military carting off bodies and wreckage. Does this sound familiar to you? It did enough to some tabloid papers at the time who dubbed it, "The Roswelsh Incident."

So many popular culture misconceptions abound with stories of UFO sightings; that it's always some farmer, alone in his fields when an unidentified flying object appears. The "hayseed farmer" is an easy target to dismiss with ridicule and hubris. Sure, sometimes it is a farm, as it was in 1977 at the Coombs family farm in southern Wales, but it is far from the norm. And it wasn't a singular farmer who witnessed a UFO then, prominent townsfolk and a group of schoolchildren also saw bizarre craft and phenomena during a series of events that would become known as the Broad Haven incident. The Coombs family would also go on to experience High Strangeness that would rival the happenings at Skinwalker Ranch.

Anyone who has experienced what is considered a paranormal event will tell you that it's not easy to tell others about what you had witnessed, especially if that experience was dramatic and significant. Testimony about such things is often met with ridicule, scorn and sometimes violence by those who feel threatened by such challenges to their reality. Therefore it takes no small amount of courage and resolution to tell your truth and stick to it. Such are the qualities that we believe make up the mettle of tonight's guest, David "Dave" Davies. Davies has had to endure bullying and beatings since he first described what he witnessed for himself and what his classmates had seen landing on the playground of the Broad Haven Primary School in Pembrokeshire, Wales in 1977. For the 40 years since that close encounter, Davies has stood by his story with conviction and without embellishment or wavering, still ever willing to talk about his experience.

We met filmmaker Seth Breedlove at the Kent Stage for the 2018 Kent Paranormal Weekend symposium, where our first event was a screening of his film, The Mothman of Point Pleasant. Needless to say, we were very impressed by his documentary on the subject and then later by Seth himself. After a very pleasant chat in the lobby, we knew we had met a kindred spirit and had to get him on the show to discuss other works by his film production company, Small Town Monsters. Tonight we discuss Seth's oeuvre of well-researched, fascinating and enjoyable documentaries, covering such topics as the Minerva Monster, the Beast of Whitehall, the Boggy Creek Monster, Mothman of Point Pleasant, Invasion on Chestnut Ridge, the Flatwoods Monster, and his latest, The Bray Road Beast, as well as several upcoming projects.

The quote, "Guests, like fish, begin to smell after three days" is attributed to Benjamin Franklin. We assume the esteemed Mr. Franklin was speaking only of human guests, but it could also apply to the subject of tonight's show. Because the uninvited guest of 30 East Drive in Pontefract, England would prove to be more than an annoying visitor oblivious to hints or uncaring that they'd overstayed their welcome, it would show itself as a threat to the family's safety and sanity. In the mid-1960s and 70s, the Pritchard family who lived at that address experienced a visitor who was not only unwelcome but unseen, a capricious prankster whose sense of humor was offset by its sometimes vicious and violent power. Human beings have an astounding ability to endure hardships they are powerless against and eventually, this poltergeist presence came to be somewhat accepted, with the mother of the family, Jean, giving it the nickname "Fred." But what was this force in supernatural terms?

Poltergeists are all fun & games, that is until they try to strangle you. The actions of whatever force was interacting with the Pritchard family at 30 East Drive in Pontefract, England had seemed playful in a way, albeit disturbing and churlish at times. It seemed there was a primary personality that was the source of the mischief they were experiencing and so consistent were its stunts that the family became familiar with this presence they called "Fred." However, no one really knows what someone or something is capable of until it gets angry. The family saw another side to Fred, or The Black Monk, when it violently attacked the daughter Diane Pritchard on the stairs, leaving red marks on her throat. But was this the doings of their ol' gadfly pal Fred, or something much more sinister? Join us tonight as we examine this escalation of poltergeist activity at the house and try to analyze this darker, malevolent nature of the Black Monk.

You might not believe in ghosts, but it would be difficult to ignore all the furtive and orchestrated actions that were going on throughout the years at 30 East Drive, which continue to this day. Certainly, in some famous poltergeist cases, incidents could have been manipulated to gain attention for the prankster. However, unless you're contending that pre-teens have somehow gained Hollywood Special Effects level skills in every case, then some of the more bizarre and baffling examples of poltergeist activity would be worthy of investigation. Then what exactly, are the defining factors between a run-of-the-mill poltergeist and other types of spirit activity? Is a poltergeist more paranormal than supernatural? What are the rules? There are theories that poltergeist activity may be a physical manifestation of intensely directed energy emanating from people, mostly youth.

When you hear the name, "The Grim Reaper," a very familiar image probably pops into your head. With the black robe and cowl, skeletal face and hands or the visage of a dour corpse, a threatening scythe, and hourglass at its last sands, this is the image the modern, western person thinks of when we personify death. But where did this visual come from? How do we know what death looks like? And since death has always been with us, isn't this image as old as that finality itself? One might think so, but that doesn't seem to be the case. Surely since there have been humans, we have wondered what becomes of us once we die, where do we go when we shuffle off this mortal coil, and how do we get there? What we have found is that yes, we have always created myths and put a face on death in order to help comprehend such an abstract and mysterious concept, but that face has morphed through the ages and varies by culture.

The folkloric traditions of Japan are as rich and vibrant as the country itself, and this is especially true with their pantheon of supernatural characters collectively known as Yokai. The word Yokai in Japanese comprises two concepts: "Yo," meaning: bewitching; attractive; calamity; and "kai," meaning "a mystery, wonder or specter; apparitions; something mysterious or suspicious." There are so many types of Yokai, each with their own unique personalities, functions, and behaviors that it's assured both of those concepts are well-represented. Some Yokai are merely mischievous pranksters and can bring good fortune to those that encounter them. Others will surely bring a most gruesome death. Join us tonight as we speak with illustrator and author Matthew Meyer, creator of Yokai.com, as we explore the endlessly fascinating world of some of Japan's most popular and terrifying mythical creatures.

Most of the encounters with Bigfoot that you hear about seem benign, frightening to be sure, but more awkward and penumbral than violent. However, as we'll soon learn, that's not always the case. Our guest tonight is UFO and Paranormal Field Investigator Chuck Zukowski. For the past 30 years, Chuck has been researching and investigating a wide range of phenomena within the realm of the paranormal, everything from UFO evidence & abductions, to animal mutilations, ghosts, and of course, Bigfoot. Utilizing his background as a former Reserve Deputy Sheriff with the El Paso County, Colorado Sheriff’s Department, "Chuck approaches every investigation from a skeptical point of view looking for any known possibility before claiming otherwise. He also implements new and innovative field experiments from time to time to enhance his investigations looking for new evidence."

Houses are supposed to be warm and inviting, friendly, a place where we can feel safe in their presence, just like people are supposed to be. But as much as we would like to hope all people are shining examples of those qualities, we know all too well some people are not, and it is the same with houses. Houses can have personalities, just like people, and sometimes those personalities are a spirit of joy and sometimes those personalities house a spirit of darkness and mystery. And then there are unique houses, like the one in Atchison, Kansas which has had so much reported supernatural activity within it, that it has become notorious for being the most haunted house in the most haunted town in Kansas. But is it the house itself or what passes through it and keeps returning that gives it its character? The house in question is known as the Sallie House, getting its name from the spirit of an eponymous little girl that is said to dwell there.

Belief is a very personal thing. Challenging beliefs can lead to war amongst nations or a war within one's self. Having to reconsider what we believe about our spirituality or lack thereof, can be a very disquieting exercise but often a fruitful one as it leads to growth. But what obligation does the believer have to convince the non-believer of their story? Does it matter if the believer doesn't care what you think? In a way, our egos and skepticism protect us from feeling the discomfort when considering the impossible, because if the impossible is possible and we're not in control of our world, then who, or what is? If an experience like what you might find at the Sallie House can change your beliefs and thus change who you are as a person, how would you handle it? If one day you're challenged to stand up for your beliefs, what will you do then?

When it comes to the Paranormal and Supernatural, everyone wants proof. And yet, not everyone can seem to agree on what would constitute this proof. So what about evidence that might lead to proving the existence of a spirit world? Well, not everyone can seem to agree on what is considered actual evidence either. Since the invention of technologies like photography, and audio & video recording, there have been many purported instances of these recording capabilities capturing occurrences of a spectral world interacting with our own. For many, this is still not enough. We certainly didn't expect to get any evidence ourselves when we visited the Sallie House on July 20, 2018. But now that we've captured something that at least could be considered anomalous with our audio recorder, we want to know exactly what it is and how it got there. While we may never get a definitive answer as to what that sound is we captured, what we know is how hearing it made us feel.

What we'd heard is that witnessing a single paranormal event can change one's life. What we know now is that this is true and often it happens when you're least expecting it. It also doesn't matter if the experiencer receives validation from others of their encounter because they don't need anyone to tell them what they experienced. On the other hand, we'd all like to share our stories with like-minded individuals, partly to gain some comfort in thinking that we've not gone insane and also to learn more about what happened to us. In that regard, tonight, in the final installment of our series on the Sallie House, we'll hear from our last two interviewees. First, Dr. Sean Daley, a professor of anthropology who has done extensive paranormal investigations at the Sallie House will discuss the overwhelming evidence he and his team have collected there.

The Horror Movie genre, like any other genre of cinema, has its classics and its forgotten, its masterpieces, and its failures. But while the highbrow, serious films enjoy praise or at least critical analysis from the intellectual set, lowbrow horror offerings are often ignored by the academic-minded critics and in many cases even despised. Not so from our guest tonight, pop-culture icon, author, performer, and movie reviewer, Joe Bob Briggs. Joe Bob (John Irving Bloom) has made a name and a storied career for himself, starting first as a newspaper journalist and then finding himself adopting the persona of "Joe Bob Briggs." Joe Bob is a Texas "good ol' boy" who watches B-grade (and much lower) horror movies with you and as your "Horror Host," has a lot of funny and thought-provoking things to say about them, as well as commenting on what they reveal about our culture.

The question that every one of us has at least wondered about at some point in our lives, is not if UFOs and aliens exist, or where's Bigfoot, or even if ghosts are real (although that question is connected) but a question about the biggest mystery of all: "What happens to us after we die?" You may not care about the other unknowns, but death comes for us all, and whether or not there's an afterlife, we'll all know in due time. It's the grandest question there is, because it may lead to all other answers. Any evidence of an afterlife may seem beyond our view to most of us; however, there seems to be a great abundance of credible accounts from people who may have seen a glimpse of what awaits us on the Other Side. These people have either been in a state of "Clinical Death" or some unusual physical circumstance and upon recovering, claim to have experienced something known as a Near-Death Experience, or, an "NDE."

Researchers have now documented thousands of personal accounts from Near-Death Experiencers. Logic would suggest that it's unlikely that all NDE stories are fabrications and that at least some of these experiences are real and accurately described. And if so, then examining the commonly experienced features of the NDE seem to indicate that these defining perceptions are universal, while remaining a uniquely relevant and personal occurrence to the individual. Most NDE experiencers have described sensations like being in a tunnel leading to a brilliant light, floating away from our bodies, reuniting with deceased friends and loved ones, of a peaceful and loving communion with a higher power, while some have described a hellish event. On the other hand, skeptics would argue that these features are standard because the human brain is the same for everyone.