Interface

Mischief and the mysterious blue man meet for the first time.

Mischief transforms into a bus and takes the blue man on a ride through Montreal.

The CEO of Greetings Robotics addresses the UN about a new machine his company has built that will help eradicate these potentially dangerous monsters from society.

K.A.M.I. demonstrates her ability to capture monsters. Her actions are the result of the policies set forth by Greetings Robotics. Do they have the best intentions?

Mischief and the blue man enter a museum and discuss a painting that bears a resemblance to the blue man.

The blue man has a psychotic episode that reveals his backstory and true nature.

Mischief comes to visit Henryk in the hospital and he notices some strange things in the medical records.

Mischief and Henryk visit a restaurant owned by one of Mischief's mysterious acquaintances to have a good munch, but it seems the chef is distraught and there is a lot on his mind.

Henryk's past.

Big Smile and Henryk reach a breakthrough.

This is not the final episode, however episode 12 caps off "Part 1". I will be working on combining the episodes into one and trying to get some festival screenings - we will see how that goes. I will continue working on Interface in the mean time. :)

Henryk and Mischief head east in search of Henryk's lost granddaughter.

This episode was a collaboration, featuring an amazing performance by The Minute Hour. Check out his crazy monologues and animations here: https://www.youtube.com/user/theminut... Dreamland was an ambitious amusement park at Coney Island, Brooklyn, New York City from 1904 to 1911. It was the last, and considered the grandest, of the three original iconic large parks built on Coney Island, the other two being Steeplechase Park and Luna Park. Read more: https://bit.ly/2XiW0Bj The shot of Mischief sitting in his chair is based off the painting "Stańczyk" by Jan Matejko. https://bit.ly/2XeHYf6 All Interface music is original to the series, and are currently available as early access tracks on Patreon. Thank you so much for helping make these animations possible.

Henryk and Mischief continue on the road to revisit Henryk's old house in search of his great grandaughter.

Henryk and Mischief continue on the road to revisit Henryk's old house in search of his great grandaughter.

Henryk and Mischief continue on the road to revisit Henryk's old house in search of his great grandaughter.

Mischief and Henryk begin their search for the long lost great granddaughter by returning to Henryk's old home in search for clues. Upon entering, the overwhelming memories haunt Henryk, the same thoughts he tried to escape from.

Mischief reflects on his own past and speaks in metaphorical allegory, which prompts Henryk to consider his painful memories in a new light.

KAMI is not dead, but was being rebuilt. It has learned new tricks from those it had taken from.

Mischief and Henryk approach the lighthouse in search for clues on the whereabouts of Henryk's great grandaughter. Mischief may not be telling the whole story about his past and what he witnessed, but he knows Henryk will discover the answers on his own and bestows him the freedom of autonomy.

We see what it was that put Henryk over the edge and Mischief's true motivations become a bit more clear. Is he as harmless as he seems? Is Greetings Robotics doing the world a favour?

Mr. Greetings is interviewed on television, and describes the Philadelphia Experiment in 1943 that he witnessed that motivated him to start his company. He is leading the pack with the restoration, but perhaps there is another motive that he is not revealing?

Henryk and Mischief investigate the lighthouse, and discover that it has been repurposed. Is it a trap? Greetings Robotics has been alerted of their presence.