Timeshift

Paris-based cultural historian Andrew Hussey follows his success with France on a Plate by travelling back to his homeland, the north west of England, in search of its lost food culture.

This programme sets out to show that the 60s - the most creative decade of the 20th century - began not in swinging London but in smokestack Northern England. It was from there that a new kind of voice was heard: cocky and defiant, working class, affluent, stroppy and sexy.

Documentary which explores the untold story of how Britain 'went wild' in the 1960s. It shows how the British people fell in love with animals and how, by the end of the decade, wildlife protection had become an intrinsic part of our culture. Before that time people knew very little about endangered species or the natural world - the very word 'environment' was hardly recognised. But the 1960s saw a sea change.

Draw the curtains and dim the lights for a chilling trip north for a documentary which investigates the success of Scandinavian crime fiction and why it exerts such a powerful hold on our imagination. The Girl with the Dragon Tattoo is a literary blockbuster that has introduced millions of readers to the phenomenon that is Scandinavian crime fiction - yet author Stieg Larsson spent his life in the shadows and didn't live to see any of his books published. It is one of the many mysteries the programme investigates as it travels to Denmark, Sweden, Norway and Iceland in search of the genre's most acclaimed writers and memorable characters. It also looks at Henning Mankell's brooding Wallander series, with actor Krister Henriksson describing the challenge of bringing the character to the screen, and it asks why so many stories have a political subtext. The programme finds out how Stieg Larsson based the bestselling Millennium trilogy on his work as an investigative journalist and reveals the unlikely source of inspiration for his most striking character, Lisbeth Salander. There are also segments on Jo Nesbo, the Norwegian rock star-turned-writer tipped to inherit Larsson's mantle, and Karin Fossum, an author whose personal experience of murder has had a profound effect on her writing.

Documentary which profiles a new wave of Italian crime fiction that has emerged to challenge the conventions of the detective novel. There are no happy endings in these noir tales, only revelations about Italy's dark heart - a world of corruption, unsolved murders and the mafia. The programme features exclusive interviews with the leading writers from this new wave of noir, including Andrea Camilleri (creator of the Inspector Montablano Mysteries) and Giancarlo De Cataldo (Romanzo Criminale), who explains how his work as a real-life investigating judge inspired his work. From the other side of the law, Massimo Carlotto talks about how his novels were shaped by his wrongful conviction for murder and years spent on the run from the police. The film also looks at the roots of this new wave. Carlo Emilio Gadda (That Awful Mess) used the detective novel to expose the corruption that existed during Mussolini's fascist regime and then, after the Second World War, Leonardo Sciascia's crime novels (The Day of The Owl) tackled the rise of the Sicilian mafia. These writers established the rules of a new kind of noir that drew on real events and offered no neat endings. Also featuring Italian writers Carlo Lucarelli and Barbara Baraldi, the film uses rarely seen archive from Italian television.

Documentary which takes a glorious journey back to the 1950s, when the coach was king. From its early origins in the charabanc, the coach had always been the people's form of transport. Cheaper and more flexible than the train, it allowed those who had travelled little further than their own villages and towns a first heady taste of exploration and freedom. It was a safe capsule on wheels from which to venture out into a wider world.

Documentary which brings the story of the coach up to date, as it explores the most recent phase of Britain's love affair with group travel on four wheels - from school trips and football awaydays to touring with bands and 'magic bus' overland treks to India. The establishment of the National Coach Company may have standardised the livery and the experience of mainstream coach travel in the 1970s, but a multitude of alternative offerings meant the coach retained its hold on the public imagination, with even striking miners and New Age travellers getting in on a very British act.

Timeshift lifts the veil on the taboo that is corporal punishment. What it reveals is a fascinating history spanning religion, the justice system, sex and education. Today it is a subject that is almost impossible to discuss in public, but it's not that long since corporal punishment was a routine part of life. Surprising and enlightening, the programme invites us to leave our preconceptions at the door so that we may better understand how corporal punishment came to be so important for so long.

Time Shift digs into the archive to trace the extraordinary story of the ultimate sanction. At the beginning of the 19th century you could still be hanged in Britain for offences such as stealing a sheep or shooting a rabbit. Even children as young as seven were sent to the gallows. The last hanging in this country took place as recently as 1964. By opting for a dispassionate history rather than staging the usual polarised debate, the programme breaks new ground with its fascinating attention to detail, such as the protocols of the public execution or the 'science' of hanging. With contributions from both sides of the argument, it provides an essential guide to a subject that still divides us.