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Season 2019
For the 2018 revival of Sonja Frisell’s monumental production of Aida, the Met assembled a truly all-star cast. Soprano Anna Netrebko, one of her generation’s most compelling artists,
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For the 2018 revival of Sonja Frisell’s monumental production of Aida, the Met assembled a truly all-star cast. Soprano Anna Netrebko, one of her generation’s most compelling artists, takes on the title role for the first time at the Met, going toe to toe with powerhouse mezzo-soprano Anita Rachvelishvili as her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance.
A gem of the verismo repertoire, Cilea’s Adriana Lecouvreur has only appeared a handful of times on the Met stage. When it has, however, it has often showcased some of opera’s greatest
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A gem of the verismo repertoire, Cilea’s Adriana Lecouvreur has only appeared a handful of times on the Met stage. When it has, however, it has often showcased some of opera’s greatest divas in the commanding title role, including Renata Tebaldi, Montserrat Caballé, and Renata Scotto.
When Sir Richard Eyre’s high-energy production of Bizet’s ever-popular Carmen had its Met premiere in 2009, it starred Roberto Alagna as Don José, the wayward officer whose desperate
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When Sir Richard Eyre’s high-energy production of Bizet’s ever-popular Carmen had its Met premiere in 2009, it starred Roberto Alagna as Don José, the wayward officer whose desperate love for the title Gypsy proves their undoing. The French-Italian tenor reprised his celebrated portrayal during the 2018–19 season, including in this steamy Live in HD transmission that also showcased the alluring mezzo-soprano Clémentine Margaine as Carmen.
Christine Goerke quickly has become one of the most electrifying dramatic sopranos currently appearing on the Met stage. The vocal powerhouse raised her artistry to the next level at the
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Christine Goerke quickly has become one of the most electrifying dramatic sopranos currently appearing on the Met stage. The vocal powerhouse raised her artistry to the next level at the end of the 2018–19 season, singing the impetuous warrior maiden Brünnhilde in three full cycles of Richard Wagner’s epic Ring cycle.
Ever since John Dexter’s striking production marked the company premiere of Dialogues des Carmélites in 1977, Poulenc’s devastating masterpiece has been a favorite of Met audiences. To
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Ever since John Dexter’s striking production marked the company premiere of Dialogues des Carmélites in 1977, Poulenc’s devastating masterpiece has been a favorite of Met audiences. To close out the 2018–19 season, Music Director Yannick Nézet-Séguin led a starry revival of the opera, which was also included as part of the Live in HD series of cinema transmissions.
In recent seasons, Christine Goerke has summited some of the greatest heights of the Germanic soprano repertoire, appearing as the Dyer’s Wife in Die Frau ohne Schatten, the title character of Elektra, and Brünnhilde in the complete Ring cycle.
In recent seasons, Christine Goerke has summited some of the greatest heights of the Germanic soprano repertoire, appearing as the Dyer’s Wife in Die Frau ohne Schatten, the title character of Elektra, and Brünnhilde in the complete Ring cycle.
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