While they are trying to draw a horse, Matì and Dadà find themselves in a fairytale taking inspiration from the famous bird painting, St George and the Dragon.
While they are trying to draw a horse, Matì and Dadà find themselves in a fairytale taking inspiration from the famous bird painting, St George and the Dragon.
Mati and Dada learn about colour theory with Georges Seurat, as they examine his pointillist artwork. They also discover how the viewer's eyes are tricked into seeing images that aren't real
Mati and Dada learn about colour theory with Georges Seurat, as they examine his pointillist artwork. They also discover how the viewer's eyes are tricked into seeing images that aren't real
Dada takes Mati to meet Andrea Mantegna for a lesson in how to make art realistic using different sizes and perspectives to trick the eye. Mati also tries to help Mantegna find something he has lost.
Dada takes Mati to meet Andrea Mantegna for a lesson in how to make art realistic using different sizes and perspectives to trick the eye. Mati also tries to help Mantegna find something he has lost.
Mati and Dada travel to meet Toulouse Lautrec at the iconic Moulin Rouge, where he gives Mati a lesson in how to portray movement in dancing figures through painting techniques.
Mati and Dada travel to meet Toulouse Lautrec at the iconic Moulin Rouge, where he gives Mati a lesson in how to portray movement in dancing figures through painting techniques.
When Dada gets the hiccups, Mati tries to help cure him by giving him a scare. But she accidentally transports them to Kazmir Malevich's workroom instead, where he talks to them about seeing things from another point of view.
When Dada gets the hiccups, Mati tries to help cure him by giving him a scare. But she accidentally transports them to Kazmir Malevich's workroom instead, where he talks to them about seeing things from another point of view.
Peter Breugel shows Mati one of his detailed paintings, and explains how he fits so many figures in to one space by using a high eye-level perspective.
Peter Breugel shows Mati one of his detailed paintings, and explains how he fits so many figures in to one space by using a high eye-level perspective.
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