In the year 2000, criminals are frozen, handguns are banned from everyone--including the police, and crime is at an all time low... So why has the mayor been murdered with an illegal handgun? Rookie cop Shawn McCormick is asking these questions while still trying to learn the ropes of the police department. Letting her curiousity get the better of her, Shawn recovers the murder weapon and begins asking too many questions resulting in the killer, an ex-cop and unfrozen convicted murderer, Thomas J. Watts, shooting her in the head and leave her for dead. She is saved, however, by a computer chip transplant to her brain, but the resulting damage has caused her to lose her most recent memory. Meanwhile, the Knight Foundation is trying to stay alive in the city by trying to win a contract for their new project, the Knight 4000. The police department wants them out--why should they have to stumble over a freelance organization? The Deputy Mayor Harold Abbey, newly promoted to succeed the late mayor, gives them 30 days to complete the 4000. Russell Maddock, the new Foundation CEO is too proud to ask for help, leaving Devon Miles, still the controlling entity of the Foundation, to look himself. Michael Knight has moved on to a simpler life. Fishing, relaxing, waxing his classic 1957 Chevy every other day, and trying hard to leave his life in the Foundation behind. When Devon shows up to ask for help, he has a hard time being convinced that it is worth it to return, but he finally decides to do so... "only under one condition." Only there is no condition... not anymore. The Knight Industries Two Thousand- or KITT for short, once the cornerstone of AI Technology, has been deactivated and dismantled. Devon and Michael are outraged, Maddock is uncaring, indicating that the Knight 4000 is on it's way, so the old must go. Michael somehow gains the technological knowhow to restore and reactivate KITT, and then place him into his 57 Chevy. KITT is angry for being deactivated and sh

Borrowing elements from the original series. This TV Movie places a new Knight Rider - Jake McQueen in an apocalyptic future with and artificially intelligent mustang

A short but amusing documentary featuring interviews with series creator Glen Larson and star David Hasselhoff. Each was interviewed separately and both talk about the process of putting “Knight Rider” together and the perks of having a massive hit television show.

Features an interview with Jack Gill, stunt co-ordinator for "Knight Rider". Jack talks about the numerous stunts featured in the show including the damage he endured whilst performing the big jumps.

An interview with Stu Phillips, composer of the legendary "Knight Rider" theme tune.