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Antonio Pappano explores the great roles and the greatest singers of the last 100 years through the prism of the main classical voice types. He begins with the soprano.
Antonio Pappano explores the great roles and the greatest singers of the last 100 years through the prism of the main classical voice types. He begins with the soprano.
Antonio Pappano explores the great roles and the greatest singers through the prism of the main voice types. He continues with the tenor, opera's glamour boy.
Antonio Pappano explores the great roles and the greatest singers through the prism of the main voice types. He continues with the tenor, opera's glamour boy.
Antonio Pappano explores the great roles and singers through the prism of the main voice types. He continues with the mezzo-soprano, often the rival or the villainess.
Antonio Pappano explores the great roles and singers through the prism of the main voice types. He continues with the mezzo-soprano, often the rival or the villainess.
Antonio Pappano explores the great roles and singers through the prism of the main voice types. He concludes by looking at the baritones and basses.
Antonio Pappano explores the great roles and singers through the prism of the main voice types. He concludes by looking at the baritones and basses.
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