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Temporada 19
Blocking in a simple horizon for the sunset of the sky; balance; adding values by scrubbing and blending; creating transitional values.
Blocking in a simple horizon for the sunset of the sky; balance; adding values by scrubbing and blending; creating transitional values.
Adding silver lining clouds; sketching elephants; negative space rule for drawing and sketching; scrubbing in dirt and dead grass; building animals from dark to light; smaller baby elephants.
Adding silver lining clouds; sketching elephants; negative space rule for drawing and sketching; scrubbing in dirt and dead grass; building animals from dark to light; smaller baby elephants.
Dry-brush skimming; intermediate highlights; casting shadows to create better form and shape of the animals.
Dry-brush skimming; intermediate highlights; casting shadows to create better form and shape of the animals.
Scrubbing in brush and bushes with a mottling effect; adding weeds; highlighting.
Scrubbing in brush and bushes with a mottling effect; adding weeds; highlighting.
Creating the background for a painting featuring a young male kudu buck.
Creating the background for a painting featuring a young male kudu buck.
Using small, soft vine charcoal to sketch the kudu's outline; blocking in the animal and outlining the antlers; adding lighter area to the kudu's neck and body.
Using small, soft vine charcoal to sketch the kudu's outline; blocking in the animal and outlining the antlers; adding lighter area to the kudu's neck and body.
Working on the bushes, trees and limbs; adding highlights to branches; shaping the eye, ear, top of the head, nose and face; hairs.
Working on the bushes, trees and limbs; adding highlights to branches; shaping the eye, ear, top of the head, nose and face; hairs.
Using a skimming technique to add hair to the animal's chest, neck and face; red tones add dimension and make the kudu look alive; adding weeds to the foreground; adding glow to the kudu's back.
Using a skimming technique to add hair to the animal's chest, neck and face; red tones add dimension and make the kudu look alive; adding weeds to the foreground; adding glow to the kudu's back.
Sketching the outline of the lions; using a skinny stick of soft-vine charcoal to create animals; a rough blocking-in of the lion's eye and head.
Sketching the outline of the lions; using a skinny stick of soft-vine charcoal to create animals; a rough blocking-in of the lion's eye and head.
Blocking in the second phase of background; blocking in part of the female lion's body and the male's face and body; adding light colored grass; adding highlights to the lion's body.
Blocking in the second phase of background; blocking in part of the female lion's body and the male's face and body; adding light colored grass; adding highlights to the lion's body.
Intermediate details and highlights; a cast shadow adds more accuracy to the lion's form; adding in tones for sand, dirt, grass; creating broken spots on the log.
Intermediate details and highlights; a cast shadow adds more accuracy to the lion's form; adding in tones for sand, dirt, grass; creating broken spots on the log.
Wildlife and grasses; the painting comes together by using techniques including brush pressure, negative space hot spots, skimming and dry-brush blending; advantages of using a dirty palette.
Wildlife and grasses; the painting comes together by using techniques including brush pressure, negative space hot spots, skimming and dry-brush blending; advantages of using a dirty palette.
Final details on hair, whiskers, and fur as well as grasses, twigs, foreground and background; adding brighter highlights to the log; adding silver lining to animals.
Final details on hair, whiskers, and fur as well as grasses, twigs, foreground and background; adding brighter highlights to the log; adding silver lining to animals.
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