BBC Four Music Specials

This is the David Bowie story you don’t know. The story of how David Robert Jones became David Bowie, how David Bowie became Ziggy Stardust and how Ziggy became immortal, changing the musical landscape as he did so. The story that finally makes sense of one of the greatest icons of the 20th and 21st centuries. Part three of Francis Whately’s Bowie trilogy.

Flat Pack Pop: Sweden’s Music Miracle charts the remarkable rise of Sweden as a global music superpower. Journalist James Ballardie explores the uniquely Swedish songwriting formula created by record producer Denniz Pop, discovering how the biggest chart hits of the last 30 years have been inspired by the myths and legends of this Land of the Midnight Sun. In the 1990s, an elite band of unlikely entrepreneur songwriters and producers became responsible for the most dramatic revolution in music since Elvis first shook his hips. What started out as an experiment on the Stockholm underground club scene soon blossomed into an entire genre of its own. These unlikely heroes of bubblegum pop surfed the wave of the dot.com boom, launching the careers of Britney Spears, the Backstreet Boys, Westlife and many, many more. Hundreds of millions of record sales later, today they have a combined net worth of many billions. Featuring interviews with key Swedish songwriters, plus producers and artists including Katy Perry, Justin Timberlake, Ace of Base and Robyn, James’s search for the real lever-pullers behind today’s top tunes takes him from the icy streets of Stockholm to the barren plains of Kronoberg. But why should Sweden – of all places – have become such a hotbed for hot tracks? Some say it’s the terrible weather and long months of darkness that created the perfect environment for Swedes to refine their craft. Others praise the stellar state-funded musical education programmes promoted by the socialist governments of the 60s and 70s. A Swedish love for simplistic melodies – harking back to the medieval cattle-herding calls that form the basis of Swedish folk music – is also a key weapon in the Swedish musical juggernaut’s arsenal. Perhaps most impressive of all about Sweden’s musical miracle is the sheer duration of its success - with a streak of hits that has lasted longer than any of the classic songwriting factories that have defined pop h

2018 marked the 40th anniversary of Soft Cell, one of the most colourful and charismatic bands in the history of popular music. To celebrate this landmark, singer Marc Almond and musician Dave Ball reunited for an emotional, sold-out, farewell concert at London’s O2 Arena that September. With unprecedented access to Marc and Dave, this film follows the build-up to that gig and provides an intimate retrospective portrait of one of our greatest bands and most iconic singers. It shows rehearsals and preparations for the O2 show and footage from the actual concert itself, woven in with period archive and music videos. The film covers Marc’s formative years growing up in Southport and Dave’s in nearby Blackpool and how the two met as art students at Leeds Polytechnic in the late 1970s. We filmed Marc and Dave in The Fenton pub in Leeds, where they went as students, and they perform an early Soft Cell song, A Man Could Get Lost, on Dave’s original keyboards especially for the BBC Four audience at The Warehouse Club where the band did their first-ever paid gig. Soft Cell burned brightly between 1981 and 1984, after their gritty but stunning cover version of Tainted Love became a massive hit, the best-selling single in the UK of 1981 and a number one hit in 15 other countries, including the USA. Dave plays from the master tapes of that era-defining song for us. But Soft Cell were always more interested in using their success to subvert the mainstream than in becoming pop stars, as they tell us in relation to Marc’s groundbreaking, androgynous debut on Top of the Pops. It was the beginning of a controversial career that deliberately defied and flouted convention. Soft Cell were influenced as much by punk as by Northern Soul and Kraftwerk, and refused to be pigeonholed by anyone, bringing a punk ethos to synth-pop while busting taboos along the way. In their heyday, even while refusing to compromise on their musical vision, the pair produced numerous top

Ardal O'Hanlon looks at what started the showband era in Ireland, the people involved, and how it came to an end in the 1980s.

They defined music and popular culture like no other band ever will. But how did The Beatles make the journey from Merseyside teenagers to international pop stars in the 1960s? The Beatles: Made on Merseyside recounts how American rock ‘n’ roll and rhythm and blues dragged post-war Liverpool into one of the most vibrant music cities ever with the Mersey Sound. Featuring unique archive and revealing interviews from those involved in the early years of The Beatles in Liverpool and Hamburg, we discover the story of The Beatles’ previous band formations and why it took so long for them to achieve success. From school bands to colleges, Hamburg to The Cavern Club, The Beatles moved from skiffle to rock ‘n’ roll before creating their unique sound.

In January 1956, a new pop phenomenon appeared in the UK charts: a British artist playing a guitar. His name was Lonnie Donegan and the song he sang was Rock Island Line. Donegan’s rough-and-ready style was at odds with the polished crooners who dominated the charts. He played the guitar in a way that sounded like anyone could do it. Rock Island Line sounded like nothing else on the radio and it inspired a generation of British youths to pick up guitars and begin a journey that would take them to the top of the American charts. Rock Island Line, the biggest hit of the skiffle craze, spoke directly to a generation of British teenagers who had grown up during post-war rationing. Within 18 months of its release, sales of acoustic guitars in the UK had rocketed from 5,000 to over 250,000 a year. The song began its life in the 1920s as a jingle in the workshops of the Rock Island Line railroad in Little Rock, Arkansas. In 1933, John A Lomax visited Cummins Prison Farm, south of Little Rock, collecting work songs for the Library of Congress. On the day of the recording, a group of eight prisoners, led by Kelly Pace, came up to Lomax’s mic and sang Rock Island Line. Lomax’s driver was the African-American musician who became the celebrated folk singer Lead Belly. He was so impressed that he learned the tune, added verses and made it a staple of his own repertoire. In the late 1940s, young music fans in the UK began to seek out recordings from the early years of jazz, becoming obsessed with the New Orleans style (known as Trad Jazz) that favoured collective interaction over the prevailing emphasis on soloists. Blowing on their instruments very hard, they found that their lips were numb after half an hour. So as to not lose their audience, they put down their instruments and picked up guitars, a double bass and a washboard. These ‘breakdown sessions’ were initiated by Ken Colyer, a trumpet player who sought out his heroes in New Orleans. Because he w

Woody Guthrie is one of America’s legendary songwriters. A voice of the people, he wrote hard-hitting lyrics for a hard-hit nation. His is a tale of survival, creativity and reinvention. He is proof that there is always potential for change and even in 2019, more than fifty years after his death, he is challenging Donald Trump from beyond the grave. With enormous influence on successive generations of musicians like Bob Dylan, Bruce Springsteen, Joan Baez and Billy Bragg, this film proves he has a true place in 21st-century culture.

John Lee Hooker was one of the greatest bluesmen of the 20th century. Born into poverty and racial segregation, he lived through a monumental time in American history. This is the story of a cultural icon, and his far-reaching impact on popular music, told in his own words and those of his family and closest collaborators. Interviews with Keith Richards, Van Morrison, Carlos Santana, Bonnie Raitt and Robert Cray tell how an illiterate man from the rural and impoverished backwaters of the Mississippi Delta influenced their own musical journey. We reveal his part in bringing the Blues to a new generation of young British musicians and how, in turn, those musicians introduced young, mainstream Americans to their own cultural heritage. His is an astonishing tale of survival and creativity, ingenuity and reinvention - of a man who became a superstar against extraordinary odds. It is also the story of modern America, portrayed through the incredible and touching journey of a singer-songwriter who has left an indelible mark on today’s music.

A 90-minute feature film that drills into the soul of this extraordinary, magical Island and releases the story of 3,000 years of Ibizan history. Julien Temple’s iconic trademark style sends its audience on the ultimate, emotionally exhilarating and groundbreaking time-travel ride through the psyche of this jewel of the Mediterranean. This is a story of extremes and the fight for the very soul of the White Island. A story of sensuality, hedonism, spirituality, ancient ways of life and new ways of living. An island, despite wave after wave of brutal occupation, whose free spirit of tolerance and acceptance of others has somehow managed to survive, absorbing, welcoming and sheltering people and cultures from around the Mediterranean and the world beyond. Ibiza’s bohemian heart now faces its strongest challenge yet: to continue to beat strongly in the face of the ever-growing annual invasion of wealthy socialites and the gentrification of the island in the name of progress. The film re-enacts, with cameo Hollywood performances, forgotten epic moments in the history of the island. From irresistible sirens who seduced and shipwrecked Odysseus with their honeyed songs to the Carthaginians, Romans, Vikings and Moors; from the refugees of Franco's civil war to the McCarthy blacklists of Hollywood; from the early hippy beat paradise of the 1950s to the pan-European free zone that is Ibiza today; from the sexual rites of the Phoenician love goddess Tanit to disco sunrises at super-clubs like Pacha, Space, Amnesia and DC-10, Ibiza has always been out there on the frontier of human experience. This island has seen it all and so will our audience. Adopted home of Orson Welles, Errol Flynn, Denholm Elliott, Sid Vicious, Joni Mitchell, Robert Plant, Terry-Thomas, master forger Elmyr de Hory, convicted fraudster Clifford Irving and, of course Elle, Naomi and Kate, Ibiza has always proved irresistible to celebrities on the run from themselves. Today’s residents includ

For three days in August 1969, half a million people from all walks of life converged on a small dairy farm in upstate New York. They came to hear the concert of their lives, but most experienced something far more profound: a moment that came to define a cultural revolution. This documentary tells the story of the lead-up to those three historic days, through the voices of those who were there and the music of the time. It includes extraordinary moments from the concert itself, iconic images of both performers and festival goers, and tells how this groundbreaking event, pulled off right at the last minute, nearly ended in disaster and put the ideals of the counterculture to the test.

The compelling story of the Chins - the Chinese-Jamaican family behind Studio 17 established above Randy’s Records at 17 North Parade in downtown Kingston. Randy’s Records was founded in the late 1950s by Vincent Chin and his wife Pat, who began by selling used records in a tiny shop. As Jamaican independence approached in 1962, Vincent Chin had the inspired idea of producing a record to capitalise on the excitement of the time. He approached the popular Trinidadian singer Lord Creator and produced Independent Jamaica. Jamaica was in the mood for celebrating its independence, and the song was an instant hit. Creator then went on to record Kingston Town, which became a huge hit for UB40 in the 1980s. The success of Independent Jamaica enabled the Randy’s shop to expand and add a studio of its own, known as Studio 17. Studio 17 was where Vincent Chin and later his son Clive Chin as well as many other legendary Jamaican producers would create new tracks. Throughout the 60s and 70s many of the world’s most famous reggae artists recorded there, including Bob Marley and the Wailers, Peter Tosh, Gregory Isaacs, Dennis Brown, John Holt, Lee 'Scratch' Perry, Horace Andy, Alton Ellis, Carl Malcolm, Jimmy London, Augustus Pablo, Ken Boothe, Delroy Wilson and many more. Pat, who became known as Miss Pat, played the test pressings in the shop downstairs to gauge customers’ reactions, which helped her decide which tracks to release. Her instinctive decisions helped Randy’s become the major outlet for homegrown music in Jamaica. In the late 70s, political turmoil in Jamaica prompted the Chins to leave for New York, abandoning the studio and record shop. They successfully founded VP Records, (V for Vincent, P for Pat), the world’s largest independent reggae label. Now in her 80s, Pat still lives and works in New York: an extraordinary woman who today mentors the latest risqué dancehall acts on the VP label. When the Chin family left for New York, some