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Temporada 1
Teresa, a young dental hygenist from Brooklyn in her twenties, is about to marry Joey, a traffic cop. A few weeks before her wedding, while eating lunch on the steps of the Metropolitan
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Teresa, a young dental hygenist from Brooklyn in her twenties, is about to marry Joey, a traffic cop. A few weeks before her wedding, while eating lunch on the steps of the Metropolitan Museum of Art with her two girlfriends, Teresa decides on impulse to go inside - and is fascinated by a young man in The Trinker, a Dutch painting by Pieter De Hooch. Suddenly the painting comes to life! A tipsy young woman in the picture has fallen off her chair, gets picked up by the handsome young man, and is carried giggling out of the room. On her next visit to the Met, she is pleasantly surprised when the young man in the painting winks and invites her to step into the picture. She does so - and finds herself in a strange world. To the embarrassment of her family and friends, Teresa doesn’t turn up at the church on her wedding day …
The woman, in her thirties, stands gazing out to sea. The man, a rather studious type, lounges on the grass and finds the woman fascinating. The woman passes closely by without a glance
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The woman, in her thirties, stands gazing out to sea. The man, a rather studious type, lounges on the grass and finds the woman fascinating. The woman passes closely by without a glance in his direction. He follows her.
In the hotel dining room the man watches the woman nibbling a corn on the cob dripping with butter. A smile of satisfaction plays around the corner of her mouth. Before she has finished, "Mrs. Kirsch" is paged to come to reception. At least he knows her name.
At breakfast the following morning our man watches her toying with a sausage. The hotel porter approaches her with a bulky envelope. When she splits it open a dozen polaroids cascade across the table and she hurries with the picture from the restaurant. The man follows her to her room and listens at the door. He hears the distinct sound of a buzzing vibrator. He can't stop following her. He is always close behind wearing some pathetic disguise. Wherever he goes, he hears the vibrator sound in the distance. She devours cream cakes, goes to the cinema alone in the afternoon to watch "Sex, Lies and Videotape " A most intriguingly insatiable woman...
Back at the hotel that evening, he gathers courage to make contact and asks the waiter to deliver a bottle of e champagne and a note to her table. The waiter brings him a note from Mrs. Kirsch. She invites him for a drink in her room. She orders drinks from room service - our man dares to order a kirsch. But before the order arrives, she dashes off to the bathroom. That noise again! She returns, completely in control. Our man simply must act. He lunges for Mrs. Kirsch and confesses his obsession - he has heard the noise, the buzzing noise... Mrs. Kirsch reveals all...
A huge bath showroom. Brass fixtures along the walls, sink and showers, enameled toilets, jacuzzi tubs, steam showers, all polished and gleaming. Saleswomen and salesmen move uneasily
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A huge bath showroom. Brass fixtures along the walls, sink and showers, enameled toilets, jacuzzi tubs, steam showers, all polished and gleaming. Saleswomen and salesmen move uneasily amongst the customers. Hardly anyone can afford the prices. The sales people are energetic but it's hopeless. They haven't made a sale in weeks. The manager Bruce, about 35, oversees the bustle. He's charming, well built. supercilious - and desperate to boost business.
Davida. late 20's, enters just before closing time. Bruce senses she is a buyer. Well dressed and confident. Not the average family woman on a tight budget. He moves in. Davida needs a tub and she needs it fast. But she wants to fill one of the baths with water and step in. Not possible. There are rules - hygiene regulations. You can demonstrate the jets in a working tub. You can try out a dry tub. But you can't get in a full bath tub! Health department forbids; insurance forbids. They talk. Davida isn't sure. This is a substantial
investment. She needs a tub for two. If she can't try it out she will shop elsewhere. Bruce relents. It's after hours. For this beauty he will make an exception. But is the tub big enough for two? He demonstrates. After hours. After dark. A deal is made.
In an ancient castle in Rajasthan the King overhears the parrot in its cage whispering erotic descriptions to his young daughter Princess Kurangi. Enraged, he pulls out a knife and
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In an ancient castle in Rajasthan the King overhears the parrot in its cage whispering erotic descriptions to his young daughter Princess Kurangi. Enraged, he pulls out a knife and attacks the cage. Kurangi defends the bird by arguing that its speech is all learnt. Young women descend into the waters of a pool. Kurangi clutches the green parrot with its long tail against her bosom. Her clothes fall on the steps as she enters the waters with the parrot. The bird suddenly spreads its wings and flies off travelling over the mountain top to a far place.
The parrot has been captured by a bird catcher. When Ratnasen passes by its cage, he is startled to hear the parrot speak his love's name: "Kurangi"
If Ratnasen would free the parrot from his sleepy master, it would be willing to show him the way to the palace and lead him through the secret passages to Kurangi's chamber. The two reach the palace and the bird flies off to tell Kurangi of her lover's approach. Ratnasen scales the tower to finally reach her chamber in the clouds and spend a night of' love. THE CLOUD DOOR has been adapted from three sources: Bhasa's Sanskrit play " Aimaraka "(5th-7th century) Malik Mohammed Jayasi's Sufi epic love poem " Padmavat " (13th century) and the erotic Indian tales "Suksaptiti" (writer unknown).
Once upon a time a teenager named Leroy did a bent-over old lady a favor. Leroy was a loner, not because he wanted to be, but because the other boys had things he did not have: like
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Once upon a time a teenager named Leroy did a bent-over old lady a favor. Leroy was a loner, not because he wanted to be, but because the other boys had things he did not have: like girlfriends. All Leroy had was pimples on his face. Naturally, the girls, even the homely ones, ignored Leroy. So, poor Leroy was lonely, but he was horny as hell. Anyway, the bent-over lady turns out to be a witch and and as a reward for helping her, she offers to grant Leroy a wish. Leroy says he has two wishes so dear to his heart he can't make a decision.
The witch takes pity on him and agrees to grant him his two wishes, if he promises never to tell anyone or share his good fortune with anyone else. Leroy promises never to tell, whereupon the witch tells him to go to the fork in the road just outside of town at midnight and look behind the big tree. That night, Leroy does as instructed...... Lo and behold, behind the old oak tree, he finds a motorcycle! Leroy's heart leaps with joy at the sight of the powerful machine. He searches around for his second wish but he can't find it. Leroy switches on his new motorcycle. Vrooom vroom vroooom! It springs to life... and Leroy soon finds out that this is no ordinary bike! But a bike that can make all his dreams come true.
Two woman, the elder in her early forties. the younger in her twenties. They are good friends. The older woman. Sarah, is an artist, a painter, who has first and foremost found solace
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Two woman, the elder in her early forties. the younger in her twenties. They are good friends. The older woman. Sarah, is an artist, a painter, who has first and foremost found solace and sexual fulfillment in her work. The young woman, Christine who often models for Sarah's art classes. is heartbroken about her lover: the man does not understand her.
We watch the close rapport between the two women as Christine patiently poses for Sarah's rather whacky group of students. After classes, Christine talks about her relationship with Roderick. " I used to really like him. Sometimes I still do". He's even jealous of her posing for art classes. Says she doesn't have the body.
We see Christine at home with her boyfriend. It is hardly a scene of passion and love. Their lovemaking is routine... As complete contrast, we see Sarah's illicit rendevous with her married lover, Stewart. Abandoned and carefree passion. Sarah persuades Christine to join her for a weekend in her country house in the hills outside Melbourne. For the first time, Christine smiles. She discovers a trampoline in the middle of a meadow filled with yellow flowers. She chases wild horses through the fields and the two of them scream with delight as they rush back to the house In the evening, they relax in front of the fire. Sarah gently massages Christine. Their weekend is over, Christine returns to the city totally self-contained in her newly found sensuality and freedom.
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