Camila Márdila and Michel Joelsas, actors in “Que Horas Ela Volta?”, comment on the social ascension of the poorest portrayed in the work and the current setbacks with the elitization of education.

Allan Deberton and Marcélia Cartaxo, director and protagonist of “Pacarrete”, reveal the origin of the main character and highlight the intense preparation that the actress had to go through.

Bárbara Paz and Maria Camargo, director and screenwriter of “Babenco - Someone has to listen to the heart and say: It stopped”, highlight the mission of recording the director in this work that overflows with affection.

Flavio Bauraqui and Isabel Diegues, actor and producer of “Madame Satã”, highlight that Karim Aïnouz’s film was not intended to be transgressive, but rather about affection and real people.

Flavia Castro and Sara Antunes, director and actress of “Deslembro”, highlight the way in which the film addresses the Brazilian political moment during the dictatorship based on everyday memories.

Fernando Coimbra and Leandra Leal, director and actress of “O Lobo Atrás Da Porta”, highlight the nuances of the script and the editing decisions of this work inspired by the story of the “Fera da Penha”.

Wilson Rabelo and Thardelly Lima, actors in “Bacurau”, highlight the similarities between the work and modern-day Brazil and comment on the immersion of the cast and the construction of the atmosphere of the filming environment.

José Eduardo Belmonte and Otávio Muller, director and actor of “Alemão”, highlight the success of the work despite its small budget and the failure of the model of pacification by arms in Rio de Janeiro.

Lucy Barreto and Bruno Barreto, producer and director of “O Que é Isso, Companheiro?”, comment on the difficulties in the process that lasted more than 15 years to adapt Fernando Gabeira's work.

Ariclenes Barroso and Suzy Lopes, actors in “Fim De Festa”, comment on the filming process of Hilton Lacerda and highlight the difficulties of continuing to make films in Brazil with the scenario of uncertainty.

Susanna Lira, director of “Mussum - Um Filme do Cacildis”, and Augusto Gomes, one of the artist's sons, talk about the documentary that portrays the story of this Brazilian hero.

José Alvarenga Jr. and Gabriel Contente, director and actor of “Intimidade Entre Estranhos”, talk about the musical inspiration in the creation of the film and debate the dismantling of Brazilian cinema.

Ana Luiza Azevedo and Gabriela Poester, director and actress of “Aos Olhos De Ernesto”, highlight the sincere and non-demagogical way in which the film addresses old age.