Music Documentaries

Ready Steady Go! or simply RSG! was one of the UK's first rock/pop music TV programmes. This live recording of some of the Beatles favorites includes: "Twist and Shout," "Long Tall Sally," "I Wanna Be Your Man," as well as a rare recording of "Shout."

Colour Me Pop was a British music TV programme broadcast on BBC 2 from 1968-1969. It was a spin-off from the BBC 2 arts magazine show Late Night Line-Up. Designed to celebrate the new introduction of colour to British television[1], it was directed by Steve Turner, and showcased half-hour sets by pop and rock groups of the period. The Small Faces are featured performing songs from their Concept LP Ogden's Nut Gone Flake. Songs include: "Song of a Baker," "Happiness Stan," "Rollin' Over," "The Hungry Intruder," "The Journey," "Mad John," "Happydaystoytown." Gobbledespeak narration (as he did on the record) by Stan Unwin.

Arts Documentary with no narration published by ABC in 1970 Procol Harum, best known for their world-wide smash hit of 1967, A Whiter Shade of Pale, are the stars of a 55-minute special program. In 1967 a new pop group emerged with the hit song, A Whiter Shade of Pale. They were The Procol Harum. We meet the members of the group and see them perform their hit along with other numbers, including Captain Clack, Whisky Train, and Your Overcoat Is Too Long. The group's leader, Gary Brooker, comments throughout. Shown on the ABC and in the UK on BBC. Tracklist : A Whiter Shade Of Pale Good Captain Clack Whiskey Train Homburg Piggy Pig Pig In Held Twas In I Pilgrims Progress Dead Man's Dream Nothing That I Didn't Know

documentary showing both how The Beatles made music together, and how they split up. Hundreds of hours of raw footage was condensed into the final product. The rooftop performance ending the film remains a rock-n-roll archetype. Filmed on location at Apple and Twickenham Film Studios, The Beatles bang out songs and reminisce. Yoko Ono is a cloying presence as John Lennon's silent, somewhat useless appendage throughout the film's entirety. The final moments of film are the band's legendary lunchtime performance on the roof of Apple. It was the first time the band had played together in three years and would also be the last. Things go along quite nicely until the chief officer of a nearby bank calls in the cops and has the impromptu performance shut down. John closing the band's rooftop performance: "I'd like to say thank you on behalf of the group and I hope we passed the audition."

This is a television special featuring Paul McCartney and the band Wings. A number of songs are performed as well as a dance sequence.

Compiled from live recordings made at concerts on an Irish Tour in January 1974 at Belfast Ulster Hall, Dublin Carlton Cinema and Cork City Hall. An article in a Belfast daily newspaper stated: "Rory Gallagher never forgot Northern Ireland, he returned throughout the '70's when few other artists of his calibre dared not come near the place." Gallagher's 1974 tour of Ireland coincided with one of the most tumultuous times in Belfast. Violence was erupting throughout the city even at rock concerts. As a result, many rock acts refused to play in the city. Nevertheless, Gallagher included a stop in Belfast on the tour and was rewarded with one of his best shows. Additionally, rock film director Tony Palmer filmed many of the concerts on the tour. He originally planned to use it for a television special, but he later found the footage so good that he released it as a theatrical motion picture. Rory Gallagher - vocals, guitar, harmonica Gerry McAvoy - bass guitar Lou Martin - keyboards Rod de'Ath - drums, percussion

“One Hand Clapping” was an unreleased documentary showing Paul and Wings at work at Abbey Road studios on August 15th, 1974, recording songs for a proposed live/studio album

This is a performance of Herbie Hancock and the Headhunters in Bremen, Germany on the Musikladen in November 1974.

1979 BBC special BORN FIGHTERS (45min.), depicting Nick Lowe / Dave Edmunds’ band Rockpile in the studio, recording songs that made it onto the albums ‘Labour of Lust’ and ‘Seconds of Pleasure’. This is a very rare look behind the scenes of one of the 70s great songwriting/producing partnerships.

TV special featuring footage filmed throughout Wings' tour of 1975/1976, following the band in England, Australia and America. It contains live concert performances featuring fifteen of Wings' greatest songs and home movies of Paul McCartney and his family, providing a fascinating profile of the McCartneys' life off-stage. The tour itself was a major triumph for Wings - the first time the group had appeared in Australia and America, and Paul's first performance in the States for ten years. Three million people saw the shows and a then-world record attendance for an indoor concert of 67,053 was set at the Kingdome, Seattle. Starting with Paul and Linda in Scotland, the special features the gradual build-up of the band and follows Wings on tour with hit songs such as Jet, Maybe I'm Amazed, Yesterday, Silly Love Songs and Band on the Run. The Wings line-up for the tour was Paul and Linda McCartney, Denny Laine, Jimmy McCulloch and Joe English.

BBC Special: The Police were very good at documenting themselves. This video is proof of that! Filmed over a 11-month period this documents the Regatta De Blanc tour and then picks up on the Zenyatta Mondatta Tour. It all starts on February 15th 1980 at the Sun Plaza Hall in Tokyo, then in Australia, Cairo and Bombay (two very unusual places for a pop group to tour then or now). Then it picks up in August of 1980 in Spain (where they seem a bit under the influence) and lots of footage from the same show in France as seen in Urgh! A Music War. This particular show has an extremely angry Sting cursing and baiting a member of the audience for throwing mud and stones at him - which prompts Sting to give the audience the finger. All this takes place during the song "De,Do,Do,Do,De,Da,Da,Da" which creates kind of an unusual, surreal contrast to the song. Sting yelling for a roadie to pull this guy out of the audience over the piped-in background vocals of the bridge. All this undoubtedly pumped up Sting and they proceed into a rip-roaring version "Truth Hits Everybody". The film ends with a January 1981 show at The Variety Arts Theatre in LA where the audience had to be blonde (wig/spray/dye/natural) to attend the show. Preceded by silly-would-be interviews of the band with the then-just-departed from Squeeze Jools Holland.

"Play At Home" was a program that featured acts performing live in their hometowns. XTC was the most costly production (instead of setting up a camera and playing live they produced five music videos). For any XTC fan this is amazing. The videos are all good and it even includes an acoustic version of a then unreleased song (a superior version of "Train Running Low On Soul Coal" which would not see release for another fifteen months) performed by Dave and Andy. It features interviews of the band in Pegs's Pantry (a now defunct café in Swindon) and individually as the band discusses their hobbies (Daves' is home recording, Colins' is fresh-water fishing, Andys' is making board games). It shows the band as they had just finished recording Mummer and a surprisingly non-so-timid Andy considering he had just had a nervous breakdown. Great program!

Jools Holland C4 1985 TV show. Tongue-in-cheek tribute to the roots of American music done by the great British musician and band leader, Jools Holland, in his youth. There are lots of artists on the show... - Sting sings in a London tunnel under the Thames - Dr. John sings 'Such a Night' - The Neville Brothers sing a couple of songs... 'Voodoo Lady'/'Why you want to hurt my heart' and 'Feeling Good' - Good Rockin' Dopsie and The Cajun Twisters sing... 'I'm in the mood' and 'Joleene' - Luther Kent and Trick Bag sing 'I'll know better next time' - Lee Dorsey sings 'Working in a Coal Mine' - The Gospel Soul Children sing 'Praise His Name' - Johnnie Allan sings 'Promised Land' - Allen Toussaint sings 'Thank You Lord' - Jools sings 'Doctor Jazz'

A documentary about the making of the first Sting album. Not only is some time spent in the studio (much of was recorded in an interesting mansion), but there is also some interesting information about what was going on in the lives of the members of his band during that time, including Sting's child being born.

25x5: The Continuing Adventures of the Rolling Stones is a documentary on the rock group The Rolling Stones between 1963 and 1989. Track listing (songs listed are not presented in full) interview with Mick Jagger (USA, autumn 1989) interview with Keith Richards (USA, autumn 1989) interview with Charlie Watts (USA, autumn 1989) "You Better Move On" - The Arthur Haynes Show 7 February 1964 interview with Brian Jones (Belfast 6 January 1965; taken from UTV Six Five) interview with Bill Wyman (USA, autumn 1989) "Little Red Rooster" - Ready Steady Go! 20 November 1964 "Around and Around" - Hull 21 September 1964 "Mercy Mercy" - Richmond 7 August 1964 "I Just Want to Make Love to You" - The Hollywood Palace 3 June 1964 "Carol" - Scheveningen 8 August 1964 "Time Is on My Side" - The Ed Sullivan Show 25 October 1964 interview with Mick Jagger, Keith Richards, Bill Wyman and Charlie Watts (Fort Wayne 12 November 1964) interview with Mick Jagger and Brian Jones (Shindig!, US TV 20 May 1965) "How Many More Years" - Shindig! 20 May 1965 "The Last Time" - Shindig! 20 May 1965 interview with Tony King (USA, autumn 1989) "(I Can't Get No) Satisfaction" - Shindig 28 July 1965 "(I Can't Get No) Satisfaction" - The Ed Sullivan Show 13 February 1966 "19th Nervous Breakdown" - The Ed Sullivan Show 13 February 1966 "Have You Seen Your Mother, Baby, Standing in the Shadow?" - London 23 September 1966 "Paint It Black" - The Ed Sullivan Show 11 September 1966 interview with Mick Jagger (Ongar, UK Granada TV World in Action, 31 July 1967) "Let's Spend the Night Together" - The Ed Sullivan Show 15 January 1967 "You Can't Always Get What You Want" - Rock and Roll Circus, 11 December 1968 interview with Bill Wyman (ca. 1974, BBC TV All You Need Is Love series) interview with Keith Richards (Sydney Airport, 9 February 1973) Eulogy for Brian Jones - Hyd

The Ten Summoner's Tales video was filmed in Sting's Wiltshire home, Lake House, at the time of recording the album. This was his first venture as a video album and the release won a Grammy award in 1994 for "Best Long Form Video Of The Year". The video does appear to have slightly different versions of the songs to those that appeared on the album, and all the album tracks are featured apart from 'Everybody Laughed But You', which was omitted from the US release of album. The video is particularly interesting not just for the live nature of the tracks but for the between song clips of Lake House and it's grounds, the band, and for little snippets like the bass falling over during Love Is Stronger Than Justice. The most interesting clip is arguably of the band performing 'Something The Boy Said', a great song which has reputedly never been played live in concert.

Nirvana: Live! Tonight! Sold Out!! is a video album released by the grunge band Nirvana on laserdisc and VHS on November 15, 1994. The DVD version was released November 7, 2006. Kurt Cobain compiled much of the video himself, but did not complete it prior to his death. Surviving Nirvana members Dave Grohl and Krist Novoselic worked with director Kevin Kerslake to complete the video, attempting to remain as close to Cobain's vision as possible. Most of the live footage is from 1991 and 1992. The latest footage is from January 23, 1993 at the Hollywood Rock Festival in Brazil. A message appears at the beginning of the film to say that due to the circumstances of Cobain's death it was never completed.

ROCK FAMILY TREES - The British rhythm-and-blues scene of the 1960s, when bands including the Yardbirds, John Mayall's Bluesbreakers and Manfred Mann, together with rock giants Cream and Led Zeppelin, transformed the sound of American blues into rock. The era also spawned such famous guitarists as Eric Clapton, Jimmy Page and Jeff Beck, and those commenting on the time include drummer Ginger Baker and bass players Jack Bruce and Tom McGuinness.

Highlights from Paul McCartney's 1989-90 World Tour which consisted of 102 concerts in 13 countries. Tracklist includes: 'Band On The Run', 'Fool On The Hill', 'This One', 'Live And Let Die', 'Get Back' and 'Birthday.'

Before then-presidential hopeful Bill Clinton played their song "Don't Stop (Thinking About Tomorrow)" at the 1992 Democratic National Convention, Fleetwood Mac had garnered an enthusiastic following. This documentary takes a look back at the rock band's early days from 1967 through the departure of Peter Green, and features television footage and unseen archive material set to classic studio hits and live performances. Songs include "Black Magic Woman," "Heart Beat Like a Hammer," "Shake Your Moneymaker," "I'm Worried," "Like It This Way," "World Keep on Turning," "Stop Messing Around," "Albatross," "Need Your Love So Bad," "Man of the World," "Like Crying," "Linda," "Oh Well," "Rattlesnake Shake," and "Green Manalishi."Of the fifteen songs included, listeners can hear "Black Magic Woman," "World Keep on Turning," "Albatross," "Oh Well," and "Green Manalishi."

This movie re-creates the life stories of the members of the rock group "The Beach Boys". The film focuses primarily on the Wilson brothers and their parents, but also includes stories about the rest of members of the band. A two-part television movie special.

This movie re-creates the life stories of the members of the rock group "The Beach Boys". The film focuses primarily on the Wilson brothers and their parents, but also includes stories about the rest of members of the band. A two-part television movie special.

Documentary from early days of the Beatles to 2001

All This Time is a live album and concert film by Sting, recorded and filmed on September 11, 2001. It was recorded at Il Palagio in Italy, and features live versions of Sting's songs from his Police and solo career. The album and video get their name from the song of the same name from the album The Soul Cages. As Sting wanted to put together a concert in his home, he enlisted a group of musicians to practice and perform this concert with him. The events leading up to the night of the performance were filmed and within these events on the day of the performance, the New York terrorist attacks of September 11, 2001 occurred and the group was made aware of this. Due to the tragedy, Sting offered the musicians an opportunity to step down from the concert. None did, and they all performed the concert as originally intended although Sting indicates on the DVD documentary that the tone of the evening was different from how it was originally intended. As a result of the tragic circumstances, the concert was dedicated to those who lost their lives that day.

The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 as a memorial to George Harrison on the first anniversary of his death.[1] The event was organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. The profits from the event went to the Material World Charitable Foundation, an organization set up by Harrison. This was the first time that Paul McCartney and Ringo Starr performed together on stage since the breakup of The Beatles.

Originally called Syd Barrett: Crazy Diamond (in the US, a slightly modified version aired as the last episode of VH1's Legends series in January 2002). Directed by John Edginton, the film includes interviews with all the Pink Floyd members - Roger Waters, David Gilmour, Nick Mason and Richard Wright - plus the "fifth Pink Floyd", Bob Klose, who left the band in 1965, getting their points of view on the original band founder Syd Barrett. The film includes rare early television appearances of Pink Floyd, and home movies. The focus of the film is Syd Barrett, the lead vocalist and guitarist of the early Pink Floyd, who created their unique psychedelic sound and most of the band's early songs, including the singles "Arnold Layne" and "See Emily Play" and much of their first album The Piper at the Gates of Dawn. Barrett's name passed into rock folklore when he was kicked out of Pink Floyd in 1968 and, after two solo albums, disappeared from music altogether amid rumours of a drug-induced breakdown. The Pink Floyd and Syd Barrett Story has contributions from Humble Pie drummer Jerry Shirley (who played on Syd Barrett's two solo albums The Madcap Laughs and Barrett as well as Syd's final London concert on 6 June 1970 with David Gilmour, when Barrett abruptly left the stage after playing only four numbers), bassist Jack Monck who played at Syd's last ever public concert in 1972 at the Cambridge Corn Exchange, producer Joe Boyd who produced "Arnold Layne", photographer Mick Rock who photographed Barrett for The Madcap Laughs cover, and artist Duggie Fields who shared an apartment in London's Earls Court with Barrett in 1968 and witnessed his changing mental state at close hand. According to his sister, Barrett watched the documentary when it was broadcast on the BBC. He apparently found it "too loud", although he did enjoy seeing Mike Leonard, who he referred to as his "teacher". He also enjoyed hearing "See Emily Play" again.

In 1996, the blues guitarist Ry Cooder gathered together some wonderful Cuban musicians in their seventies and eighties for a successful recording project. Two years later, Cooder went back to Cuba, this time accompanied by cameras and the German director Wim Wenders, seeking out the men and women of Cuban music on the streets and in the old dance halls of Havana. In this beautiful city that got left behind by the global economy, the bedraggled stone buildings and pre-revolutionary Chevys and Dodges have aged into pure soulfulness. So have the musicians, who still look great, play beautifully, and exude a stirring seriousness and dignity. The movie comes closer to pure happiness than anything else in the theatres at the moment, and it has an intriguing and moving subtext: the Cubans' buried but irrepressible love of things American.

The Howlin' Wolf Story – The Secret History of Rock & Roll is a 2003 documentary about the life of blues legend Howlin' Wolf. It features much new and rare material, including Howlin' Wolf performing How Many More Years? on the TV musical show Shindig!, introduced by the Rolling Stones, drummer Sam Lay's home movies of stars of the Chicago Blues from the early 1960s, interviews with Howlin' Wolf's family, Hubert Sumlin, Billy Boy Arnold, Marshall Chess and many others, photographs of Howlin' Wolf and his band through their careers, and much else. The film was directed by video biographer Don McGlynn, and produced by Joe Lauro, whose company, Historic Films Inc., supplied much of the footage for Martin Scorsese's PBS documentary series on the blues.

"The Godfater of British Blues" features contributions from Mayall, his family, fellow musicians, colleagues, and friends in interviews and performances. Rare archive film from all periods of his life marks his achievements and some of the events that formed them. "The Turning Point" is the earliest rockumentary of Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls, and at festivals. In 1969, Mayall was changing the emphasis of his band away from the "electric circus" of lead guitar and drums to a more gentler approach without drums and acoustic guitar, flutes, and saxophones. This release offers a candid portrait of John Mayall, combining archival material with tour footage and concert performances. Mayall's music has provided a major source of inspiration for many artists, including Fleetwood Mac and Eric Clapton. Charting the ever-evolving blues style that Mayall is constantly honing and perfecting, this is a great way to experience the man behind the music.

Early in this visual postscript to Clapton's Me and Mr. Johnson album, bassist Nathan East says "some stuff sounds better than the record." Actually, nearly all of it does--thanks to a few more months of digesting the material--as the camera follows the guitar legend and his band through warm-spirited rehearsals (including an incendiary "Kindhearted Woman Blues") for their 2004 tour. Clapton and guitarist Doyle Bramhall II are also captured at the Dallas hotel where Robert Johnson recorded in 1937. There they play acoustic duet versions of Johnson's "Hellhound on My Trail," "Me and the Devil Blues," "Love in Vain," and others that ring with passion and virtuosity as Bramhall's slide accents the clean, beautifully articulated lines of Clapton's six-sting interpretations and unrestrained singing. Clapton also plays a few solo numbers and expounds on his love for Johnson's music and the Delta bluesman's technique. But he speaks most eloquently through his playing, which says volumes about his affection for and deep commitment to this music.

A documentary hosted by Graham McTavish covering the first decade of music from The Beach Boys.

A live concert circa 1978

Interviews with the band members and other musicians featured in the recording. Going through the album track by track in some detail

Everyone Stares: The Police Inside Out is a rockumentary film made by Stewart Copeland, drummer of the band The Police. The film premiered at the 2006 Sundance Film Festival and was released on DVD in September 2006. For this film, Stewart Copeland used material he shot himself with a Super-8 camera he bought in 1978.

PAUL MCCARTNEY: CHAOS AND CREATION AT ABBEY ROAD premiered on February 27, 2006 on PBS In this unique concert, the legendary Paul McCartney returns to Studio 2 at London's Abbey Road Studios (where most of the Beatles' recordings were made) for a fascinating journey through his songwriting career, from his very first Beatles song to the work for his new album, CHAOS AND CREATION IN THE BACKYARD. Using a selection of vintage instruments from his own collection -- including the bass played by Bill Black on Elvis Presley's original recording of "Heartbreak Hotel" and the Mellotron mixing console used by the Beatles -- McCartney revisits his back catalogue in new and revealing ways before an intimate studio audience. McCartney reinterprets old songs and new songs, performs some terrific cover versions, and enlists the audience's help in a demonstration of "in the moment" songwriting and arranging. Among the songs performed are "Blackbird," "Band on the Run," "Lady Madonna," and many others. In 2005, Sir Paul headlined the halftime show at the Super Bowl, coauthored a children's book, became the first artist to broadcast live music to the International Space Station, completed a sold-out multicity tour of the United States, and released CHAOS AND CREATION IN THE BACKYARD, his first studio recording in four years, which has garnered three Grammy® nominations, including one for Album of the Year.

90-minute bonus DVD featuring Tony Kaye's video (and a half-hour "making of" featurette) for "Dani California," a kaleidoscopic romp through rock history that finds the appropriately costumed and bewigged Peppers conjuring everything from early Elvis and British Invasion to P-Funk, Glam Metal, and Grunge. All four band members also participate in a casual, track-by-track discussion of the album that runs nearly an hour.

Stu Cook and Doug "Cosmo" Clifford, original members of Creedence Clearwater Revival, host Creedence Clearwater Revival: Music in Review -- the first documentary to analyze the history, content, and impact of the John Fogerty-founded Southern band's music. From CCR's formation in 1967, to its self-titled 1968 EP (which spawned the hits "Suzy Q" and "I Put a Spell on You,") to its watershed mega-hit "Proud Mary" in 1969, and the handful of hit albums that surfaced through the end of 1970, this program examines the enduring impact that Creedence's lyrics and melodic innovation made on the American rock scene in the late '60s and early seventies.

Documentary looking at the music and mythology of a golden era in Californian culture, and telling the story of how Los Angeles changed from a kooky backwater in the early 1960s to become the artistic and industrial hub of the American music industry by the end of the 1970s. Alongside extensive and never before seen archive footage, the programme features comprehensive first-hand accounts of the key figures including musicians (David Crosby, Graham Nash, J. D. Souther, Bernie Leadon and Bonnie Raitt, music industry bosses (David Geffen, Jac Holzman, Ron Stone and Peter Asher) and legendary LA scenesters including Henry Diltz, Pamela Des Barres and Ned Doheny. The film explores how the socially-conscious folk rock of young hippies with acoustic guitars was transformed into the coked-out stadium excess of the late 1970s and the biggest selling album of all time.

Rewind is your first opportunity to see the private face of Stereophonics...growing up, getting together, sending off 12 demo tapes a week, the first break-out record and on through growing success, recognition by their musical peers, internal struggles, world tours, four consecutive No.1 albums, their first No.1 single Dakota, and continued success... The film follows Stereophonics from their earliest pre-signed performances through to their latest sell-out stadium tours. Created from hundreds of hours of footage, Rewind includes home-movies of their very first gigs, behind the scenes interviews, backstage footage, promo videos, on-tour diaries and multi-camera stadium performances. The documentary also features some of the biggest names in music: Ronnie Wood, Paul Weller, Noel Gallagher, Bono, Jimmy Page, Jools Holland, Roger Daltrey, the Black Crowes and Tom Jones.

The Beatles' monumental album 'Sgt Pepper's Lonely Hearts Club Band' is being re-recorded by some of the biggest names in pop. Robert Sandall reports Radio 2, June 16, 8pm Geoff Emerick is recalling the unsettling moment when he and the other two members of the Beatles' recording team - producer George Martin and assistant engineer Richard Lush - sat down with the group in November 1966 to discuss their next album.

Blondie - One Way Or Another", a new BBC1 documentary in the UK, premieres Friday 21st July at 22.35pm. "Mark Radcliffe narrates a documentary about New York band Blondie, from their Bowery beginnings at CBGB's in 1974 to their controversial induction into the Rock 'n' Roll Hall of Fame earlier this year. With exclusive backstage and performance footage from their recent UK tour, plus in-depth interviews with both current and ex band members, plus friends Iggy Pop, Shirley Manson, Tommy Ramone, Chris Frantz and Tina Weymouth."

Tom Petty and the Heartbreakers: Runnin' Down A Dream is a Grammy award winning 2007 documentary about Tom Petty and The Heartbreakers, directed by Peter Bogdanovich. The 4-hour documentary chronicles the history of the band, from its inception as Mudcrutch, right up to the 30th anniversary concert in Petty's home town of Gainesville, Florida. The movie features interviews with George Harrison, Eddie Vedder, Stevie Nicks, Dave Grohl, Jeff Lynne, Rick Rubin, Johnny Depp, Jackson Browne and more. Petty's solo career is also touched on, as is his time with The Traveling Wilburys. The film was commercially released as part of a four disc boxset. The film was spread over the first two discs, while the 30th anniversary concert and a CD of rare tracks were the components of the remaining two discs. On October 28, 2008, a two disc set of the film, featuring previously unreleased bonus performances, but not the Gainesville concert or audio CD, was released to the public.[

Paul McCartney live at Roundhouse, Camden, London, Oct 25 2007 Tracklisting: 01.Magical Mystery Tour 02.Flaming pie 03.Got to get you into my life 04.Dance tonight only mama knows 05.C'moon 06.The long and winding road 07.Follow the sun 08.That was me 09.Here today 10.Blackbird 11.Calico skies 12.Eleanor Rigby 13.Band on the run 14.Back in the USSR 15.House of wax 16.I've got a feeling 17.Live and let die 18.Hey Jude 19.Let it be 20.Lady Madonna 21.I saw her standing there 22.Get back

Over 40 years after Britain's foremost 'underground' band released their debut album Piper at the Gates of Dawn, Pink Floyd remain one of the biggest brand names and best-loved bands in the world. This film features extended archive, some of it rarely or never seen before, alongside original interviews with four members of Pink Floyd - David Gilmour, Roger Waters, Nick Mason and the late Richard Wright - and traces the journey of a band that has only ever had five members, three of whom have led the band at different stages of its evolution. Tracing the band's history from psychedelic 60s London to their reunion appearance at Live 8 in 2005, this is the story of a succession of musical and commercial peaks separated by a succession of struggles around the creative leadership of the band. Their story was given added poignancy by the 2006 death of their estranged frontman, Syd Barrett. Pink Floyd spearheaded the concept album, never sold themselves as personalities and expanded rock way beyond its three minute pop song beginnings. Pink Floyd has made the four members very rich and has consumed their creative lives, but it hasn't always made them friends. When first meeting their American record company, one of the executives apocryphally asked, "Which one's Pink?". This film traces the reverberations of that question throughout the band's history. First led by the innovative singer, songwriter and guitarist Syd Barrett, Pink Floyd were at the forefront of Britain's psychedelic era. After putting the band on the map with hits like Arnold Layne and See Emily Play, Barrett drifted out of the band after experimenting with LSD. The three remaining members added Barrett's old Cambridge friend David Gilmour to the band on guitar and functioned as a communal unit while creating extended sonic explorations on albums like Atom Heart Mother and Echoes. While creating ever larger and more visually ambitious stage shows, the band personally shunned the limelight, ta

BBC Profile of the 1970s glam band Roxy Music, who reformed after 25 years to make a new album. The film traces the musical development of the group from 1972 up to the present day, as we discover how they influenced a generation of musicians such as Siouxsie and the Banshees, Duran Duran and U2 and why they are still a musical force to be reckoned with today. Featuring interviews with band members Bryan Ferry, Brian Eno, Phil Manzanera, Andy Mackay, Paul Thomson, Eddie Jobson and Gary Tibbs, plus fans including Bono, Siouxsie Sioux, Nile Rodgers of Chic, John Taylor of Duran Duran and Alison Goldfrapp.

A career-spanning documentary on the Rolling Stones, with concert footage from their "A Bigger Bang" tour. Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorcese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

A Red TV exclusive as former Radio One DJ and "Saturday Superstore" presenter Mike Read interviews former lead singer of Ace and Mike & The Mechanics Paul Carrack promoting his new solo album "I Know That Name". Carrack talks indepth about his long career which also includes his time as a sideman in Squeeze, Roxy Music, Slade and The Eagles. Among the songs performed on the show are "How Long", "When You Walk in the Room" and "The Living Years".

Collection of performances by British and American blues artists on BBC programmes such as The Beat Room, A Whole Scene Going, The Old Grey Whistle Test and The Late Show. Includes the seminal slide guitar of Son House, the British R&B of The Kinks, the unmistakable electric sound of BB King and Buddy Guy, Eric Clapton and John Lee Hooker, as well as less-familiar material from the likes of Delaney and Bonnie, Freddie King and Long John Baldry.

Documentary about progressive music and the generation of bands that were invloved, from the international success stories of Yes, Genesis, ELP, King Crimson and Jethro Tull to the trials and tribulations of lesser-known bands such as Caravan and Egg. The film is structured in three parts, charting the birth, rise and decline of a movement famed for complex musical structures, weird time signatures, technical virtuosity and strange, and quintessentially English, literary influences. It looks at the psychedelic pop scene that gave birth to progressive rock in the late 1960s, the golden age of progressive music in the early 1970s, complete with drum solos and gatefold record sleeves, and the over-ambition, commercialisation and eventual fall from grace of this rarefied musical experiment at the hands of punk in 1977. Contributors include Robert Wyatt, Mike Oldfield, Pete Sinfield, Rick Wakeman, Phil Collins, Arthur Brown, Carl Palmer and Ian Anderson.

As a child I remember enjoying the TV show The Monkees but the time when they were originally big was long before I was born and so I couldn't tell you much about them beyond Head and the songs that everyone knows. So coming from my knowledge standpoint, this slick documentary was telling me things that I didn't know and doing so in an accessible and entertaining way. Those that know The Monkees career path may find that this is telling them nothing new, but even they will acknowledge that this serves as a sufficient and enjoyable summary. The story itself is of interest even though the idea of a manufactured band is nothing unusual today and it is hard to relate to the idea being a revelation as it apparently was back then. However it is not often you get to see a celebrity break-up in gory detail because nowadays bands simply split in very stage-managed ways that reflect a new product being released and an old one replaced (Boyzone to Westlife and so on). So to hear about people punching walls, or the Monkees' new manager being thrown down a flight of stairs as the shooting of Head was threatened is good stuff and you can hear that there is still a certain amount of acrimony there. The contributions are all very good. The absence of Mike Nesmith will be of no surprise to anyone but Peter, Davy and Micky are all interviewed and quite open. Likewise Bob Rafelson doesn't put any sort of spin on the events of the time, mainly because he came out of it very well and went onto bigger and better things. With only clips to fill the rest of the film, the contributions are important and well used throughout. John Simm's narration is good and sparingly used as the film is best when those involved are telling it. Overall then an interesting and engaging documentary that quickly charts the assembly and collapse of The Monkees. The short time means that there is little detail but what there is is interesting and the (almost) full set of contributions from the key playe

BBC Four explores the archives for the sultry sounds and looks of 'Jazz Divas Gold'! Featured Jazz legends include Ella Fitzgerald, Marion Montgomery, Cleo Laine, Blossom Dearie, Sarah Vaughan, Nina Simone, Peggy Lee, Betty Carter, Amy Winehouse, Eartha Kitt and many more who can be seen from 1965 to 2008 on BBC treasures such as Not So Much a Programme, More a Way of Life, Show of the Week, Not Only...But Also, Birdland, Parkinson, Later..with Jools Holland, Morecambe and Wise and more...so let's hear it for the ladies!

It Might Get Loud is a documentary by filmmaker Davis Guggenheim. It explores the history of the electric guitar, focusing on the careers and styles of Jimmy Page, The Edge, and Jack White. The film received a wide release on August 14, 2009 in the US by Sony Pictures Classics.

A compilation of some of the great Manchester bands in BBC studio performance from the 1960s till the present, including Freddie and the Dreamers, The Hollies, 10CC, the Buzzcocks, The Fall, Joy Division, James, M-People, Oasis and many more.

In 1962 an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th Century. This film charts how The Beatles developed as musicians, matured as songwriters and created a body of work that sounds as fresh now as the time it was recorded.

U2 360° at the Rose Bowl is a concert film by rock band U2. It was shot on 25 October 2009 on the band's U2 360° Tour date at the Rose Bowl in Pasadena, California.[1] The Rose Bowl concert featured an audience of over 97,000, and was broadcast live over the internet via YouTube.

Arts Documentary hosted by Mariella Frostrup, published by BBC in 2009 Duran Duran came out of Birmingham and conquered the world during the 1980s. Originally a New Romantic band in full make-up and cossack pants, they rapidly became bedroom pin-ups for a generation of teenage girls. Led by Simon Le Bon, Nick Rhodes and John Taylor, Duran Duran dominated the British and American charts in the mid 1980s with classic singles such as Rio, Save a Prayer and Wild Boys. Pioneers of the MTV-style promo video - from the X-rated Girls on Film to Raiders of the Lost Ark spoof Hungry Like the Wolf - Duran Duran were the 80s equivalent of the Beatles in America and outsold Spandau Ballet and Wham! in their pomp. 60 million records later, Le Bon and Rhodes are seen touring America with their Pop Trash project from the early 2000s. The documentary reflects on the heady heights of Duran Duran's career, the cracks in their make-up plus the effects of sex, drugs and fame on ordinary boys from working class backgrounds. Apart from the key Durannies - Le Bon, Rhodes and John Taylor - the programme also features celebrity interviews with Debbie Harry, Yasmin Le Bon, Duran Duran managers Paul and Michael Berrow, Claudia Schiffer, Nile Rodgers and Lou Reed.

Arts Documentary hosted by Wilko Johnson, published by BBC in 2010 Director Julien Temple's film celebrates Canvey Island's Dr Feelgood, the Essex R 'n' B band that exploded out of the UK in the prog era of the early Seventies, delivering shows and albums that helped pave the way for pub rock and punk. Temple examines Canvey Island culture as a 'Thames delta' for British rhythm and blues, with a central performance from the Feelgood's guitarist and songwriter Wilko Johnson. A British original, his dynamic stage presence and relationship with lead singer Lee Brilleaux drove the band through their early performances, characterising their three albums between 1975 and 1976, Down by the Jetty, Malpractice and the number one live album, Stupidity. Wilko left the band in 1977, bassist John B Sparks and drummer The Big Figure both left in 1982, and Lee Brilleaux died in 1994. This is an imaginative, filmic and moving study of the place, times and characters that created the heyday of a seminal British band, and the personal forces that pulled them apart.

ITV - Dermot O'Leary interviews music icon Sir Paul McCartney about his seminal Wings album Band on the Run ahead of the record's re-release in November. Sir Paul tells how he flew to Lagos in Nigeria to make the album - even though two members of the band resigned before the flight. In Lagos, the former Beatle found the recording studio only half-finished. Things went from bad to worse as he was mugged and lost his demo tapes. However, the final album went on to be a massive hit, becoming a Grammy winner and spawning two smash singles. The programme also reveals the story behind the shooting of the famous cover art.

Robert Plant discusses his musical journey from Stourbridge, the British blues boom, superstardom with Led Zeppelin in the 70s, to the Band of Joy album. He also looks at his work with The Honeydrippers and North African musicians, his reunion with Jimmy Page, and his pairing with Alison Krauss.

Carlos Santana, the legendary Mexican-American guitarist and songwriter, reveals his turbulent life story with astonishing intimacy, accompanied by previously unseen archive performances of many of his best-known tunes. These range from Evil Ways and Black Magic Woman to the massive hits from his later Supernatural album. Santana recounts to director Jeremy Marre the abuse and struggle of his early years, the invention of Latin rock in San Francisco, his triumph at Woodstock, his involvement with jealous guru Sri Chinmoy and guitarist John McLaughlin, and the rollercoaster years that followed. This frank and very personal depiction of a remarkable forty-year career, fuelled by his 'angels and demons', is illustrated with behind-the-scenes footage uncovered for the first time, interviews with former members of the band, producers and musicians, and many performances from the early 70s that depict his unmistakable guitar style. Contributors include members of the Santana band, music industry executive Clive Davis, producer David Rubinson, guitarist John McLaughlin, Mickey Hart of the Grateful Dead, Santana family members and other musical collaborators.

Arts Documentary hosted by Philip Glenister, published by BBC in 2011 Affectionate but honest portrait of Thin Lizzy, arguably the best hard rock band to come out of Ireland. Starting with the remix of the classic album Jailbreak by Scott Gorham and Brian Downey, the film takes us through the rollercoaster ride that is the story of Thin Lizzy. From early footage of singer Phil Lynott in Ireland in his pre-Lizzy bands the Black Eagles and Orphanage, it follows his progress as he, guitarist Eric Bell and drummer Brian Downey form the basic three-piece that was to become Thin Lizzy - a name taken from the Beano. Using original interviews with Bell, Downey, the man who signed them and their first manager, it traces the early years leading to the recruitment of guitarists Brian 'Robbo' Robertson and Scott Gorham - the classic line-up. The film uses a number of stills, some seen on TV for the first time, archive from contemporary TV shows and a range of tracks both well known and not so famous. There are hilarious self-deprecating anecdotes, from the stories behind the making of the Boys are Back in Town to the hiring of Midge Ure. We hear about the 'revolving door' as guitarist after guitarist was fired and hired, and the recording of Bad Reputation and Live and Dangerous - where producer Tony Visconti pulls no punches in talking about how he recorded the latter - putting the controversy to bed for the final time. Except that Downey and Robertson still disagree with him. Finally we hear how drugs and alcohol impacted on the band and how the music suffered, how one member later substituted golf for heroin and how addiction and the related lifestyle led to the death of Phil Lynott. Contributors include Brian Downey, Scott Gorham, Eric Bell, Brian Robertson, Midge Ure, Bob Geldof, Tony Visconti, Joe Elliot (Def Leppard) and many others.

Documentary revealing the fascinating story of one of the most famous music venues in the world, The Cavern in Liverpool, to mark the 50th anniversary of The Beatles' first performance there. Although the original venue is gone, there is a new Cavern on the old site - a place for new bands to cut their teeth, and a tourist attraction for Beatles fans across the globe. The programme includes interviews with members of some of the Merseybeat bands who also played in the underground venue, including Gerry Marsden and former Beatles drummer Pete Best, as well as playwright and Cavern regular Willy Russell.

Arts Documentary hosted by Morgan Neville, published by BBC in 2011 Morgan Neville's full-length documentary is James Taylor and Carole King's first-hand account of the genesis and blossoming of the 1970s singer-songwriter culture in LA, focusing on the backgrounds and emerging collaboration between Taylor, King and the Troubadour, the famed West Hollywood club that nurtured a community of gifted young artists and singer-songwriters. Taylor and King first performed together at the Troubadour in November 1970, and the film explores their coming together and the growth of a new, personal voice in songwriting pioneered by a small group of fledgling artists around the club. Contributors include Taylor, King, David Crosby, Roger McGuinn, Jackson Browne, Bonnie Raitt, Kris Kristofferson, JD Souther, Peter Asher, Cheech & Chong, Steve Martin and Elton John.

Arts Documentary hosted by Julien Temple, published by BBC in 2011 Dave Davies, the legendary guitarist of the Kinks, relives his tumultuous life and times amidst the serenity of his Exmoor sanctuary. Walking across the moors that have fascinated him since childhood, Dave takes us back to life with Brother Ray in an extended working class family amidst the austerity of postwar London. Bringing to life its deprivations and triumphs, he reveals the profound sense of community and family bonds which underpins the extraordinary story of the Kinks. From their formation at a North London Secondary Modern, through time spent as backing band to an upper class crooner at debutante balls, Dave tells how the Kinks career as Searchers sound alikes was almost over before it began. That all changed though when Dave attacked his amp with a rusty Gillette razor blade in the front room of their semi detached house in Muswell Hill. Slashing the speaker, he produced the distorted, barking dog guitar riffs which powered their first hit, You Really Got Me, catapulted the Kinks to worldwide fame and in the process rearranged the sonic architecture of the 1960s. Finding himself at the unlikely age of 15 enshrined along with Brian Jones and Keith Moon as one of the three undisputed Kings of Swinging London, Dave trailblazed the rock 'n' roll lifestyle. As he puts it, Dave did the partying and Ray wrote about it. In America Dave's shoulder length hair and subversive sexuality on stage drove teenage TV audiences wild whilst scandalising the Rat Pack generation. Dave explains why The Kinks' refusal to compromise who they were resulted in them being banned from America at the height of their fame. For the next four years, while the Beatles, Stones and Who went onto global megastardom, the Kinks re-invented themselves as the quintessential English group with timeless hits such as Sunny Afternoon, Waterloo Sunset and Days. With disarming honesty, Dave reveals how the burning glass of fame c

Arts Documentary hosted by Martin Smith, published by BBC in 2012 By 1969, the Doors had found themselves at the forefront of a movement that consisted of a generation of discontents. Operating against a backdrop of the Vietnam War and of social unrest and change in the USA, the Doors were hip, they were dangerous, they were anti-establishment, anti-war and they were hated by middle-America. Featuring exclusive interviews with surviving band members Ray Manzarek, John Densmore, Robby Kreiger and their closest colleagues and collaborators, along with exclusive performances, archive footage and examination of the original multi-track recording tapes with producer Bruce Botnick, this film tells the amazing story of landmark album LA Woman by one of the most influential bands on the planet.

The Rise and Fall of Ziggy Stardust and the Spiders from Mars is arguably the most important album in the mind-blowing career of David Bowie. Released in 1972, it's the record that set the mercurial musician on course to becoming one of the best-known pop stars on the planet. In just over a year, Bowie's messianic Martian invaded the minds of the nation's youth with a killer combination of extraterrestrial rock 'n' roll and outrageous sexuality, all delivered in high-heeled boots, multicoloured dresses and extravagant make-up. In Bowie's own words, Ziggy was 'a cross between Nijinsky and Woolworths', but this unlikely culture clash worked - Ziggy turned Bowie into stardust. This documentary tells the story of how Bowie arrived at one of the most iconic creations in the history of pop music. The songs, the hairstyles, the fashion and the theatrical stage presentation merged together to turn David Bowie into the biggest craze since the Beatles. Ziggy's instant success gave the impression that he was the perfectly planned pop star. But, as the film reveals, it had been a momentous struggle for David Bowie to hit on just the right formula that would take him to the top. Narrated by fan Jarvis Cocker, it reveals Bowie's mission to the stars through the musicians and colleagues who helped him in his unwavering quest for fame - a musical voyage that led Bowie to doubt his true identity, eventually forcing the sudden demise of his alien alter ego, Ziggy. Contributors include Trevor Bolder (bass player, Spiders from Mars), Woody Woodmansey (drummer, Spider from Mars), Mike Garson (Spiders' keyboardist), Suzi Ronson (Mick Ronson's widow, who gave Bowie that haircut), Ken Scott (producer), Elton John (contemporary and fan), Lindsay Kemp (Bowie's mime teacher), Leee Black Childers (worked for Mainman, Bowie's production company), Cherry Vanilla (Bowie's PA/press officer), George Underwood (Bowie's friend), Mick Rock (Ziggy's official photographer), Steve Harley, Marc A

Arts Documentary hosted by Jarvis Cocker, published by BBC in 2012 David Bowie and the story of Ziggy Stardust The Rise and Fall of Ziggy Stardust and the Spiders from Mars is arguably the most important album in the mind-blowing career of David Bowie. Released in 1972, it's the record that set the mercurial musician on course to becoming one of the best-known pop stars on the planet. In just over a year, Bowie's messianic Martian invaded the minds of the nation's youth with a killer combination of extraterrestrial rock 'n' roll and outrageous sexuality, all delivered in high-heeled boots, multi-coloured dresses and extravagant make-up. In Bowie's own words, Ziggy was 'a cross between Nijinsky and Woolworths', but this unlikely culture clash worked - Ziggy turned Bowie into stardust. This documentary tells the story of how Bowie arrived at one of the most iconic creations in the history of pop music. The songs, the hairstyles, the fashion and the theatrical stage presentation that merged together to turn David Bowie into the biggest craze since the Beatles. Ziggy's instant success gave the impression that he was the perfectly-planned pop star. But, as the film reveals, it had been a momentous struggle for David Bowie to hit on just the right formula that would take him to the top. Narrated by fan Jarvis Cocker, it reveals Bowie's mission to the stars through the musicians and colleagues who helped him in his unwavering quest for fame - a musical voyage that led Bowie to doubt his true identity, eventually forcing the sudden demise of his alien alter ego, Ziggy.

Arts Documentary hosted by Pete Townshend, published by BBC in 2012 In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. With unseen archive and in-depth interviews from Townshend, Roger Daltrey, Keith Moon, John Entwistle and those in the studio and behind the lens who made the album and thirty page photo booklet. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.

The Beatles '62. On October 5th 1962 the Beatles released their first single, Love Me Do. It was a moment that changed music history and popular culture forever. It was also an extraordinary year in social and cultural history, not just for Liverpool but for the world, with the Cuban missile crisis, John Glenn in space and beer at a shilling a pint. Stuart Maconie explores how the Beatles changed from leather and slicked back hair to suits and Beatle mops, and how their fashion set the pace for the sixties to follow. Pop artist Sir Peter Blake, Bob Harris and former Beatles drummer Pete Best join friends to reflect on how the Beatles evolved into John, Paul, George and Ringo - the most famous band in the world.

Glenn Tilbrook and Chris Difford, the men behind Squeeze, have been called everything from the new Lennon and McCartney to the godfathers of Britpop. Now, 35 years after their first record, this documentary reappraises the songwriting genius of Difford and Tilbrook and shows why Squeeze hold a special place in British pop music. Difford and Tilbrook, two working class kids from south east London, formed Squeeze in 1974 with the dream of one day appearing on Top of the Pops. In 1978, they achieved that dream when the single Take Me I'm Yours gave the band the first of a string of top 20 hits. The period from 1978 to 1982 saw the group release a run of classic singles, timeless gems such as Cool for Cats, Up the Junction, Labelled with Love, Tempted and Pulling Mussels (From the Shell) to name but a few. Although the line-up of Squeeze would go through various changes of personnel (another founder member Jools Holland left in 1980 and then rejoined the group in 1985) it is Difford and Tilbrook's songs that have remained the constant throughout the lifetime of the band. The duo explain how they came to write and record many of their greatest songs. Although their relationship at times has often been tenuous at best, the mutual admiration for each other's talent has produced some of the best songs of the past 40 years. With contributions from former band members Jools Holland and Paul Carrack, together with testament from Elvis Costello, Mark Knopfler and Aimee Mann to Difford and Tilbrook's songwriting talent and why they deserve to be placed alongside such renowned songwriting partnerships as Lennon and McCartney, Jagger and Richards and Elton John and Bernie Taupin.

Biography Documentary hosted by Geoff Wonfor, published by BBC in 2012 Jools Holland, who began his television career 30 years ago, takes us on a journey of his life that has made him the doyen of the music scene. Growing up in the East End, joining the hit band Squeeze and landing the job of presenting the iconic TV show The Tube, all contributed to him becoming BBC Two's music man. Including special behind-the-scenes access to the critically acclaimed programme Later... with Jools Holland and to Jools's own recording studio in Greenwich, designed by the man himself. Featuring interviews with Sir Tom Jones, Hugh Laurie, Stephen Fry, Paul Weller, Sir Bob Geldof and Vic Reeves.

On the 50th anniversary of the famous 12-hour session at Abbey Road which resulted in the Beatles' iconic album Please Please Me, leading artists such as Stereophonics, Graham Coxon, Gabrielle Aplin, Joss Stone, Chris Difford and Glenn Tilbrook of Squeeze, Paul Carrack, Mick Hucknall and I Am Kloot attempt to record the same songs, in the same timescale, in the same studio. The results will be captured in this programme, presented by Stuart Maconie. Amongst those paying their own tribute to the album's success are Burt Bacharach and Guy Chambers, as well as people lucky enough to have been there 50 years ago telling the remarkable story of what happened that day, including engineer Richard Langham and Beatles' press officer Tony Barrow.

Jazz Horns Gold blows its own trumpet (and saxophone and nose flute) with a cool array of BBC archive from the jazz vaults. Legends such as Dizzy Gillespie, Coleman Hawkins, Stan Getz and Rahsaan Roland Kirk play boldly alongside new stars who emerged in the 80s like Wynton Marsalis and the young jazz disciples of the 21st century such as Joshua Redman and Hypnotic Brass Ensemble. Not forgetting the Brits including Acker Bilk, John Dankworth, Courtney Pine and John Surman and the late, lamented Andy Hamilton. Archive sources include Jazz 625, the Late Show, Later with Jools Holland and Crackerjack. Blow man blow!

Arts Documentary hosted by Martin R Smith, published by BBC in 2013 1968 was a time of soul searching for The Who - with three badly performing singles behind them they needed a big new idea to put them back at the top and crucially to hold them together as a band. Inspired by Indian spiritual master Meher Baba, Pete Townshend created the character of Tommy, the 'deaf, dumb and blind boy'. Broke and fragmenting when they started recording, the album went on to sell over 20 million copies. In this film, The Who speak for the first time about the making of the iconic album and how its success changed their lives.

Sir Paul McCartney christens the New York Mets' new home with Beatles, Wings and solo classics, as he returns to the hallowed ground of the Beatles' famous Shea Stadium gig in 1965.

Arts Documentary hosted by LL Cool J, published by ITV in 2014 Celebrating the 50th anniversary of one of the most memorable moments in music and television's joint history - the groundbreaking first appearance by the Beatles on the Ed Sullivan Show in 1964. This musical celebration of that evening sees the two remaining Beatles, Paul McCartney and Ringo Starr, along with a host of huge musical names including Alicia Keys, Dave Grohl, Eurythmics, Katy Perry, Ed Sheeran, Pharrell Williams and Stevie Wonder performing Beatles classics, while various presenters and performers including Sean Penn, Johnny Depp and Eric Idle help contextualise and highlight the musical, cultural and historical impact of the group. The programme also features David Letterman interviewing Paul McCartney and Ringo Starr at the iconic Ed Sullivan Theatre, as well as interviews with people who worked on the 1964 show and were in the audience.

Arts Documentary hosted by Greg Camalier, published by BBC broadcasted in 2014 Located alongside the Tennessee River, Muscle Shoals in Alabama is the unlikely breeding ground for some of America's most creative and defiant music. Under the spiritual influence of the 'Singing River', as Native Americans called it, the music of Muscle Shoals has helped create some of the most important and resonant songs of all time. At its heart is Rick Hall, who founded FAME Studios. Overcoming poverty and tragedy, Hall brought black and white together in Alabama's cauldron of racial hostility to create music for the generations. Greg Allman, Bono, Clarence Carter, Mick Jagger, Etta James, Alicia Keys, Keith Richards, Percy Sledge and others bear witness to Muscle Shoals's magnetism, mystery and why it remains influential today.

Arts Documentary hosted by Jon Brewer, published by BBC in 2014 Nat King Cole was the only black television star in Hollywood at a time when America groaned under the weight of racial segregation and prejudice. Yet he possessed a natural talent so great that these issues were seemingly swept to one side to allow him to become one of the greatest jazz icons of all time. However, behind closed doors those around him were trying to think of a way to package him as something he was not: bi-white. This candid account of what really happened in and around his 'fairytale' life is taken from his private journals, interviews with his widow Maria and contributions from other family members, Tony Bennett, Buddy Greco, Harry Belafonte, Nancy Wilson, Sir Bruce Forsyth, George Benson, Aaron Neville, Johnny Mathis and many more. Featuring archive never seen before, it reveals Nat King Cole's feelings behind his ultimate calling as a 'beacon of hope' to the legions of the oppressed.

Arts Documentary hosted by George Scott, published by BBC in 2014 Documentary telling, in her own words, the story of Carole King's upbringing in Brooklyn and the subsequent success that she had as half of husband and wife songwriting team Goffin and King for Aldon Music on Broadway. It was during this era in the early 1960s that they created a string of pop hits such as Take Good Care of My Baby for Bobby Vee, The Locomotion for Little Eva and Will You Love Me Tomorrow for the Shirelles, which became the first number 1 hit by a black American girl group. Not to mention the era-defining Up on the Roof for the Drifters and the magnificent Natural Woman for Aretha Franklin. By 1970 Carole was divorced from songwriting partner Gerry Goffin and had moved to Los Angeles. It was here that she created her classic solo album Tapestry, packed with delightful tunes but also, for the first time, her own lyrics, very much sung from the heart. The album included It's Too Late, I Feel the Earth Move and You've Got a Friend and held the record for the most weeks at number 1 for nearly 20 years. It became a trusted part of everyone's record collection and has sold over 25 million copies to date. The film features some wonderful unseen material and home movies, and narrates her life as an acclaimed singer-songwriter. To date, more than 400 of her compositions have been recorded by over 1,000 artists, resulting in 100 hit singles. More recently, in 2013, Carole was the first woman to be awarded the prestigious Gershwin Prize for Popular Song by the Library of Congress for her songwriting, whilst in 2014 a Broadway production Beautiful, which tells her life story during the Goffin and King era, has received rave reviews. Nowadays Carole King would see herself as much as an eco-activist as a songwriter, and is to be found constantly lobbying congress in defence of the wildlife and eco-systems of her beloved Idaho.

Arts, History Documentary hosted by Cathy Tyson, published by BBC in 2014 Killing Me Softly: The Roberta Flack Story Roberta Flack's Grammy award-winning song The First Time Ever I Saw Your Face was America's biggest selling single of 1972. The following year her gentle, pure voice charmed middle America once again when Killing Me Softly with His Song reached the top of the charts and ran off with another Grammy for single of the year. In the early 70s Roberta Flack was one of the most successful pop stars in the world. But Flack was no overnight sensation. She didn't have a hit single till she was 35 years of age. Nor was her success a traditional African-American rags-to-riches story. She came from the black middle class that had been born out of the self-contained hub of segregated America. She studied classical music at Howard University, America's top black university, and probably would have pursued a classical career had that door been open to her in 50s America. Instead, she taught music in Washington's public school system for 10 years while she struggled for her break. In the race conscious times, she also had her detractors. While she was singing duets of black consciousness with soul singer Donnie Hathaway, she was married to her white bass player. Also, they said she sounded too white; the gospel-infused voices of Aretha Franklin and James Brown, which came out of the dominant Baptist church, were what real soul singers sounded like. What those critics didn't understand was that there are many musical traditions within black America and Roberta Flack came from the more restrained Methodist one where they sang hymns rather than gospel. This is the story of the emergence of different kind of soul singer set against the turbulent backdrop of America's Civil Rights movement. Contributors include: Roberta Flack; Dionne Warwick; Johnny Mathis; Cissy Houston; Imani Perry - Princeton University, professor of African American Studies; Greg Tate - musician and critic; Fredera Hadley - musicologist; and John Akomfrah - filmmaker and critic.

Arts Documentary hosted by Adrian Sibley, published by BBC in 2014 This documentary explores Kate Bush's career and music, from January 1978's Wuthering Heights to her 2011 album 50 Words for Snow, through the testimony of some of her key collaborators and those she has inspired. Contributors include the guitarist who discovered her (Pink Floyd's David Gilmour), the choreographer who taught her to dance (Lindsay Kemp) and the musician who she said 'opened her doors' (Peter Gabriel), as well as her engineer and ex-partner (Del Palmer) and several other collaborators (Elton John, Stephen Fry and Nigel Kennedy). Also exploring their abiding fascination with Kate are fans (John Lydon, Sidi Larbi Cherkaoui) and musicians who have been influenced by her (St Vincent's Annie Clark, Natasha Khan of Bat for Lashes, Tori Amos, Outkast's Big Boi, Guy Garvey and Tricky), as well as writers and comedians who admire her (Jo Brand, Steve Coogan and Neil Gaiman).

Technology Documentary hosted by Jo Whiley, published by BBC in 2014 One iconic black box has probably more than anything else come to define the sound of rock - the Marshall amplifier. It has been, quite literally, behind some of the greatest names in modern music. It all started in 1962 when drum shop owner Jim Marshall discovered the distinctive growl that gave the electric guitar an exciting new voice. Music got a whole lot louder as young musicians like Clapton, Townshend and Hendrix adopted the revolutionary 'Marshall Sound'. The electric guitar now spoke for a new generation and the genre of rock was born. Soon Marshall stacks and walls were an essential backdrop of rock 'n' roll. The excesses of rock machismo were gloriously lampooned in the 1984 movie This is Spinal Tap. In an extrodinary piece of reverse irony, it was this comic exposure that rescued the company from financial meltdown. With contributions from rock legends like Pete Townshend, Lemmy and Slash, plus an interview with the 'Father of Loud' Jim Marshall, this documentary cruises down the rock ages with all the dials set to 'eleven'.

Arts Documentary with no narration published by BBC in 2015 Three British bands defined the British Invasion of 1964 which changed America. The Beatles, the Rolling Stones and the Dave Clark Five. Fifty years later this film tells the story of the Dave Clark Five, their emergence from working-class Tottenham, their unique sound, their close friendship, their self-managed business philosophy and the youthful exuberance with which they captured the USA. Testifying to the lasting impact of the band and what made them unique in an era of brilliant, game-changing creativity, Dave Clark's two-hour documentary features newly filmed interviews with Sir Paul McCartney, Sir Elton John, Sir Ian McKellen, Stevie Wonder, Sharon and Ozzy Osbourne, Bruce Springsteen, Steven van Zandt of the E Street Band, Gene Simmons of Kiss, Whoopi Goldberg, Dionne Warwick and Twiggy. Interwoven throughout, boyhood fan Tom Hanks' inspirational and moving speech at the DC5's Rock & Roll Hall of Fame induction ceremony in 2008 explains what five guys from north London and the Tottenham Sound meant to Hanks' generation. As well as barnstorming live and TV performances by the DC5, the film weaves archive interviews with band members alongside extraordinary rarely seen footage of the DC5 on tour and in the studio and also features rare TV footage from the legendary Ready Steady Go! series, where the DC5's fellow pop pioneers the Beatles, the Rolling Stones, the Who, Dusty Springfield, Stevie Wonder, the Supremes, Martha Reeves and the Vandellas, Marvin Gaye and Otis Redding highlight a time of unparalleled excitement and innovation. This film captures the youth, innocence and zany zest of the swinging 60s and the Dave Clark Five's driving role in those years. And Beyond the '60s? Unseen archive interviews and performances with Sir Laurence Olivier and Freddie Mercury feature among the rare footage telling the story of TIME, the spectacular, innovative and visionary rock musical with which producer

Arts Documentary hosted by Alex Gibney, published by BBC in 2015 Pioneering the journey from rhythm and blues to funk, James Brown forever changed the face of American music. Mr Dynamite follows the story of Brown as he escaped his impoverished southern roots to become the biggest name in soul music and one of the most important music talents of the 20th century. This captivating film utilises never-before-seen concert footage, interviews with Brown from a variety of sources and recent insights from band members and others who knew the singer, to tell the remarkable story of the supremely gifted and enormously influential American musical icon. Mick Jagger is among those who recall his magnetic showmanship - first catching Brown's act from the balcony of the Apollo Theatre in Harlem, only to have Brown steal the spotlight when they performed on the same Los Angeles television show. Beyond musical talent, the film documents how Brown played a pivotal role in the civil rights movement, whilst later endorsing Richard Nixon, whose politics chimed with his own entrepreneurship.