While cataloguing the library of Barchester Cathedral, a scholar finds a diary detailing the events surrounding the mysterious death of an Archdeacon some 50 years earlier. The first of the BBC's famed 'A Ghost Story for Christmas'.

An amateur archaeologist, Mr Paxton (Peter Vaughan), travels to the coastal Norfolk town of Seaburgh. His research has uncovered an old Anglo-Saxon legend telling of three fabled crowns that protect England from invasion. One is said to have been lost in a war, a second lost to the sea - but the third is thought to be hidden somewhere near Seaburgh. Paxton checks into a local inn where, despite the suspicions of the locals, he hears that another archaeologist searching for the crown was found dead more than a decade ago. His inquiries lead him to the grave of a local man, William Ager who was said to be the last of his line and a guardian of the crown. Paxton goes to search the woods near Ager's former home but his excavations will unearth something more than the fabled crown.

A young orphan, Stephen, is sent to go and live with his strange, much older cousin at his remote country house. Once there, Stephen experiences terrible dreams in which he sees a young girl and boy who are missing their hearts.

The Reverend Justin Somerton, a scholar of Medieval history, and his protégé Lord Peter Dattering are visiting an Abbey library. Studying a stained glass window they uncover clues leading to a treasure hidden by a disgraced Abbot.

Man of leisure Sir Richard (Edward Petherbridge) receives notification that his Uncle has died, bequeathing him his stately country manor and all its lands. On his return to England he immediately sets about taking stock of all legal matters concerning his new property, but during these dealings Sir Richard seems to be more than a little distracted, he hears strange noises from the ash tree outside his bedroom window.

For this the sixth of the BBC's "A Ghost Story for Christmas" series we are presented with an adaptation of a Charles Dickens story rather than one by M.R. James. A traveller (Bernard Lloyd) sees a railway signalman (Denholm Elliott) in a lonely location. The signal box is situated between two steep sided hills close to the entrance to a tunnel. The traveller, shielding his eyes from the glare of the sun with one arm, waves to the signalman and cries out "Hallo, Below There". But he is puzzled when the railway worker not only does not reply to him but actually seems to be afraid of him. When the traveller reassures him that there is nothing to fear about him, the signalman welcomes the stranger into his signal box and begins to tell him a remarkable story.

A family moves into a cottage in the countryside. The cottage is situated near an ancient megalithic stone circle, and one of the stones which the family arrange to have moved is in the garden of the cottage. However, as two workmen attempt to lift a large, heavy stone from their garden, an ancient curse is unleashed which causes the mother to bleed uncontrollably, despite having no wounds. Once the stone is finally moved, a skeleton is found buried there. The implication is that the mother's body is re-enacting the ritual execution of a witch who was buried under the stone centuries earlier.

Paul has just been divorced. Seeking solace he agrees to move to an isolated retreat, run by a sinister brother and sister. All seems well at first before he starts to feel ice cold in normal situations. Bewildered by what is going on until all is revealed within...THE ICE HOUSE!

How different Fanshawe's holiday might have been had his trusty binoculars not broken. The Squire's archaic pair prove strangely bewitching, but is everything they see to be believed? And why does their very mention fill the elderly butler with dread? He looks like he's seen a ghost, or worse. Perhaps Fanshawe should have consulted the old man before venturing up Gallows Hill. Some stones are better left unturned, and questions of the dead should remain the secrets of the past, because sometimes the dead answer back...

In order to authenticate some historical papers in a cathedral town, Oxbridge academic Anderson stays at a local hotel in room 12, initially disregarding the lack of a number 13 as provincial superstition. During the night, noise conspires to keep him awake and the historian is astonished to come face to face with door number 13. Continuing his work, a history of a reformation era witchcraft scandal emerges. The nocturnal disturbances escalate, leading Anderson with no choice but to open the door to room number 13...

After placing his ailing wife Alice (Gemma Jones) in a care home, retired academic James Parkin (John Hurt) goes to stay at a wintry out-of-season hotel which they used to visit together.

On his deathbed vicar Rant makes a secret confession to his niece Mary Simpson. Some twenty years later young librarian William Garrett is asked by elderly John Eldred to locate a book called 'The Tractate Middoth' but a mysterious cloaked figure takes the book from the shelves and Eldred panics and leaves. On a second attempt to find the book Garrett is confronted by the mysterious borrower, a rotting ghost, the encounter causing him to faint. He goes to the seaside to recover and, by coincidence, stays with Mrs Simpson and her daughter. He learns that she is the cousin of Eldred, who cheated her out of an inheritance when Rant died though a will in her favour was actually made and hidden in the pages of the Tractate Middoth . Eldred finally obtains the book but Rant, witnessed by Garrett, exacts vengeance from beyond the grave.

Aubrey Judd, veteran radio presenter of The Dead Room, soon realises that elements of his own past are not as dead and buried as he perhaps hoped.

Adaptation of a ghost story by MR James. 1684. John Martin is on trial for his life. Facing him, the infamous 'hanging judge' George Jeffreys. However, this is not a cut-and-dried murder case.

1923. Edward Williams, gentleman and amateur golfer, lives an untroubled life as the curator of a small university museum. His speciality is the topography of the British Isles. So when an art dealer sends him details of an interesting engraving - a mezzotint - of an old country house, he’s intrigued. When the picture arrives, however, it seems perfectly ordinary - until Williams notices a figure in the picture where there was none before. A cloaked figure, with a skull-like head and legs that are horribly thin. Soon, within the mezzotint, the figure seems to be on the move across the moonlit lawn towards the house with murderous intent. Long-forgotten secrets rise to the surface as Williams and his friends summon all the rational forces at their command to confront the impossible.

Sweden, 1863. A country not much visited by Englishmen. An exception is the inquisitive Mr. Wraxhall, whose innocent rummaging through the archives of the noble de la Gardie family takes a sinister turn. Wraxhall becomes fascinated by the long-dead founder of the dynasty, the fearsome Count Magnus, a tyrannical ruler who dabbled in alchemy and who once made a strange journey to the Holy Land on most unholy business. Despite the warnings of his hosts, Wraxhall is drawn ever deeper into the Count’s dark world and discovers that the dreaded aristocrat may not lie easy in his tomb..

It’s 1881, and Old College, Oxford plays host to three very different academics. Abercrombie Smith is a model of Victorian manhood, clean of limb and sound of mind. Monkhouse Lee is a delicate and unworldly student from Thailand. And occupying the rooms between them is the strange and exotic Edward Bellingham, whose unnatural researches into the secrets of ancient Egypt are the talk of the college. Can Bellingham’s experiments truly bring the breath of life to the horrifying bag of bones that is the mysterious Lot No. 249?