Dissect

Today we begin our 8 episode mini-series on of The Miseducation of Lauryn Hill. We start with Ms. Hill's upbringing in New Jersey, her rise with The Fugees, and the events leading up to the creation of Miseducation.

Ms. Lauryn Hill begins Miseducation with a dualistic examination of heartbreak. "Lost Ones" is a scathing, venomous assault while "Ex Factor" reveals the pain beneath Ms. Hill's harden exterior.

Ms. Lauryn Hill's timeless ballad "To Zion" tells a powerful story about the birth of her first child. We dive deep into its lyrics and discover how its harmonic structure reflects the song's themes of uncertainty.

Ms. Lauryn Hill's "Doo Wop (That Thing)" synthesizes hip-hop with 1950s doo wop music. We trace the parallel histories of these two musical genres before our line-by-line analysis of the cautionary message Ms. Hill presents in her chart topping single.

We continue our serialized analysis of The Miseducation of Lauryn Hill with two songs cut from the same thematic cloth. With both "Superstar" and "Final Hour," Ms. Hill calls out the superficial materialism and ego in hip-hop, frequently citing scripture as she warns her peers about their final day of judgement.

We dissect a trio of songs in which Ms. Lauryn Hill presents a micro-narrative of heartbreak and forgiveness, a turning point in Miseducation's loose narrative. After establishing her pain on "When It Hurts So Bad", Ms. Hill turns her life over to god on "I Used to Love Him" and works toward forgiveness with the song "Forgive Them Father."

Our serialized analysis of The Miseducation of Lauryn Hill continues with "Nothing Even Matters" and "Everything is Everything." Having submitted herself to god, Ms. Hill displays the tranquility, acceptance, and maturity she's acquired through the life lessons she learned outside the classroom.

We conclude our eight episode deep dive into The Miseducation of Lauryn Hill. Want to know the subject of Season 4 of Dissect?