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Sezon 2
In this episode, the carpenters enter the secrets of the spire created by Viollet-Le-Duc to be able to reproduce it exactly as it was. A technical and aesthetic masterpiece that
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In this episode, the carpenters enter the secrets of the spire created by Viollet-Le-Duc to be able to reproduce it exactly as it was. A technical and aesthetic masterpiece that resurfaces thanks to the prowess of the scaffolders. At 100 meters the vertigo of height joins the vertigo of time.
In this episode, the carpenters enter the secrets of the spire created by Viollet-Le-Duc to be able to reproduce it exactly as it was. A technical and aesthetic masterpiece that
.. show full overview
In this episode, the carpenters enter the secrets of the spire created by Viollet-Le-Duc to be able to reproduce it exactly as it was. A technical and aesthetic masterpiece that resurfaces thanks to the prowess of the scaffolders. At 100 meters the vertigo of height joins the vertigo of time.
Here we follow the path of the builders of the Middle Ages. To rebuild the framework of the nave and the choir, it was decided to cut green trees, freshly cut, with an axe and an adobe
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Here we follow the path of the builders of the Middle Ages. To rebuild the framework of the nave and the choir, it was decided to cut green trees, freshly cut, with an axe and an adobe to leave the same traces on the beams and rafters as those that existed before the fire. Tools were made in the forges of the edge-cutters for this work that has not been done for 800 years.
Here we follow the path of the builders of the Middle Ages. To rebuild the framework of the nave and the choir, it was decided to cut green trees, freshly cut, with an axe and an adobe
.. show full overview
Here we follow the path of the builders of the Middle Ages. To rebuild the framework of the nave and the choir, it was decided to cut green trees, freshly cut, with an axe and an adobe to leave the same traces on the beams and rafters as those that existed before the fire. Tools were made in the forges of the edge-cutters for this work that has not been done for 800 years.
A rooster finds its place in the Paris sky at a height of 96 meters. The frames of the nave, the choir of the spire, so beautiful, so moving will no longer be seen from the outside. The
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A rooster finds its place in the Paris sky at a height of 96 meters. The frames of the nave, the choir of the spire, so beautiful, so moving will no longer be seen from the outside. The roofers and ornamentalists enter the scene to install the lead roof with its ornate sculptures, its ridge crests that give Notre-Dame its initial shape and color.
Comment les pierres et les sculptures de la cathédrales ont été nettoyées, restaurées ou retaillée dans de nouveaux blocs choisis pour leur homogénéité avec l'existant puis reposées et réassemblées sur le monument.
Comment les pierres et les sculptures de la cathédrales ont été nettoyées, restaurées ou retaillée dans de nouveaux blocs choisis pour leur homogénéité avec l'existant puis reposées et réassemblées sur le monument.
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