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Sezon 2025
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Cordae has always shined as a masterful storyteller. On The Crossroads, he graduates from origin and neighborhood tales to the adjustment of newfound fame and fatherhood — most of this
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Cordae has always shined as a masterful storyteller. On The Crossroads, he graduates from origin and neighborhood tales to the adjustment of newfound fame and fatherhood — most of this set comes from that album. But he does take us back to his early days on "06 dreamin," a song about his mother's aspirations as a singer that samples one of her original recordings. In a rare and sweet Tiny Desk moment, he shares his big break and brings his mom, Jennifer Dunston, up to sing with him.
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Chocolate Droppa walked into the office with a laser focus and a clear mission. He didn’t ask for much during soundcheck, just a preview of beats from The Band of Brothas and a shot of
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Chocolate Droppa walked into the office with a laser focus and a clear mission. He didn’t ask for much during soundcheck, just a preview of beats from The Band of Brothas and a shot of espresso. He was about to do something that had never been done at Tiny Desk before — freestyle an entire set “off the dome.”
It’s been over nine years since Droppa dropped his debut mixtape, which featured heavy hitters like Migos, Big Sean, Nick Jonas and more. “Every time I see people,” the rapper shares during his set, “the first thing they say is ‘Droppa where you been? When you gonna give us more?’ ” Well, the answer is now. Those who aren’t hip may recognize the emcee as his alter-ego, Kevin Hart, who’s become a household name in comedy and acting. But this unscripted set proves that Chocolate Droppa’s rap game is equally entertaining. There’s really no need to compare him to any other performer you’ve seen, because as Droppa puts it himself, he’s “not them.”
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From the very first song, there is no question that we are immersed in the rich and vibrant sound of Colombia's Caribbean coast. Led by co-founders and lead vocalists Johanna Castañeda
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From the very first song, there is no question that we are immersed in the rich and vibrant sound of Colombia's Caribbean coast. Led by co-founders and lead vocalists Johanna Castañeda and Ronald Polo, the members of REBOLU dig deep into their roots to captivate audiences everywhere they play, including the Tiny Desk.
Grounded in the musical traditions of the African diaspora, REBOLU's performance reflects both the uptempo and the slow grooves that have evolved in Colombia — what makes their music, and this Tiny Desk, stand out is how they incorporate contemporary rhythms like reggae and funk into their sound. You may not have known them before, but once you do, REBOLU will have you coming back for more.
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Carín León is an old soul. There is no other way to account for the power of the emotion in his voice. His 16-piece band tests the limited space behind the Tiny Desk, but when the brass
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Carín León is an old soul. There is no other way to account for the power of the emotion in his voice. His 16-piece band tests the limited space behind the Tiny Desk, but when the brass takes over to punctuate a performance, Leon's commanding presence shows why he's one of the best at what he does.
Regional Mexican music is based upon song forms from another era, but León's lyrics add a new spin on heartbreak and love lost. This set opens with "Ese Vato No Te Queda," followed by two songs from the 2024 album Palabra De To's. Previously, León premiered "Primera Cita" for his Tiny Desk (home) concert, which became a major hit. That song "left a mark on our lives and completely shaped our careers," he shares. For good luck, León here premieres "Por la Suave," which was also written by Alejandro Lozano. "A poem that I love," León says.
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Ed Sheeran’s Tiny Desk (home) concert from 2021 was a huge moment for NPR Music. During a time of uncertainty, his show — now at nearly 15 million views — honored the intimate nature of
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Ed Sheeran’s Tiny Desk (home) concert from 2021 was a huge moment for NPR Music. During a time of uncertainty, his show — now at nearly 15 million views — honored the intimate nature of our platform while also reimagining his work. We knew that when the time was right, Sheeran would step behind the real Desk and that time is now.
Featuring brand new songs from the album Play, plus an old favorite, watch Sheeran build the instrumental elements in real time with guitar, keyboard and a looping station.
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Every aspect of a Lido Pimienta performance is intensely intentional. Her turn behind the Tiny Desk is, as expected, rich with symbolism and musical beauty.
This year’s La Belleza is a
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Every aspect of a Lido Pimienta performance is intensely intentional. Her turn behind the Tiny Desk is, as expected, rich with symbolism and musical beauty.
This year’s La Belleza is a deliberate break from the electro-cultural pastiche of 2020’s Miss Colombia, leaning on European-influenced chamber music. Think minimal string arrangements under the resonant vocals we’ve come to love. The way she opens her Tiny Desk with “Quiero Que Me Beses” is very Pimienta: after three minutes of violin, bassoon and clarinet, we are then introduced to the Afro-Colombian percussion and marimba familiar to Colombian folk music.
Pimenta is often clothed in costumes that act as visual representation of her singular musical vision. To my eyes, the elaborately designed, multi-layered, all-black dress she wears can be seen as a blank canvas on which we can all project our own appreciation of her music and its messages. With Lido Pimienta, what you see is as important as what you hear.
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Chuwi is a collection of family and friends from Isabela, Puerto Rico. (If you caught any of Bad Bunny’s historic residency, Chuwi was the backing band every night for “WELTiTA.”) They
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Chuwi is a collection of family and friends from Isabela, Puerto Rico. (If you caught any of Bad Bunny’s historic residency, Chuwi was the backing band every night for “WELTiTA.”) They come from the western side of the island where bomba, plena and salsa are injected into people’s veins. The band harmoniously incorporates all of these influences into its sound, trading ocean blues and sunset pinks for playful jazz breaks and tasteful synthesizer effects. Chuwi’s members build a landscape of their home wherever they go, making it feel as though the something missing is and always will be irrefutably theirs.
Adrian Quesada’s body of work reflects a restless creativity. The resume for the Austin, Texas-based musician, producer and composer includes Grupo Fantasma, Black Pumas, Brownout and
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Adrian Quesada’s body of work reflects a restless creativity. The resume for the Austin, Texas-based musician, producer and composer includes Grupo Fantasma, Black Pumas, Brownout and any number of collaborations. He’s constantly looking for new sounds and voices.
So what does Quesada bring to the Tiny Desk? Four singers, four boleros. Angélica Garcia, Flor de Toloache’s Mireya Ramos, Trish Toledo and iLe each offer something distinct and personal to these songs originally found on two volumes of Quesada’s Boleros Psicodélicos.
Rubio's electronic-pop music is full of ambient sound, but at the Tiny Desk, her flow is reborn. Enchanting strings and piano bring darker tones, evoking the mountains of Chile. In these
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Rubio's electronic-pop music is full of ambient sound, but at the Tiny Desk, her flow is reborn. Enchanting strings and piano bring darker tones, evoking the mountains of Chile. In these sweeping arrangements, she casts a new spell.
As punk as she is rock as she is classic in her approach, her biting lyrics and deeply varied musical sensibilities on songs like "Lo Que No Hablas" and "Seres Invisibles" are as effective as they are gripping. From shrillness to quiet, it's in the spaces of discomfort that her star emerges — she was made to shine brightest in a space like the Tiny Desk.
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Onome Edgeworth, Kokoroko’s band leader and percussionist, told us: “Up until today, I thought, ‘No chance. This is going to go horribly wrong.’ ” It’s not uncommon for bands to come
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Onome Edgeworth, Kokoroko’s band leader and percussionist, told us: “Up until today, I thought, ‘No chance. This is going to go horribly wrong.’ ” It’s not uncommon for bands to come into our space with doubts. Still, in Edgeworth’s case, the insecurities were quickly shed: the NPR crowd gave “good vibes” and, more importantly, this young group of British musicians is just so naturally talented.
The timing couldn’t be better for this Tiny Desk. The themes and motivation behind Kokoroko’s latest album, Tuff Times Never Last, speak directly to what many people are going through right now, but also convey a radical mission to choose joy. Musically, Kokoroko takes a massive leap and shows more confidence in the members’ individual and harmonic vocal ranges. On songs like “Together We Are” and “Idea 5 (Call My Name),” they’re simply going for it and nailing it. At the Desk, their fusion of funk, jazz, afrobeats and R&B offer a magically singular experience.
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Asake arrived at the office with a warm smile and a quiet confidence that instantly bloomed as he stepped behind the Desk. The Nigerian artist is known for his high-energy stage
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Asake arrived at the office with a warm smile and a quiet confidence that instantly bloomed as he stepped behind the Desk. The Nigerian artist is known for his high-energy stage presence, but this concert shows just how effortlessly he can blend the sounds of Afrobeats, amapiano and Fuji in an intimate setting.
Grounded in his Yoruba roots, Asake's music unites people across cultures worldwide. This set pulls hits from his last three projects, laced together in a seamless medley and backed by a stellar band. By the end, Asake joins in on the fun: He plays a set of mini bongos as "Fuji Vibe" closes with a dance break that'll have you moving in your living room. His performance transforms the Tiny Desk into a celebration of rhythm and connection, reminding us that music is more than just sound, it's a feeling.
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Pianist and composer Kris Davis makes music that is modal and rhythmic; it's avant-garde, but inviting. At the Tiny Desk, her trio turns her layered compositions into a mosaic of emotional expression.
Pianist and composer Kris Davis makes music that is modal and rhythmic; it's avant-garde, but inviting. At the Tiny Desk, her trio turns her layered compositions into a mosaic of emotional expression.
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Here’s the thing: Goo Goo Dolls songs endure. Formed almost four decades ago, the rock band’s artistic ambition has always been connection — pop anthems that can be blasted from car
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Here’s the thing: Goo Goo Dolls songs endure. Formed almost four decades ago, the rock band’s artistic ambition has always been connection — pop anthems that can be blasted from car speakers and in karaoke bars, and sung en masse. These songs stick around, but never wear out their welcome.
When Robert Plant first stepped behind the Tiny Desk on a blustery Halloween afternoon, he took stock of the relatively stripped-down setup. "This is just like Live Aid," he said with a
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When Robert Plant first stepped behind the Tiny Desk on a blustery Halloween afternoon, he took stock of the relatively stripped-down setup. "This is just like Live Aid," he said with a smile. "I couldn't hear myself there either." He was referring to the fact we don't amplify voices or use monitors so artists can hear themselves.
But if ever there was someone up to the challenge, it's Robert Plant. With a voice that's only gotten better with age, Plant has deftly moved from the full-throated rock and swagger of Led Zeppelin to the more restrained and profoundly beautiful folk, blues and roots music found on more recent recordings.
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