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Sezon 15
Following a historic 18-month closure due to the Covid-19 pandemic, the Met returned to live performances in the opera house on September 11, 2021, with an unforgettable concert of
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Following a historic 18-month closure due to the Covid-19 pandemic, the Met returned to live performances in the opera house on September 11, 2021, with an unforgettable concert of Verdi’s Messa da Requiem, presented in commemoration of the 20th anniversary of 9/11. Maestro Yannick Nézet-Séguin, the company’s dynamic Music Director, took the podium to lead this moving musical event, which showcased the full forces of the Met Orchestra and Chorus and featured a quartet of compelling soloists—soprano Ailyn Pérez, mezzo-soprano Michelle DeYoung, tenor Matthew Polenzani, and bass-baritone Eric Owens. From the somber opening bars to the anguished cries for salvation in the final “Libera me,” the performance was both a touching tribute and a stirring reminder of the power of music even in the most challenging times.
Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia, kicking off the Live in HD
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Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia, kicking off the Live in HD season on October 9, 2021. Conductor Sebastian Weigle leads Mussorgsky’s masterwork, a pillar of the Russian repertoire, in its original 1869 version. Stephen Wadsworth’s affecting production poignantly captures the hope and suffering of the Russian people as well as the tsar himself.
Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after
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Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging, which appears in cinemas on October 23. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside soprano Angel Blue as Destiny/Loneliness/Greta, soprano Latonia Moore as Billie, and Walter Russell III as Char’es-Baby.
The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days.
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The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. With a libretto by Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin oversees the December 4 transmission, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego. Bass-baritone Nathan Berg is Eurydice’s father and fellow resident of the underworld, with tenor Barry Banks as Hades himself.
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