To Kia Hua - Bilal Khan Kuch Hai - Mizraab Daanah Pah Daanah - Akhtar Chanal Zahri & Komal Rizvi Ik Aarzu - Jal Sighra Aaween Saanwal Yaar - Sanam Marvi Now, on the fourth leg of this amazing journey, Coke Studio returns to reveal an ever-widening range of musical influences and styles, enhancing our perceptions and enriching our relationships with Music. Coke Studio’s first episode of the season reveals an interesting cross-section of musical diversity in Pakistan – presenting fresh interpretations of contemporary songs as well as timeless classics. Coke Studio draws audiences in with “To Kia Hua” by Bilal Khan. This deceptively simple melody undergoes a metamorphosis at Coke Studio, adapting smoothly to the Eastern groove provided by veteran House Band percussionist, Babar Ali Khanna on dholak. In a musical spiral of self-generating hope and optimism Bilal’s mellow voice rides gently on an undulating swell of rhythmic acoustic guitars, persuasively insisting that there is always a silver lining! The Episode gains momentum with Mizraab’s exhilarating “Kuch Hai”, replete with classic rock elements that have been fused at Coke Studio with a distinct Eastern flavor.“Kuch Hai” features Faraz Anwar’s heavy acoustic guitar riffs, matched by equally powerful alaaps or vocal interludes from qawwal Mannan and is richly embellished by Coke Studio backing-vocalists, Zoe and Rachel. The compelling punch of the darbuka, played by Mizraab percussionist Nasir Ahmed, amplifies the theatrical impact of the interplay to make for a truly enthralling experience. In a breath-taking change of direction, Coke Studio then unleashes a captivating collaboration - Balochi folk legend Akhtar Channal Zahri and contemporary pop songstress Komal Rizvi together in, “Daanah pe Daanah”. Originally written and composed by Zahri himself, the song fondly sings the praises of the province he hails from. Presenting an unconventional alliance, this Coke Stud

Kirkir Kirkir - Sajjad Ali Ni Oothaan Waale - Attaullah Khan Esakhelvi Nindiya Re - Kaavish Senraan Ra Baairya - Asif Hussain Samraat & Zoe Viccaji Kangna - Fareed Ayaz & Abu Muhammad Coke Studio’s second episode presents a whole new palette of genres and artists and conveys yet another kaleidoscopic view on the diversity of music in Pakistan. The Coke Studio journey continues with a selection of fusion songs that pay tribute to the unique and enduring traditions of classical, folk and qawwali music, side by side with modern compositions by popular contemporary artists. The episode opens with Sajjad Ali’s “Kirkir Kirkir”. An up-tempo and lively modern track, 'Kirkir' is guaranteed to provoke a smile. This is a fun number, with tongue-in-cheek lyrics truly typical of Sajjad Ali and a rambunctious jhol on the dholak that makes foot-tapping and head-bobbing all but irresistible. Changing gears smoothly, Coke Studio follows up with a traditional Rajasthani song: Senraan Ra Baairya” by Asif Hussain Samraat and Zoe Viccaji. Sung by the virtually unknown Asif Hussain Samraat, in an obscure dialect Marwari, this song combines the delicate subtlety of the light classical style of thumri with contemporary accompaniment. With Zoe Viccaji’s ambient vocals adding an ethereal dimension to the traditional composition this Coke Studio version of “Senraan Ra” is both evocative and intriguing. Folk legend Attaullah Khan Essakhelvi follows with a poignant rendition of “Ni Oothaan Waale”. In a true representation of the age-old folk tradition of storytelling through song, “Ni Oothaan Waale” recounts the tragic tale of mythical lovers Sassi and Punno. Coke Studio’s vibrant contemporary sound offsets the timeless magic of Esakhelvi’s voice to make “Ni Oothan Waale” a veritable treat. Kaavish is next on this episode of Coke Studio, with the sweet tranquility of their lowri “Nindiya Re”. Featuring minimalistic percussions and the feath

Baageshri - Instrumental - Mole Lamha - Bilal Khan Ith Naheen - Sanam Marvi Panchi - Jal featuring Quratulain Balouch Mundari - Ustaad Naseer-ud-din Saami Coke Studio journeys through time with episode three, presenting genres and artists that cover a cross section of music that is representative of generations of listeners. Through a set of performances it outlines a history – presenting samples of music that capture the essence of an era – from the diversity of music that defines the present to flavours from the recent history of contemporary music and on to the sounds that are a part of our heritage. Tracing the inspiration of some of today’s music back to an ancient source, the Episode begins with Mole’s “Baageshri” - an experimental fusion track that defies labeling by conventional genre. The band utilizes modern tools of technology side by side with familiar instruments both modern and traditional to achieve a sound that is uniquely fresh. Next, Sanam Marvi embraces the deeply spiritual poetry of Sachal Sarmast as she takes centre stage at Coke Studio with “Ith Naheen”. The musical arrangement has an ambient lounge feel and provides the perfect foil for this complex composition. The overall effect, crafted in the manner of a sound-scape, keeps the focus on Marvi as she projects the force of the powerful verses through her expression, diction and delivery. Episode 3 continues with Bilal Khan’s “Lamha” - a dark, brooding song that expresses, both lyrically and musically, an emotional response to loss. The pronounced dholak groove rises with the song’s emotional temperature, building up to a dhamaal-like fervor that remains appropriately unresolved to the end. Jal returns to Coke Studio in Episode 3 with an experimental version of “Panchi”, a popular song from Jal’s first album. The band collaborates with promising new singer Quratulain Baloch as they take a nostalgic trip down memory lane to Jal’s very first en

Mandh Waai - The Sketches Pyaar Naal - Attaullah Khan Esakhelvi Nar Bait - Akhtar Chanal Zahri Lambi Judaai - Komal Rizvi Rang Laaga - Sajjad Ali & Sanam Marvi Coke Studio’s Episode 4 offers audiences a series of musical excursions to various regions across the country. The selection represents not just a cross section of musical diversity – it reveals the cultural significance of music to an ethnic identity. The episode features songs in six regional languages: Sindhi, Balochi, Brahvi, Punjabi, Siraiki and Braj, in addition to Urdu. From obscure indigenous song-craft to the more widely recognizable genres of music, languages and dialects convey the spirit and essence of a region and express the unique cultural characteristics of a people. The Episode opens with the band, Sketches and their rendition of the “Mandh Waai”. This modern day tribute to the revered Sindhi poet, Shah Abdul Latif Bhittai faithfully adheres to the repetitive refrain aspect characteristic of Waai and keeps the focus on the poetry with the simplicity of its acoustic arrangement. The next song, “Pyaar Naal” by Attaullah Khan Esakhelvi epitomizes the eloquence of Siraiki as it cuts straight to the heart of matters. Coke Studio envelopes the essence of this romantic number, enhancing the mood through the appropriate choice of instruments including the accordion, played by House Band member Jaffer Zaidi and the mandolin by guest musician Amir Azhar. Next, Akhtar Chanal Zehri brings the vibrant rhythms of Balochistan to Coke Studio with “Nar Bait”, a traditional Brahvi folk song. This ancient indigenous style of music employs vocal accents in conjunction with percussive elements to enhance the rhythmic pattern of the groove. The House Band rises to the challenge and the outcome is inspired and unforced. Komal Rizvi returns to Coke Studio with a tribute to folk singer Reshma: “Lambi Judaai”. Coke Studio reinvents the popular classic by presenting the nostalgic

Beero Binjaro - Asif Hussain Samraat Mori Bangri - Fareed Ayaz & Abu Muhammad