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Sezon 2012
Mark-Anthony Turnage: Canon Fever (3 mins), World Premiere
Elgar: Overture 'Cockaigne (In London Town)' (15 mins)
Delius: Sea Drift (25 mins)
INTERVAL
Tippett: Suite for the Birthday
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Mark-Anthony Turnage: Canon Fever (3 mins), World Premiere
Elgar: Overture 'Cockaigne (In London Town)' (15 mins)
Delius: Sea Drift (25 mins)
INTERVAL
Tippett: Suite for the Birthday of Prince Charles (16 mins)
Elgar: Coronation Ode (33 mins)
Susan Gritton: soprano
Sarah Connolly: mezzo-soprano
Robert Murray: tenor
Gerald Finley: bass-baritone
Bryn Terfel: bass-baritone
BBC Symphony Chorus
BBC Symphony Orchestra
Edward Gardner: conductor (Canon Fever, Coronation Ode)
Sir Roger Norrington: conductor (Cockaigne)
Sir Mark Elder conductor: (Sea Drift)
Martyn Brabbins conductor: (Suite for the Birthday of Prince Charles)
Introduced by Katie Derham
Hervé Niquet and Le Concert Spirituel make their Proms debut in this free Late Night Prom, giving Handel's three Water Music suites and Fireworks Music the big-band, period-instrument
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Hervé Niquet and Le Concert Spirituel make their Proms debut in this free Late Night Prom, giving Handel's three Water Music suites and Fireworks Music the big-band, period-instrument treatment. Niquet directs an expanded group of up to 80 musicians to evoke resplendent royal occasions on the River Thames and in Green Park, offering a new slant on London's favourite part pieces.
R. Strauss: Also sprach Zarathustra (32 mins)
R. Strauss: Four Last Songs (22 mins)
Kaija Saariaho: Laterna magica (22 mins), UK Premiere
Sibelius: Symphony No. 7 in C major (23
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R. Strauss: Also sprach Zarathustra (32 mins)
R. Strauss: Four Last Songs (22 mins)
Kaija Saariaho: Laterna magica (22 mins), UK Premiere
Sibelius: Symphony No. 7 in C major (23 mins)
Anne Schwanewilms: soprano
BBC Philharmonic
Juanjo Mena: conductor
Making his Proms debut as the BBC Philharmonic's Chief Conductor, Juanjo Mena explores Strauss the impatient visionary, whose Also sprach Zarathustra was famously used on the soundtrack of Stanley Kubrick's 2001: A Space Odyssey. Strauss's Four Last Songs exude a sense of calm resignation suffused with autumn light.
After the interval, a major UK premiere from Kaija Saariaho, whose own music is lit by atmosphere and mood. Inspired by the autobiography of Ingmar Bergman, the Swedish film director, Laterna magica includes sections in which players whisper extracts over an instrumental murmur. To conclude, the hard-won luminescence of Sibelius's (unintended) symphonic farewell.
Introduced by Petroc Trelawney
Daniel Barenboim directs his first Beethoven symphony cycle in London – and becomes the first conductor since Henry Wood in 1942 to survey all nine symphonies in a single Proms season.
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Daniel Barenboim directs his first Beethoven symphony cycle in London – and becomes the first conductor since Henry Wood in 1942 to survey all nine symphonies in a single Proms season.
His dynamic West–Eastern Divan Orchestra – famously bringing together Arab and Israeli players to form less 'an orchestra for peace' than 'an orchestra against ignorance' – goes far beyond the symbolic in its goal of building bridges through music.
Expect further fireworks as Barenboim pairs Beethoven's revolutionary classics with music by one of today's senior musical figures, the ever-innovative composer-conductor Pierre Boulez, with whom Barenboim first collaborated in the mid-1960s
Beethoven - Symphony No. 4 in B flat major (35 mins)
Pierre Boulez - Dialogue de l'ombre double (20 mins)
INTERVAL
Beethoven - Symphony No. 3 in E flat major, 'Eroica' (50
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Beethoven - Symphony No. 4 in B flat major (35 mins)
Pierre Boulez - Dialogue de l'ombre double (20 mins)
INTERVAL
Beethoven - Symphony No. 3 in E flat major, 'Eroica' (50 mins)
Jussef Eisa: clarinet, Proms debut artist
IRCAM live electronics
West–Eastern Divan Orchestra
Daniel Barenboim: conductor
Daniel Barenboim and his youthful ensemble relish the energy of Beethoven's Fourth Symphony before tackling the 'Eroica', one of the irrefutable mould-breakers of classical music. Between these peaks, Boulez's Dialogue de l'ombre double introduces another kind of theatre, the clarinet's electronic double becoming more 'real' than the soloist physically present.
Beethoven
Symphony No. 8 in F major (25 mins)
Pierre Boulez
Anthèmes 2 (25 mins)
INTERVAL
Beethoven
Symphony No. 7 in A major (35 min)
Michael Barenboim violin
IRCAM live
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Beethoven
Symphony No. 8 in F major (25 mins)
Pierre Boulez
Anthèmes 2 (25 mins)
INTERVAL
Beethoven
Symphony No. 7 in A major (35 min)
Michael Barenboim violin
IRCAM live electronics
West–Eastern Divan Orchestra
Daniel Barenboim conductor
Listen again
BBC Proms: 2012 Season: Proms Plus: 24/07/2012Discover the music
More from Radio 3
Beethoven's Symphony No. 7
Delve into Beethoven's paean to rhythm. .
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Beethoven
Pierre Boulez
Daniel Barenboim
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Beethoven - Symphony No 8 (Excerpt)
BBC Proms 2012: Beethoven: Symphony No 7 in A major (Excerpt)Programme notes
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About this event
Daneil Barenboim continues his survey of Beethoven – whose music, he believes, 'speaks to all people'. Tonight, two Beethoven symphonies of dancing athleticism and universal appeal frame one of Pierre Boulez's mesmerising extensions of earlier works: Anthèmes 2 is scored for violin and live electronics and its serenely beautiful expressivity may come as a surprise. Beethoven's ebullient Seventh, famously dubbed 'the apotheosis of dance', was the last piece conducted by Proms founder-conductor Henry Wood.
Daniel Barenboim's complete cycle of Beethoven symphonies reaches its mid-point, as he conducts his ensemble of young Arab and Israeli musicians, the West-Eastern Divan Orchestra, in a
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Daniel Barenboim's complete cycle of Beethoven symphonies reaches its mid-point, as he conducts his ensemble of young Arab and Israeli musicians, the West-Eastern Divan Orchestra, in a programme that includes both the Pastoral Symphony and that most iconic of all orchestral masterpieces, Beethoven's Fifth Symphony. Alongside, Barenboim programmes two short works by Pierre Boulez - Memoriale for flute and ensemble, and Messagesquisse, which showcases the virtuosity of the orchestra's cello section
Beethoven
Symphony No. 9 in D minor, 'Choral' (77 mins)
Anna Samuil soprano
Waltraud Meier mezzo-soprano
René Pape bass
National Youth Choir of Great Britain
West–Eastern Divan
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Beethoven
Symphony No. 9 in D minor, 'Choral' (77 mins)
Anna Samuil soprano
Waltraud Meier mezzo-soprano
René Pape bass
National Youth Choir of Great Britain
West–Eastern Divan Orchestra
Daniel Barenboim conductor
About this event
Daniel Barenboim’s Beethoven cycle reaches its climax with a youthful take on the traditional annual Proms performance of the Ninth, perhaps the richest, most provocative statement in Western art music.
An impressive team of soloists joins the National Youth Choir of Great Britain and the West–Eastern Divan Orchestra to project the finale’s inclusive vision of hope, reconciliation and hard-won triumph. What better to mark today’s opening of the London 2012 Olympics than Beethoven’s ultimate hymn to universal brotherhood?
Wallace & Gromit appear in a new Proms adventure, before a screening of A Matter of Loaf and Death – plus classical favourites.
Wallace & Gromit appear in a new Proms adventure, before a screening of A Matter of Loaf and Death – plus classical favourites.
Vaughan Williams - Fantasia on a Theme by Thomas Tallis (16 mins)
Ireland - These Things Shall Be (22 mins)
Delius - The Walk to the Paradise Garden (10 mins)
Walton - Belshazzar's
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Vaughan Williams - Fantasia on a Theme by Thomas Tallis (16 mins)
Ireland - These Things Shall Be (22 mins)
Delius - The Walk to the Paradise Garden (10 mins)
Walton - Belshazzar's Feast (36 mins)
Jonathan Lemalu: bass-baritone
London Brass
BBC Symphony Chorus
BBC National Chorus of Wales
BBC National Orchestra of Wales
Tadaaki Otaka, Conductor
Tadaaki Otaka, a notable enthusiast of British music, opens with Vaughan Williams’s much loved classic before revisiting a BBC commission that has fallen into neglect in the half-century since its composer’s death: Ireland’s These Things Shall Be is a mini-oratorio with a utopian text.
The massed choirs and the commanding bass baritone of former BBC Radio 3 New Generation Artist Jonathan Lemalu return after the interval to animate Walton’s brazen Old Testament tale, but first we hear from another anniversary composer, here at his most poignant.
Johann Sebastian Bach
Mass in B minor (110 mins)
Joélle Harvey: soprano
Carolyn Sampson: soprano
Iestyn Davies: counter-tenor
Ed Lyon: tenor
Matthew Rose: bass
Choir of the
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Johann Sebastian Bach
Mass in B minor (110 mins)
Joélle Harvey: soprano
Carolyn Sampson: soprano
Iestyn Davies: counter-tenor
Ed Lyon: tenor
Matthew Rose: bass
Choir of the English Concert
The English Concert
Harry Bicket, Conductor - Quote: "One of the greatest pieces ever written".
Having restored choral music to the forefront of his ensemble’s recent activities, Baroque specialist Harry Bicket returns to the Proms hotfoot from the 2012 Leipzig Bachfest with one of music’s great milestones.
Since its rediscovery by 19th-century Romantics, Bach’s Mass in B minor has been continually reimagined, most recently with an injection of period-style agility and buoyancy. Still the mysteries remain, as befits a testament through which the composer seemingly intended to carve out his unique place in cultural history.
Charles Hazlewood, Host
Sung in Latin with fixed English subtitles
Commentary in English
From Pal 16:9 to AVI DIVX 720p HD 16:9
View using any DIVX compatible media player, or, burn the folder as DATA
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http://en.wikipedia.org/wiki/Mass_in_B_minor
The Mass in B minor (BWV 232) is a musical setting of the complete Latin Mass by Johann Sebastian Bach. The work was one of Bach's last, not completed until 1749, the year before his death in 1750. Much of the Mass consisted of music that Bach had composed earlier: the Kyrie and Gloria sections had been composed as a Lutheran Missa in 1733 for the Elector of Saxony at Dresden. The Sanctus dates back to 1724, and the Qui tollis movement was based on a cantata chorus dating from 1714. To complete the work, however, in the 1740s Bach composed new sections of the Credo such as Et incarnatus est. The completed Mass was his last major composition.
It was unusual for composers working in the Lutheran tradition to compose a Missa tota and Bach's motivations remain a matter of scholarly debate. The Mass was
Wagner - Siegfried Idyll (18 mins)
Interlude
Bruckner - Symphony No. 8 in C minor (80 mins)
(ed. Nowak, 1955)
BBC Scottish Symphony Orchestra
Donald Runnicles, Conductor
In
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Wagner - Siegfried Idyll (18 mins)
Interlude
Bruckner - Symphony No. 8 in C minor (80 mins)
(ed. Nowak, 1955)
BBC Scottish Symphony Orchestra
Donald Runnicles, Conductor
In their first appearance this season, Donald Runnicles and the BBC Scottish Symphony Orchestra present two works by composers for whom he has a particular affinity. Wagner’s gift to his wife, Cosima, is presented in its pared down original orchestration, much as she would have heard it that Christmas morning in 1870.
The Royal Albert Hall is an ideal venue for Bruckner’s symphonic revelations. The Eighth Symphony, arguably the greatest of them all, remains a huge and glorious challenge.
Varèse - Tuning Up (5 mins)
Nico Muhly - Gait (20 mins), BBC Commission, London Premiere
Interlude
Messiaen - Turangalîla Symphony (77 mins)
Anna Meredith - HandsFree (12
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Varèse - Tuning Up (5 mins)
Nico Muhly - Gait (20 mins), BBC Commission, London Premiere
Interlude
Messiaen - Turangalîla Symphony (77 mins)
Anna Meredith - HandsFree (12 mins)
Cynthia Millar - ondes martenot
Joanna MacGregor - piano
National Youth Orchestra of Great Britain
Vasily Petrenko, Conductor
Messiaen’s ecstatic, Eastern-influenced celebration of love is framed by a BBC commission from one of America’s rising talents and Anna Meredith’s acclaimed tour de force of clapping, stamping, singing and body percussion, first performed earlier this year by NYO members and commissioned for the PRS for Music Foundation's New Music 20x12 programme as part of the Cultural Olympiad.
Varèse’s Tuni
Morten Frank Larsen, Bass-Baritone
Julius Foo, Treble
Ysgol Gynradd Gymraeg Pwll Coch, Caerdydd
Ysgol Gynradd Gymunedol Gymraeg, Llantrisant
Ysgol Gynradd Dolau, Llanharan
Ysgol
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Morten Frank Larsen, Bass-Baritone
Julius Foo, Treble
Ysgol Gynradd Gymraeg Pwll Coch, Caerdydd
Ysgol Gynradd Gymunedol Gymraeg, Llantrisant
Ysgol Gynradd Dolau, Llanharan
Ysgol Gynradd Gymraeg, Rhydaman
National Youth Choir of Wales
Aelwyd y Waun Ddyfal
Musicians from the Royal Welsh College of Music & Drama
BBC National Chorus of Wales
BBC National Orchestra of Wales
National Youth Orchestra of Wales
Kristjan Järvi,Conductor
Thomas Kiemle, Stage Director
Less a religious work than a theatrical happening, Bernstein’s Mass receives its first complete Proms performance, conducted by one of its most ardent champions, and supported by a spectrum of talented Welsh children and adult musicians. Using a mix of highbrow and vernacular styles, Bernstein created a rich, quintessentially American score that has recently begun to emerge as a modern classic.
Petroc Trelawney, Host
In English and Latin
Wagner -Tristan and Isolde – Prelude (Act 1) (9 mins)
James MacMillan - Credo (c25 mins), BBC co-commission, World Premiere
INTERLUDE
Bruckner - Symphony No. 6 in A major (55
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Wagner -Tristan and Isolde – Prelude (Act 1) (9 mins)
James MacMillan - Credo (c25 mins), BBC co-commission, World Premiere
INTERLUDE
Bruckner - Symphony No. 6 in A major (55 mins)
Manchester Chamber Choir (Proms debut)
Northern Sinfonia Chorus (Proms debut)
Rushley Singers (Proms debut)
BBC Philharmonic
Juanjo Mena, Conductor
Juanjo Mena presents a major world premiere before offering his acclaimed reading of a sonorous yet dangerously eruptive Bruckner symphony.
First though, there’s the emblematic love of Tristan and Isolde, expressed through music dark in sound and revolutionary in harmony. James MacMillan’s works have enjoyed regular success at the Proms since the first performance of The Confession of Isobel Gowdie was given here in 1990.
As with Bruckner, MacMillan’s communicative power is often associated with expressions of faith, and the unveiling of Credo, has been keenly awaited.
A celebration of Ivor Novello
Remember such time-honoured favourites as 'We'll gather lilacs'? Tonight we acknowledge that patriotic First World War plea to 'keep the home fires
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A celebration of Ivor Novello
Remember such time-honoured favourites as 'We'll gather lilacs'? Tonight we acknowledge that patriotic First World War plea to 'keep the home fires burning' in a tribute to a silent-movie actor, West End playwright, composer and star of a string of stage musicals hugely popular in their day.
Ivor Novello, the most consistently successful composer of British musicals before the advent of Andrew Lloyd Webber, nowadays tends to be unjustly neglected. Sir Mark Elder is a committed advocate, as is tonight’s master of ceremonies, Simon Callow.
Sophie Bevan, Soprano
Toby Spence, Tenor
Simon Callow, Narrator
Hallé Orchestra
Sir Mark Elder, Conductor
From the Royal Albert Hall, Mark Armstrong conducts the National Youth Jazz
Orchestra, featuring Britain's best young jazz musicians in a wide-ranging set
of jazz favourites. The
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From the Royal Albert Hall, Mark Armstrong conducts the National Youth Jazz
Orchestra, featuring Britain's best young jazz musicians in a wide-ranging set
of jazz favourites. The programme includes Duke Ellington's The Queen's Suite
to mark the Diamond Jubilee year and a new commission by saxophonist Tim
Garland. Presented by Petroc Trelawny.
Dvorák - Symphony No. 9 in E minor, 'From the New World' (45 mins)
Interlude
Copland - Fanfare for the Common Man (4 mins)
Joan Tower - Fanfare for the Uncommon Woman (3
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Dvorák - Symphony No. 9 in E minor, 'From the New World' (45 mins)
Interlude
Copland - Fanfare for the Common Man (4 mins)
Joan Tower - Fanfare for the Uncommon Woman (3 mins)
Villa-Lobos - Momoprécoce (28 mins)
Ginastera - Estancia – suite (12 mins)
Edu Lobo - Pé de Vento from Suíte Popular Brasileira, orch. Nelson Ayres (3 mins) - Encore
Nelson Freire, Piano
São Paulo Symphony Orchestra
Marin Alsop, Conductor
Music from both American hemispheres features tonight. First the masterpiece through which the Bohemian Dvorák, resident in New York, sought to establish an American musical identity, a symphony exuding nostalgia for his own native woods and fields.
Later comes Copland’s iconic Fanfare and highlights from Ginastera’s best-known score. Joan Tower, whose childhood was spent partly in Bolivia, celebrates ‘women who take risks and are adventurous’, while distinguished Brazilian pianist Nelson Freire returns to the Proms to play one of Villa-Lobos’s most attractive compositions.
Katie Derham, Hostess
Symphony No. 4 in F minor (30 mins)
Symphony No. 5 in D major (39 mins)
Interlude
Symphony No. 6 in E minor (31 mins)
BBC Scottish Symphony Orchestra
Andrew Manze:
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Symphony No. 4 in F minor (30 mins)
Symphony No. 5 in D major (39 mins)
Interlude
Symphony No. 6 in E minor (31 mins)
BBC Scottish Symphony Orchestra
Andrew Manze: conductor
Over the next few seasons Andrew Manze directs all nine Vaughan Williams symphonies with the BBC Scottish Symphony Orchestra, of which he is Associate Guest Conductor: "Vaughan Williams is one of those composers some people have fixed ideas about … I’m on a bit of a mission to rehabilitate him in people’s minds as an important figure in the musicmaking of this country."
Tonight he tackles three differently powerful works of the 1930s and 1940s, which, whatever their own emotional back stories, may still be seen as chronicling our national life in troubled times.
Weber - Der Freischütz – Overture (10 mins)
Mahler - Lieder eines fahrenden Gesellen (17 mins)
Interlude
Tchaikovsky - Manfred (57 mins)
Alice Coote - Mezzo-soprano
London
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Weber - Der Freischütz – Overture (10 mins)
Mahler - Lieder eines fahrenden Gesellen (17 mins)
Interlude
Tchaikovsky - Manfred (57 mins)
Alice Coote - Mezzo-soprano
London Philharmonic Orchestra
Vladimir Jurowski, Conductor
After the overture to the first important German Romantic opera, Weber’s take on the folk legend of a marksman’s contract with the devil, featured artist Alice Coote returns to tackle Mahler’s folk-influenced song-cycle, inspired by the conclusion of an unhappy love affair.
Tchaikovsky’s Manfred, a full-length fusion of tone-poem and symphonic form, makes passionate use of Byron’s dramatic poem with supernatural elements which held so many 19th-century artists in thrall. This powerfully driven masterpiece is a favourite of tonight’s conductor.
Charles Hazlewood, Host
Sir Arthur Sullivan
The Yeomen of the Guard
Leigh Melrose baritone (Lt Sir Richard Cholmondeley)
Andrew Kennedy tenor (Colonel Fairfax)
Lisa Milne soprano (Elsie Maynard)
Victoria
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Sir Arthur Sullivan
The Yeomen of the Guard
Leigh Melrose baritone (Lt Sir Richard Cholmondeley)
Andrew Kennedy tenor (Colonel Fairfax)
Lisa Milne soprano (Elsie Maynard)
Victoria Simmonds mezzo-soprano (Phoebe Meryll)
Felicity Palmer mezzo-soprano (Dame Carruthers)
Mary Bevan soprano (Kate)
Mark Richardson bass-baritone (Sergeant Meryll)
Tom Randle tenor (Leonard Meryll)
Mark Stone baritone (Jack Point)
Toby Stafford-Allen baritone (Wilfred Shadbolt)
BBC Singers
BBC Concert Orchestra
Jane Glover, Conductor
Martin Duncan, Stage Director
Recent Proms seasons have seen a liberal sprinkling of complete Gilbert and Sullivan operettas, under such distinguished conductors as Jane Glover and the late Charles Mackerras. With its historic London setting, the grandest, most emotionally engaging of the Savoy operas is a must for 2012.
Wagner - Parsifal – Prelude (Act 3) and Good Friday Music (20 mins)
Berg - Violin Concerto (25 mins)
Bach - Adagio from Violin Sonata in A minor
Interlude
R. Strauss - Der
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Wagner - Parsifal – Prelude (Act 3) and Good Friday Music (20 mins)
Berg - Violin Concerto (25 mins)
Bach - Adagio from Violin Sonata in A minor
Interlude
R. Strauss - Der Rosenkavalier – suite (22 mins)
Ravel - La valse (12 mins)
Frank Peter Zimmermann, Violin
Gustav Mahler Jugendorchester
Daniele Gatti, Conductor
(Gustav Mahler Jugendorchester (Gustav Mahler Youth Orchestra) is a youth orchestra based in Vienna, Austria, founded in 1986 by conductor Claudio Abbado.)
http://en.wikipedia.org/wiki/Gustav_Mahler_Youth_Orchestra
http://www.gmjo.at/Home/tabid/39/language/en-US/Default.aspx
One of the great youth orchestras is back, and in distinguished company. Daniele Gatti begins with the weighty tread and unmatched radiance of music he has been exploring at Bayreuth. Frank Peter Zimmermann plays one of the 20th century’s most eloquent violin concertos.
Strauss conjures up a bittersweet Vienna of young love, mid-life melancholy and abundant waltz tunes, while Ravel’s apotheosis of that dance form may or may not have been intended as a metaphor for the fate of European civilisation as its unstoppable whirling reaches critical mass.
Howells - Hymnus Paradisi (44 mins)
Interlude
Elgar - Symphony No. 1 in A flat major (53 mins)
Miah Persson: soprano
Andrew Kennedy: tenor
BBC Symphony Chorus
London Philharmonic
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Howells - Hymnus Paradisi (44 mins)
Interlude
Elgar - Symphony No. 1 in A flat major (53 mins)
Miah Persson: soprano
Andrew Kennedy: tenor
BBC Symphony Chorus
London Philharmonic Choir
BBC Symphony Orchestra
Martyn Brabbins, Conductor
Following his triumphant conducting of Havergal Brian’s ‘The Gothic’ Symphony last year, Martyn Brabbins brings another British magnum opus to the Proms. Herbert Howells wrote Hymnus Paradisi ‘for the drawer’ in the wake of the tragically early death of his son. Only years later was he persuaded to release a finished score to the public.
After this light-filled memorial from a composer closely identified with Gloucester Cathedral, we revisit the masterpiece that, in 1908 – the year of the first London Olympics – announced a Worcester man’s arrival as perhaps the greatest of British symphonists.
A celebration of the Broadway sound with music from Jerome Kern, Cole Porter, Irving Berlin, George Gershwin, Frank Loesser and Leonard Bernstein performed by John Wilson. Returning to
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A celebration of the Broadway sound with music from Jerome Kern, Cole Porter, Irving Berlin, George Gershwin, Frank Loesser and Leonard Bernstein performed by John Wilson. Returning to the Proms for a 4th season, he conducts his hand-picked, high-octane orchestra and a line-up of star soloists. Includes show-stopping numbers from Show Boat, On Your Toes, Brigadoon, Porgy and Bess, West Side Story and Fiddler on the Roof. Presented by Katie Derham.
Haydn - Symphony No. 104 in D major, 'London' (30 mins)
Interlude
Richard Strauss - An Alpine Symphony (50 mins)
Encore - Johann Strauss - Voices of Spring
Vienna Philharmonic
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Haydn - Symphony No. 104 in D major, 'London' (30 mins)
Interlude
Richard Strauss - An Alpine Symphony (50 mins)
Encore - Johann Strauss - Voices of Spring
Vienna Philharmonic Orchestra
Bernard Haitink, Conductor
The doyen (edit: dean) of European conductors presents favourite repertoire with an ensemble closely associated with the history and traditions of orchestral music.
The last of Haydn’s symphonies, written while he was living in London, proved an instant critical and commercial success. Not so the Strauss, part-elegy for Mahler, part-celebration of the composer himself. Mingling childhood memories of a schoolboy mountaineering expedition with a deeper vision of man’s place on earth, the work was received rather sniffily in Britain until dedicated interpreters such as Bernard Haitink arrived to change all that.
Part 1:
Mark Simpson: sparks (c2 mins), BBC Commission, World Premiere
Suk: Towards a New Life (6 mins)
Delius: Songs of Farewell (18 mins)
Verdi: Un ballo in maschera – ‘Forse la
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Part 1:
Mark Simpson: sparks (c2 mins), BBC Commission, World Premiere
Suk: Towards a New Life (6 mins)
Delius: Songs of Farewell (18 mins)
Verdi: Un ballo in maschera – ‘Forse la soglia attinse … Ma se m’è forza perderti’ (5 mins)
Massenet: Werther – ‘Pourquoi me réveiller?’ (3 mins)
Bruch: Violin Concerto No. 1 in G minor (25 mins)
Puccini: Tosca – ‘E lucevan le stelle’ (3 mins)
Puccini: Turandot – ‘Nessun dorma’ (3 mins)
Intermission
Part 2:
John Williams: Olympic Fanfare and Theme (5 mins)
Dvorák: Overture 'Carnival' (9 mins)
Shostakovich: The Gadfly – Romance (6 mins)
Leoncavallo: Mattinata (3 mins)
Lara: Granada (3 mins)
Rodgers: Carousel – ‘You’ll never walk alone’ (4 mins)
Henry Wood: Fantasia on British Sea-Songs (20 mins)
Elgar: Pomp and Circumstance March No. 1 in D major ('Land of Hope and Glory') (8 mins)
Parry, orch. Elgar: Jerusalem (4 mins)
Traditional: The National Anthem (2 mins)
Nicola Benedetti: Violin
Joseph Calleja: Tenor
BBC Symphony Chorus
BBC Symphony Orchestra
Jirí Belohlávek, Conductor
Join us for the year’s biggest musical party with two very special guests. Since taking the nation by storm as 2004’s BBC Young Musician of the Year, Scottishborn Nicola Benedetti has enhanced her reputation as one of Britain’s most innovative and creative young violinists. We also welcome Joseph Calleja, the Maltese tenor who sings with the grace and elegance of the voices of a bygone era.
A brace of Czechs acknowledges the sterling work of the BBC SO’s outgoing chief, while contributions from 2012’s anniversary composers include Delius’s valedictory settings of Walt Whitman.
More familiar home-grown music brings down the curtain in time-honoured fashion
Katie Derham introduces another unforgettable Prom from the BBC archive. This week Katie is joined by soprano Elizabeth Llewellyn to relive her 2012 performance when she joined John
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Katie Derham introduces another unforgettable Prom from the BBC archive. This week Katie is joined by soprano Elizabeth Llewellyn to relive her 2012 performance when she joined John Wilson and his orchestra to celebrate the sounds of Broadway including music by George Gershwin, Cole Porter and Leonard Bernstein.
Showcasing a glittering array of highlights from this golden age of stage and screen, they were joined on the Royal Albert Hall stage by a host of star soloists including Seth MacFarlane, Anna-Jane Casey, Sierra Boggess, Julian Ovenden and Rodney-Earl Clarke.
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