For years writers of fan fiction were shamed, the butt of jokes, and even subject to copyright litigation. However, in the past few years, with the fan fiction writers of today becoming the published mainstream authors of today the past time is a celebrated benchmark of one’s climb to publication.

With the success of Black Panther, the term Afro-Futurism got pushed into the mainstream. But what is Afro-Futurism and what is its place in Black storytelling? In this episode we give you the starter pack on answering that question.

Although we are currently living through a pandemic that has disrupted our lives and will shape the course of humanity, pandemics have been around since the dawn of civilization, as have stories about fictional pandemics. So now seems like as good a time as any to explore how fictional pandemics have evolved over time, and what they say about their own time.

Before women were asking “Am I a Carrie or a Samantha?”, they were asking “Am I a Jo or an Amy?” Before there was Edward vs Jacob, there was Laurie vs Professor Bhaer. And over the more than 150 years since Little Women was originally published, there have been (deep breath) dozens of adaptations, feature films, television adaptations, plays, ballets, operas and at least two animes based on it. So despite being written off as proto-chick lit or kiddie lit or as Alcott herself said, "moral pap for the young,” Little Women has worked its way into the consciousness of readers for the last 150 years, and has stayed there. But what is it about the tale of the March sisters that keeps us coming back? Hosted by Lindsay Ellis and Princess Weekes, It’s Lit! is a show about our favorite books, genres and why we love to read. It’s Lit has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

Edward Cullen. Han Solo. Killmoklknger. Lestat. What do all these characters have in common besides being heartthrobs? They share a common ancestor: the Byronic Hero. Brooding, sensual, violent, intelligent, and single-minded, the Byronic hero has been a staple in literature dating back to the 19th century, but the archetype is all over film, TV and even video games. I see you Cloud Strife, all sad and angsty with your giant sword.

Tolkien is widely regarded as the most influential author on the fantasy genre… period. But one of the less-discussed aspects of his work is the way Tolkien used constructed language in his writing. Nowadays authors are constantly making up words and languages for the worlds they build, but Tolkien was unique in that he constructed languages first, and then created worlds so his fictional languages would have somewhere to live.

According to Tolstoy himself, War and Peace was "not a novel, even less is it a poem, and still less a historical chronicle." And in this day and age of publishing, where word count, “readability”, and topical relevance are the lifeline of getting a novel to print, we look at books like War & Peace as something of a relic.

Some say that theater is dead, and that’s probably because most playhouses the world over are closed at the moment owing to a worldwide pandemic. and yet the musical lives on… on Disney plus -- as the nation has been rapt with a filmed version of the Broadway smash hit, Hamilton. This had us come to the realization that a lot of the bread and butter of musical theater is built off of books! And so, like every television program that starts looking for new ideas, it has finally come to this: The It’s Lit! Musical episode

Since at least 213 BCE, book burnings have been a reaction to the power of the written word. When roasting paper in a giant circle went out of style (at least in the intellectual sphere), the governments would take it upon itself to ban books. However, when we talk about book bannings today, we are usually discussing a specific choice made by individual schools, school districts, and libraries made in response to the moralistic outrage of some group. This, while still hotly-contested and controversial, is still nothing in comparison to the ways books have been removed, censored, and outright destroyed in the past. So on that happy note, let’s … explore how the seemingly innocuous book has survived centuries of the ban hammer.

Few writers have had the sheer staying power, popularity, and prolific output as Stephen King. From insatiably flesh-hungry clowns and sentient cars to telekinetic teenagers and mystical gunslingers, if there’s one author who has taken up valuable real estate in that part of our imaginations, it’s Stephen King. But it’s not just his monsters that have lasting power—it’s also the very human and very psychological elements in his work that linger.

In the past few decades, literature has expanded to not only mean the “novel” but “graphic novels” as well. Today we are gonna break down how the graphic novel went from the comic book store to the classroom.

The planet is Arrakis. Also known as Dune. And y’all, it’s a mess. December of this year, we were supposed to see the arrival of director Denis Villeneuve’s interpretation of the 1965 novel Dune, which had been previously (and rather infamously) brought to life by David Lynch in 1984, and again in a three-part miniseries on the SyFy channel in the early 2000s. Now many sci-fi nerds were both excited and nervous about the new adaptation directed by Villeneuve, but owing to the ongoing plague of eternity, the release has been pushed back to next year. So in lieu of that, y’all have to use this video to tide you over. What is Dune? Why must the spice flow? And what is with all the sand?

Forbes once called her “The Warren Buffett of vampires,” but American author, Anne Rice has established herself as the literary queen of monsters of ALL kinds over her four-and-a-half decade career. Besides her 15 novels of the world-famous Vampire Chronicles series, she’s also written 21 other books featuring all your favorite dark, supernatural, and undead beings: witches, ghosts, mummies, werewolves, aliens, demons, angels, Jesus. But the works of Anne Rice aren't just light, pulpy fun monster books--her vampires changed the landscape of genre fiction as we know it?

One of the most influential periods in Black American History post-slavery is the Harlem Renaissance, an intellectual, social, and artistic explosion centered in Harlem, Manhattan, New York City. Novels like Passing by Nella Larsen, Their Eyes Were Watching God by Zora Neale Hurston, and the poetry of Langston Hughes were all written during this period and have become important pieces of the American literary canon. Still, when discussing this topic we tend to flatten the dynamic personalities and identities of the Black folk responsible for making this period so iconic in the literary sense. Not only in America, but as part of the entire Black diaspora.

We spend a lot of time pontificating on the high canon of books: Your Shakespeares, your Tolstoys, your… erotic beast wars fanfiction. But today we’re craving something a little lighter, a little fluffier… novels you pick up for the sake of just having something quick-- your beach reads, your airport novels, your Books of the Month. Books that somehow manage to dominate water-cooler discussions.

Here’s the problem with tackling Ernest Hemingway—Ernest Hemingway himself. While the iconic author is mostly known for his feats of literary prowess, from The Sun Also Rises to For Whom the Bell Tolls, to countless short stories—perhaps his greatest fiction of all is his own self-mythologizing. As his brand grew in the 1920s and 30s, so too grew his celebrity and, well, his ego. So, with Ernie all the while throwing so much self-mythologizing in the mix that it became nearly impossible to separate the Man from the Myth.

To some people, the idea of a pen name seems kind of weird. If I, a writer, am going to put countless hours of hard work and thought into my masterpiece, why wouldn’t I want to put my own name underneath the title? But some of literature's biggest names, from Mark Twain to Dr. Seuss, aren't their real names. Here's why.

Manga, by its most simplistic definition, are comics or graphic novels originating from Japan, which became extremely popular in the United States starting in the 80s and 90s. We’ve already touched on Western Graphic Novels and Comics, but you know we couldn’t just leave it at that. So today we’re discussing manga as its own rich literature, reflecting the complicated political history of Japan.

Jane Eyre by Charlotte Bronte was there for the weird girls, the quiet ones who watched and listened, the ones who pined away for someone to accept them in all of their weird, dark glory. But in the nearly 175 years since its publication, the collective definition of what it means to be “a woman on the outside of society” has changed and expanded dramatically—and yet here we are, still dissecting Charlotte Bronte’s words and gravitating towards Jane as a protagonist. For those of you who have never read Jane Eyre or enjoyed one of the 8000 films, television, stage, or radio adaptations not to mention countless literary retelling here we go.

If you are a fan of science fiction a name you should be familiar with is Octavia E. Butler (cough especially if you watched our telly award-winning Afro-Futurism video cough) One of the most prolific and important Black authors in the genre, Butler’s storytelling pushed the boundaries of what Black people were allowed to be in science fiction.

The guy typically credited with inventing what we know as the modern novel was Miguel de Cervantes with his cumbersome 800+ page book, Don Quixote. But what if I told you that the real antecedent for the modern novel was created by… ladies. Before the rise of what would become the modern novel, there was Amatory fiction. Amatory fiction was a genre of fiction that became popular in Britain in the late 17th century and early 18th century. As its name implies, amatory fiction is preoccupied with sexual love and romance. Most of its works were short stories, it was dominated by women, and women were the ones responsible for sharing and promoting their own work.

Today we’re going to take a look at one particular Epic Poem and follow its long, winding journey from way, way, way long ago allllll the way to the present day, and we’ll interrogate its relevance to our lives in the here and now. Come now, Geats and Danes, to the violent, bloody, mythic, mysterious world of BEOWULF.

One of the trademark texts of the American school system is Harper Lee’s 1960 novel To Kill a Mockingbird. For decades it has been widely read in high schools and middle schools as a key anti-racist text. But how did this novel, with its Southern Gothic and Bildungsroman elements become a book that in 2006 the British said “every adult should read before they die” ahead of the Bible.

The Adventures of Huckleberry Finn by American author Mark Twain is both considered one of the great American novels and one of the most frequently banned and contested novels due to its use of the N-word and racial stereotypes. This has launched many debates as to if the work should even be taught in schools.

H.G. Wells is a name that is synonymous with the creation of what we now know as science fiction. He effectively invented the subgenre of alien invasion, he coined now-ubiquitous terms “time machine,” “heat ray” and even disputably “the new world order.” But what most people don’t know about Wells is that although today he is predominantly known for his science fiction, his career as an SF author was pretty short. Wells wrote dozens of novels, most of which weren’t science fiction. But despite the relatively few science fiction works he wrote in comparison to his vast oeuvre, Wells was an influential thinker - not just for the genre of science fiction, but for science’s relationship to the culture at large.

From James Joyce’s Ulysses to Bridget Jones’s Diary, you’ve probably read a book that was just a modern retelling of a well-established story. Which is to say nothing of other forms of media and their own obsessions with retellings. And despite what your Writing 101 instincts might tell you, this is neither bad nor lazy writing—or even a new concept. Because let’s be honest: sometimes a story is just so dang good, it bears repeating. Sometimes more than once. Sometimes multiple times. I’m looking at you, Jane Austen