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Stagione 13
Data di messa in onda
Ott 20, 2018
A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an
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A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.
Data di messa in onda
Ott 27, 2018
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she
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Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she loves. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.
Production Giancarlo del Monaco. Jonas Kaufmann and Eva-Maria Westbroek star in the Puccini opera under maestro Marco Armiliato.
Data di messa in onda
Nov 10, 2018
Composer Nico Muhly unveils his second new opera for the Met with this gripping re-imagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who
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Composer Nico Muhly unveils his second new opera for the Met with this gripping re-imagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.
Data di messa in onda
Mar 02, 2019
With one virtuosic vocal display after another, Donizetti’s charming romantic comedy has long served to showcase talented bel canto singers on the Met stage. This tradition continued
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With one virtuosic vocal display after another, Donizetti’s charming romantic comedy has long served to showcase talented bel canto singers on the Met stage. This tradition continued during the 2018–19 Live in HD season, when soprano Pretty Yende and tenor Javier Camarena thrilled audiences as the smitten young lovers Marie and Tonio. Yende offers an exuberant portrayal as the titular “Daughter of the Regiment,” while Camarena serves up nine effortless high Cs in the opera’s famous aria “Ah! Mes amis … Pour mon âme”—a feat which he encores by popular demand. Enrique Mazzola conducts Laurent Pelly’s witty and heartwarming production, which also stars mezzo-soprano Stephanie Blythe as the overbearing Marquise of Berkenfield, bass-baritone Maurizio Muraro as Sgt. Sulpice, and award-winning actress Kathleen Turner in a featured cameo appearance as the Duchess of Krakenthorp.
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