Alan Watts presents an explanation of the East Indian idea of maya: the division of the world into separate things and events is a work of human thought and not a fact of nature. Watts examines the disastrous consequences of confusing thought with fact.

This program looks at the East Indian concept of time and the illusion of living for the future as the tomorrow that never comes. Plans for the future are only useful for those able to live fully in the present.

Buddhism symbolizes its basic spiritual experience as a void, but Alan Watts explains this must not be taken literally. Watts explores the void as a symbol of freedom and of a world feeling which can be described poetically though not logically as the “absolute rightness” of every moment.

One who talks all the time can never hear what others say. And one who thinks all the time has nothing to think about except thoughts. Alan Watts examines the value of silent-mindedness or the practice of meditation in Hinduism and Buddhism.

Alan Watts explores Buddhist ideas of the value of death as the great renovator, including the Wheel of Life, and the idea of reincarnation as it is understood by philosophical Buddhists.

This program focuses on the East Indian idea that we have forgotten who or what we really are through identifying ourselves with the individual personality. The person or “persona” is also discussed as the social or dramatic mask assumed in daily life.

Alan Watts reveals his research resources for the series of Eastern Wisdom and Modern Life thus far, and he answers questions about points in the previous programs. He recommends books for further study.

Alan Watts discusses the Hindu, Buddhist and Taoist ideas about physical and moral pain, emphasizing the art of accepting pain by ridding it of its contextual associations.

Sense or meaning is a property ascribed to symbols rather than the real word. Alan Watts uses this differentiation as a prelude to the Taoist and Zen Buddhist idea of the perfectly “purposeless” life and its parallels in Christianity.

The idea of clear-cut “definiteness” reflects as a sharp and somewhat hostile attitude to life. In this talk, Alan Watts shows the value of the vague and gentle approach reflected in Far Eastern poetry and painting.

Alan Watts speaks on the contrast between organic and legalistic views of the order of nature, the former being based on visual pattern intelligence and the latter on verbal conventions.

Alan Watts explores the contrast between organic and mechanical world views and the difference between the growing process and the making process, and he explains why one corresponds to a democratic principle and the other to a monarchical hierarchy.

A look inside Zen monastic life and practice reveals a culture of dialog and subtle humor between master and student.

This program focuses on Zen-inspired brush painting in the Chinese and Japanese traditions, and it looks at the approach of the contemporary artist Sabro Hasegawa in his inspired return to primitivity in the arts.

Alan Watts speaks about the remarkable integration of traditional Japanese homes and gardens within the rural landscape, and the celebration of natural forms of mountains and waters in Zen gardens.

Alan Watts demonstrates how the Taoist influence in Aikido and Judo also influenced swordsmanship.

Alan Watts brings his expertise to bear in this presentation of Mahayana Buddhist and traditional Christian world views (he was once an Episcopal priest), and how to bring the two together.

Alan Watts speaks on the contrast between classical Chinese and historic Western attitudes in regard to man's place in nature. Do we see ourselves as nature's conquerors or collaborators?