Archive compilation celebrating the incredible body of work by Detroit's finest songwriting teams and artists for perhaps America's greatest ever record label, Motown.
This .. show full overview
Archive compilation celebrating the incredible body of work by Detroit's finest songwriting teams and artists for perhaps America's greatest ever record label, Motown.
This compilation of Motown covers spans the 1960s to the present day and features: Paul Weller and Amy Winehouse with I Heard It Through the Grapevine on Jools's Hootenanny, Roberta Flack's version of Stevie Wonder's Never Dreamed You'd Leave in Summer from an early edition of the OGWT, early adopter Dusty Springfield with Nowhere to Run on her 60s BBC TV show and The Flying Lizards with Barrett Strong's Money (That's What I Want) from Top of the Pops in 1979.
Of course, there are quite a few 80s hit covers from the decade that rediscovered Motown as a hitmaking machine, many of them from Top of the Pops including Kim Wilde's You Keep Me Hangin' On and Paul Young's 1983 Number 1 with Marvin Gaye's 1962 B-side, Wherever I Lay My Hat.
Then it's on into the 90s with Mercy Mercy Me from the late lamented Robert Palmer and Mariah Carey's take on The Jackson Five's I'll Be There. Plus of course, Phil Collins but, rightly or wrongly, not with You Can't Hurry Love but with his 21st-century reading of Stevie Wonder's Blame It on the Sun from Later with Jools.
A feast of cover versions of Bob Dylan songs from the BBC archives, with classic tracks old and new and some surprises from the 1960s to the present.
From the essential folk queen .. show full overview
A feast of cover versions of Bob Dylan songs from the BBC archives, with classic tracks old and new and some surprises from the 1960s to the present.
From the essential folk queen Joan Baez to punk princess Siouxsie and the Banshees, from The Hollies to Adele, taking in the likes of Julie Felix, Richie Havens, Bryan Ferry and KT Tunstall along the way, the programme reflects Dylan's long career of writing extraordinary songs and the fascination of other artists with them.
Peter, Paul and Mary's sublime The Times They Are A-Changin' rubs shoulders with the close harmony of Cliff Richard and The Nolan Sisters' smooth interpretation of the protest classic Blowin' in the Wind. The Blues Band's energetic 1980s updating of Maggie's Farm contrasts with Tom Jones's powerful rootsy What Good Am I?
A treat for the Dylan fan and the Dylan novice alike.
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