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Temporada 17
Fecha de emisión
Jun 06, 2014
A Midwest scene depicts a cowboy's life in an impressionistic style.
A Midwest scene depicts a cowboy's life in an impressionistic style.
Fecha de emisión
Jun 09, 2014
Sketching in a chuck wagon, horse, cowboy and campfire; doing ellipses to create wagon wheels; irregular brush strokes create the wood and sticks of the campfire.
Sketching in a chuck wagon, horse, cowboy and campfire; doing ellipses to create wagon wheels; irregular brush strokes create the wood and sticks of the campfire.
Fecha de emisión
Jun 13, 2014
Blocking in intermediate details including the horse, saddle and cowboys; adding the campfire's glow; detail of the wagon; inserting rocks and reflections in the water.
Blocking in intermediate details including the horse, saddle and cowboys; adding the campfire's glow; detail of the wagon; inserting rocks and reflections in the water.
Fecha de emisión
Jun 16, 2014
More work on the chuck wagon; creating the cowboys; weeds, bushes and twigs add proportion to the painting; blocking in the old cast iron pot; adding highlights around the campfire.
More work on the chuck wagon; creating the cowboys; weeds, bushes and twigs add proportion to the painting; blocking in the old cast iron pot; adding highlights around the campfire.
Fecha de emisión
Jun 20, 2014
Adding final highlights and details; inserting smoke from the campfire; using pure red to brighten up the fire; blending weather elements into the painting.
Adding final highlights and details; inserting smoke from the campfire; using pure red to brighten up the fire; blending weather elements into the painting.
Fecha de emisión
Jun 23, 2014
Preparing the stretched canvas surface for a painting featuring a prairie setting with the Wile E. Coyote; underpainting the entire painting with darker warm earth tones.
Preparing the stretched canvas surface for a painting featuring a prairie setting with the Wile E. Coyote; underpainting the entire painting with darker warm earth tones.
Fecha de emisión
Jun 27, 2014
Applying multiple layers of short, choppy vertical strokes to create the beginnings of the tall prairie grasses; feathering technique creates multiple values and tones of the grasses.
Applying multiple layers of short, choppy vertical strokes to create the beginnings of the tall prairie grasses; feathering technique creates multiple values and tones of the grasses.
Fecha de emisión
Jun 30, 2014
Bringing up the highlights through the center of the painting; creating the darker and lighter tall weeds; seed pods.
Bringing up the highlights through the center of the painting; creating the darker and lighter tall weeds; seed pods.
Fecha de emisión
Jul 04, 2014
Sketching the coyote with soft-vine charcoal; underpainting the body; adding foreground weeds; applying highlights to the coyote.
Sketching the coyote with soft-vine charcoal; underpainting the body; adding foreground weeds; applying highlights to the coyote.
Fecha de emisión
Jul 07, 2014
Making a rough sketch using soft-vine charcoal; underpainting the sky and distant mountains; blocking in the foreground rocky cliff formation.
Making a rough sketch using soft-vine charcoal; underpainting the sky and distant mountains; blocking in the foreground rocky cliff formation.
Fecha de emisión
Jul 11, 2014
Painting in the distant objects including clouds, waterfall, pine trees and rock formations; creating the rugged form of the cliff.
Painting in the distant objects including clouds, waterfall, pine trees and rock formations; creating the rugged form of the cliff.
Fecha de emisión
Jul 14, 2014
Sketching the main subjects including large dead trees, fallen log, rock formations and grizzly bear; underpainting the foreground objects.
Sketching the main subjects including large dead trees, fallen log, rock formations and grizzly bear; underpainting the foreground objects.
Fecha de emisión
Jul 18, 2014
Highlighting the outer form of the bear; using specific brushstrokes to form the rest of the bear's body; highlighting and detailing the logs, brush and weeds.
Highlighting the outer form of the bear; using specific brushstrokes to form the rest of the bear's body; highlighting and detailing the logs, brush and weeds.
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