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Season 1
Naho (Mitsuki Takahata), the deputy director of a museum with a large collection of artworks, is pregnant with her husband Ikki (Shunsuke Kazama), the third-generation owner of a
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Naho (Mitsuki Takahata), the deputy director of a museum with a large collection of artworks, is pregnant with her husband Ikki (Shunsuke Kazama), the third-generation owner of a long-established art gallery, and stays in Kyoto to avoid the hustle and bustle of Tokyo. Her mother, Katsuko (Yaozi Moriguchi), has arranged for her to stay in Kyoto for a long time to avoid the hustle and bustle of Tokyo, but living in an unfamiliar place makes Naho feel like a foreigner. One day, Naho drops by Minoyama's (Takashi Matsuo) gallery and is struck by a painting by an unknown artist. It is an encounter that leads her to the unknown darkness of the Kyoto art world.
The painter Juki (Sumire), who is trapped in her mind and unable to speak, appeals to Naho, reminding her of her relationship with Teruyama (Yutaka Matsushige), her teacher and a great
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The painter Juki (Sumire), who is trapped in her mind and unable to speak, appeals to Naho, reminding her of her relationship with Teruyama (Yutaka Matsushige), her teacher and a great master of the Kyoto art world. Kido (Makita Sports), a reporter with knowledge of the situation, tells him about a dangerous rumor about Tree's upbringing. Meanwhile, Kazuki and his father Tomoaki (Daikichi Sugawara), whose art gallery is suddenly in danger of bankruptcy, attempt to make a forbidden approach to Katsuko in order to use Monet's "Water Lilies," which is in the collection of Naho's museum, as a trade to fill the hole.
When her relatives betray her over Monet's "Water Lilies," Naho is emboldened by the calligrapher Takano Sen (Kaji Meiko), an acquaintance of her late grandfather, who has given her a
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When her relatives betray her over Monet's "Water Lilies," Naho is emboldened by the calligrapher Takano Sen (Kaji Meiko), an acquaintance of her late grandfather, who has given her a new home, and a new painting by Tree. With determination, Naho unveils the painting in an unexpected way, and begins to confront Teruyama's evil intentions that bind her to the tree in earnest. On the other hand, Kazuki, who is heartbroken by the separation from Naho, receives harsh news from Naho's parents regarding the management of the museum. The news could send Naho into despair once again.
The decision to close her own museum was made out of the blue, and Teruyama's insane restraint on her. As if to shake off all the harsh realities of her life, and with a new life inside
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The decision to close her own museum was made out of the blue, and Teruyama's insane restraint on her. As if to shake off all the harsh realities of her life, and with a new life inside her and a desire to bring the tree and its paintings to the world, Naho, with the understanding and help of the people of Kyoto around her, makes a bold move that will astonish everyone. With the understanding and help of the people of Kyoto around him, he takes a bold step that surprises everyone. It is a fateful plan that connects Naho to her late grandfather and to Kyoto. As a husband, father and businessman, Kazuki is anxious to get back together with Naho, but Naho tells him a shocking truth.
Kazuki is unilaterally insulated from Naho after she reveals the secret of her birth to him. Kazuki's obsession to win back Naho becomes a mad rivalry that drives him to reckless
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Kazuki is unilaterally insulated from Naho after she reveals the secret of her birth to him. Kazuki's obsession to win back Naho becomes a mad rivalry that drives him to reckless measures. Naho makes all the preparations to live in Kyoto, and single-mindedly waits for Juki to overcome his abominable past and break free from Teruyama's bondage. Teruyama, Kazuki, and Katsuko are all caught up in their own desires and jealousies. And what is the other truth that Naho and Juki, both of whom hold on to their belief in beauty, have arrived at?
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