The Royal Ocean Film Society

The Life and Death of 3-D (2020x4)

Air date: Mar 31, 2020

With the support of Creative Europe – MEDIA Programme of the European Union. Sources / Further Reading: Are Audiences Tiring of 3D Movies? by Stephen Follows - https://bit.ly/2WOyDhv​ Do Film Professionals Think That 3D is Better than 2D? by Stephen Follows - https://bit.ly/2QVSGGS​ 3D TV is Dead by Kit Leswing - https://bit.ly/2Ux9kPq​ The History of 3D Film - https://bit.ly/3bAKunC​ 3D Film Statistics - https://bit.ly/2WYBwfC​ The Power of Love (1922) - https://bit.ly/3bFzYvn​ 3D in the 1950s - https://bit.ly/2wOrjaS​ THR - The Report: The Year That Was Saved By 3D by Pamela McClintock - https://bit.ly/2UuefR7​ THR - Pirates of the Caribbean's Low 3D Numbers in US Could Be Wake-Up Call to Hollywood by Pamela McClintock - https://bit.ly/3az3Bhw​ IMAX to Screen More Hollywood Tentpoles in 2D, Citing "Clear Preference" by Etan Vlessing - https://bit.ly/3dDnGoT​ Jeffrey Katzenberg on 2D to 3D Conversions (Sept. 2010) - https://bit.ly/3dHGVOf​ Jeffrey Katzenberg: "We Blew It On 3D" by Emilio Mayorga - https://bit.ly/2UrelsL​ Jeffrey Katzenberg on How 3D Became a Gimmick by Nancy Tartaglione - https://bit.ly/33Xt8hU​ Debate Waging Over 2D to 3D Conversion by Garolyn Giardina - https://bit.ly/2JyLLzf​ Melody (1953) and Post Conversion by Wade Sampson - https://bit.ly/2R1BCPR​ James Gunn says Post Conversions have gotten better by Marc Chacksfield - https://bit.ly/2ynLfC4​ Terminator 2 Re-Release an Example of Changing Attitude Toward 3D Conversion by Calum Marsh - https://bit.ly/2wPfhOw​ James Cameron on Charlie Rose (Dec. 2009) - https://bit.ly/2UwFgn1​ Kermode Uncut: An Announcement (Nov. 2013) - https://bit.ly/39xyOQM​ Does 3D Make Sense For Hollywood? The Economic Implications of Adding a Third Dimension to Hedonic Media Products by Ann-Kristin Knapp and Thorsten Hennig-Thurau - https://bit.ly/2vWDaDs​ Are There Side Effects to Watching 3D Movies? A Prospective Crossover Observational Study on Visually Induced Motion Sickness by Angelo G. Soli