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Temporada 2
The episode starts where Season 1 left off with the Mbulis all having turned Coloured, and with Amandla toting a 6-month old Chinese baby. Patience is Indian.
This all turns out to be
.. show full overview
The episode starts where Season 1 left off with the Mbulis all having turned Coloured, and with Amandla toting a 6-month old Chinese baby. Patience is Indian.
This all turns out to be a dream complete with Bollywood sequence, from which Patience awakes in the first few minutes. From then on, she is still white and the Mbulis are again black.
In reality, Amandla is nearly nine months pregnant. The family has to deal with the stress of the imminent arrival of Amandla’s parents, as she insists on having the baby at home and needs her mother’s help.
Amandla also has to make sure that Patience constantly wears a pregnancy “suit” in case the unborn child turns out to be white, so they can say that Patience gave birth to it.
Naturally the neighbours, especially Joyce, are curious and use the arrival of new furniture at the Mbulis as an excuse to visit and snoop.
Meanwhile, Beyonce has taken a gap year and is keeping the salon going for her mother, TK is being tutored by Khensiwe to get him through matric, and Patience has to be taught how to speak and act ‘white’ so she can break the news of the family’s colour change to Amandla’s mother, “Ouma”.
Things do not go according to plan, as Amandla’s mother arrives, and finds out that there is more to her daughter’s situation than meets the eye. She goes hysterical and chaos ensues, with Patience saving the day.
After being spotted as a lady who dresses and talks well at the local Woolworths, Joyce is recruited as a BEE director onto the board of some new “blue chip” company.
She decides that
.. show full overview
After being spotted as a lady who dresses and talks well at the local Woolworths, Joyce is recruited as a BEE director onto the board of some new “blue chip” company.
She decides that a lady of her standing needs a full time maid – a white maid. Percy is only happy to comply when she mentions her salary.
Beyonce is running the salon ‘til Amandla is back on her feet. She is being paid by Amandla as she wants to save to buy a car. Meanwhile Patience is looking after Ouma because Ouma won’t let any of the black members of the family near her.
Joyce arrives and, believing Ouma is Patience’s mother, offers her a job as a maid. Ouma accepts as a means of escape from the Mbulis, whom she still does not believe are her real family.
Amandla confronts her mother to accept that she is her daughter, and that she needs her mother when the baby is born. After a few revelations, Ouma starts to believe Amandla may be telling the truth.
Meanwhile, next door, Joyce and Percy try to impress Percy’s potential new employer (he is going after a plum position at a local university) with their new white maid, Ouma.
Ouma has cooked some traditional Afrikaans food. This does not go down well, which leads to racial tensions flaring.
In the meantime Amandla goes into labour, and Patience bursts in informing the Mlambos and Ouma that the baby is coming and then has to fake having her waters break to seem as if it may be her who is giving birth.
2x3
You can be my baby, it don’t matter if you’re black or white
Episode overview
The episode starts at the Mbulis with Amandla in labour in the main bedroom.
At the Mlambos, Joyce, still determined to hire a white maid, hires a maid called Meisie from Boksburg.
.. show full overview
The episode starts at the Mbulis with Amandla in labour in the main bedroom.
At the Mlambos, Joyce, still determined to hire a white maid, hires a maid called Meisie from Boksburg. This backfires when it is Joyce who tidies up and even cooks breakfast for the maid because she doesn’t want Meisie to think they live like pigs.
Meantime Patience realises that Ouma is willing to clean and cook if she feels it is not been done correctly. Patience decides to use this fact to her advantage.
Percy comes home to a spotless house and an exhausted Joyce. She claims the house is tidy because of their new white maid. Percy is impressed. Outside Meisie and Patience exchange stories over the fence whilst having coffee, and how they are each ‘working’ their madams.
Joyce and Percy re-appear downstairs at the Mbulis, corner Patience, and try to get the truth from her. She escapes them, runs upstairs, where Amandla has just given birth.
Will the baby be black or white?
Ouma announces to the family that Oupa will be arriving today. Joyce appears and enquires about a name for the baby. Joyce has to exit quickly when Patience informs Amandla that Joyce
.. show full overview
Ouma announces to the family that Oupa will be arriving today. Joyce appears and enquires about a name for the baby. Joyce has to exit quickly when Patience informs Amandla that Joyce told her about four months maternity leave.
Meanwhile Joyce watches Meryl Streep in “Devil Wears Prada” to get an idea of how a high-powered businesswoman should act. Meisie, her white maid is up to her tricks still, arriving two hours late for work.
Amandla worries about the shock of revealing their situation to Oupa as he is now wheelchair bound because of a stroke. Ouma says she’ll be the one to tell him herself.
Khensiwe exposes Meisie for the sham she really is, and Joyce fires the maid. An orderly drops off Oupa. Ouma reveals to him his family is now black.
Tombo and Joyce arrive at her board meeting. Tombo does his best to make Joyce look foolish, but his plan backfires. The six white men applaud Joyce.
Once in the car Joyce realises she’s left her bag in the boardroom. Tombo offers to fetch it. He overhears the men talking about Joyce being perfect to take the fall for the company when they disappear with the investor’s money.
Tombo is stunned. Does he tell Joyce?
We start with the Mbulis. Ouma is surprised (and disappointed) that Oupa seems to be handling the shocking news. Each member relates a memory about him to prove they are his family. We
.. show full overview
We start with the Mbulis. Ouma is surprised (and disappointed) that Oupa seems to be handling the shocking news. Each member relates a memory about him to prove they are his family. We see through this that Oupa is not a nice person. When the family leave Oupa alone, he gets up from his wheelchair and raids Amandla’s purse for cash. Patience witnesses this.
The Mbulis are reeling after the shock of Amandla firing Patience. Tombo realises that in the eyes of Home Affairs it now it looks like they (Mbulis) have kidnapped Sipho, by getting rid of Patience.
The Mbulis are reeling after the shock of Amandla firing Patience. Tombo realises that in the eyes of Home Affairs it now it looks like they (Mbulis) have kidnapped Sipho, by getting rid of Patience.
After being released from prison, Amandla (Muti thief) and Joyce (BEE scandal) arrive back in their neighbourhood to discover their walls are spray painted with hate messages. TK is
.. show full overview
After being released from prison, Amandla (Muti thief) and Joyce (BEE scandal) arrive back in their neighbourhood to discover their walls are spray painted with hate messages. TK is being picked on at school because his mom is a “white-baby-snatching-jailbird-mother”.
This episode starts with a short recap of the final scene of Episode 7 where Joyce inadvertently serves Oupa’s head at her stokvel.
This episode starts with a short recap of the final scene of Episode 7 where Joyce inadvertently serves Oupa’s head at her stokvel.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
The Coconuts is a 'high concept' sitcom hinging on a fantastical premise, but dealing with day-to-day South African characters, relationships, prejudices and stereotypes.
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