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It's 1786, and Joseph Bloxham is a self-made man and something of a star in fashionable coffee-house society. Some, though, like the sceptical Noakes take a dim view of his shady
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It's 1786, and Joseph Bloxham is a self-made man and something of a star in fashionable coffee-house society. Some, though, like the sceptical Noakes take a dim view of his shady business ethics. Bloxham has used his ill-gotten gains to buy the old Geap Manor, paying no heed to the warnings of Noakes and his friend Duncalfe, but when Bloxham starts to hear ghastly sounds in the newly-installed panelling of his drawing room it seems he might have more than just a mouse hiding in his wainscoting.
In the 1920s, Lady Constance de Momery presides over a costume ball for her grandson, but all is not as it seems and when young heir to the estate Felix de Momery announces his
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In the 1920s, Lady Constance de Momery presides over a costume ball for her grandson, but all is not as it seems and when young heir to the estate Felix de Momery announces his engagement to sweetheart Ruth, his friends Billy and Katherine seem far from pleased.
Back in the present day, commitment-shy Ben begins to discover that, though demolished, Geap Manor casts a long shadow. Having recently left his girlfriend Hannah for a life of
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Back in the present day, commitment-shy Ben begins to discover that, though demolished, Geap Manor casts a long shadow. Having recently left his girlfriend Hannah for a life of excitement over cosy domesticity, he is excited by the curator's stories and screws the ancient door knocker to his new front door. However, he soon finds himself getting more excitement than he bargained for as the past begins to intrude rudely with a loud knock at the door in the night and a terrifying journey into Geap Manor's bloody past.
Ben Morris, a young teacher, finds an antique door-knocker in his garden and takes it to the local museum, where the curator tells him it belonged to Geap Manor, a Tudor mansion, now
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Ben Morris, a young teacher, finds an antique door-knocker in his garden and takes it to the local museum, where the curator tells him it belonged to Geap Manor, a Tudor mansion, now demolished, and whose original owner, Sir Roger Widdowson, was accused of Satanism in order to produce an heir, but still died childless.
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