What Do Those Old Films Mean

In the first program, Along the Great Divide: Great Britain 1900-1912 Burch examines early British classics like Rescued by Rover and other, rare films by Cecil Hepworth, Stuart Kinder, James Williamson, R.W. Paul and others to look at how the British "gentlemen inventors of the cinema" created entertainment for the poor.

Burch looks at early film in America against the background of the immigrant masses streaming into the factories, slums and sweat-ships of early 20th century America. Films by Porter, Griffith, Reginald Baker, George Dobson, Stuart Blackton and others look at how early American film invented social content and then dropped it for the development of narrative.

Burch looks at the incredible explosion of filmmaking in Denmark where mature cinema was born at a time when French and American films were simple melodramas. The earliest Danish film stars - Asta Nielsen and Urban Gad - played in remarkable films which were innovative in the technical aspects of lighting, camera angles and editing.

Burch discusses the German silent cinema virtually unknown today-landmark German films like Billy Wilder/ Robert Siodmak and Edgar Ulmer's People on Sunday, Brecht and Dudow's Kuhle Wampe and Jutzi's Berlin Alexanderplatz. These films were part of the "populist" cinema of the Weimer Republic, the German Worker's Film. Ironically, these films were ultimately replaced by the more palatable and cheerful films of Siodmak and Wilder, and the victory of Nazism.

Post-revolutionary Russia was a period of extraordinary social and cultural experiment, and here Burch focuses on the sexual politics of the Soviet cinema. Includes obscure films like The House on Trubnaya Square by Boris Barnet, Ermler's Katka's Apples and Remnants of an Empire, Vertov's Kino-Eye and Kozintsev and Trauberg's The Devil Wheel in a unique look at a great era of cinema in a climate of virulent change.

Burch covers the early love affair between the cinema and the French working class through early Pathé and Gaumont productions, and rare films of Leonce Petter, Louis Feuillade, (including his celebrated serials Les Vampires, Judex and Vendémiaire) and Jacques Feyder's Crainquebille.