Tracing its precursors to the once-hated Victorian edifices described as Modern Gothic and before that to the unapologetic baroque visions created by John Vanbrugh, as well as the martial architecture of World War II, Meades celebrates the emergence of the Brutalist spirit in his usual provocative and incisive style. Never pulling his punches, Meades praises a moment in architecture he considers sublime and decries its detractors.

Focusing initially on the massive influence of Le Corbusier's post-war work, he reclaims the reputation of buildings that, once much maligned, he argues stood for optimism and grandeur. Delivered in his signature provocative and confrontational manner, Meades's film draws on extraordinary buildings from all over Europe in a lavish, sometimes surreal, visual collage.