Salad Fingers

Shore Leave (1x7)

Data de estreia: Jan 29, 2006

As Salad Fingers is digging holes outside with his finger puppets, occasionally tasting the sand (which he calls "floor sugar"), he finds the decomposing torso of an old corpse. Salad Fingers immediately "recognizes" the cadaver as "Kenneth," his "younger brother" who is back from the previously mentioned "Great War" on shore leave. Salad Fingers pulls the gruesome, dismembered corpse out of the hole, saying it was rude of him to leave for "the Great War" without him, but promises to draw him a hot bath. The next scene shows Salad Fingers turning a cog which pulls a clothesline, drawing Kenneth out of a wardrobe, now dressed in a white dinner jacket. He starts to talk about life with the women of the great war. Salad Fingers has prepared a dinner of sand for his guest, saying "I—hope you like... SAND". At one point Kenneth slumps forward, prompting Salad Fingers to suppose that he's sleepy and props Kenneth up by inserting a "wooden dent-rail" into his empty socket. Salad Fingers tells Kenneth of his life, keeping busy with "every shift I can... [and] sing[ing] at all the functions". There is a flashback in which Salad Fingers measures the distance from his door to a tree named "Mr. Branches" with a clickwheel and subsequently teases it for its slow movement. It is now evening, and Salad Fingers is with Kenneth outside near the same hole he found him in. He cries over the fact that Kenneth has to go "back to the ghastly trenches". He salutes Kenneth and sings "We'll Meet Again" for him, after exclaiming, somewhat futilely, "I only ask that our creator return you unspoilt from the cruel hand of war". He then kicks Kenneth back into the hole. A dream-like sequence follows in which Salad Fingers sings the same song, in a white dress, on a stage in front of an audience of a theatre. After singing a few strains, he complains to the pianist - who is shown as the silhouette of a marionette, with strings attached - that the key is wrong, walks off the stage, and the scr