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Stagione 4
Data di messa in onda
Set 13, 2015
In the Season 4 premiere, 13 finalists are chosen from a pool of thousands of aspiring filmmakers and travel to Los Angeles to meet the series' judges, who discuss the merits of each contestant's short-film submission before announcing a winner.
In the Season 4 premiere, 13 finalists are chosen from a pool of thousands of aspiring filmmakers and travel to Los Angeles to meet the series' judges, who discuss the merits of each contestant's short-film submission before announcing a winner.
Data di messa in onda
Set 20, 2015
Production is two months away, but Effie, Marc and Len sing the praises of shooting digitally to Jason as a way of staying on schedule and under budget. Meanwhile, Jason pitches his own script for a dark comedy called "The Leisure Class."
Production is two months away, but Effie, Marc and Len sing the praises of shooting digitally to Jason as a way of staying on schedule and under budget. Meanwhile, Jason pitches his own script for a dark comedy called "The Leisure Class."
Data di messa in onda
Set 27, 2015
Key production staff roles are filled, so Effie asks the location manager to scout mansions in the Los Angeles area, but Jason doesn't think any of them match his vision. Meanwhile,
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Key production staff roles are filled, so Effie asks the location manager to scout mansions in the Los Angeles area, but Jason doesn't think any of them match his vision. Meanwhile, Jason continues to resist shooting digitally, which causes friction between Effie and Peter Farrelly.
Data di messa in onda
Ott 04, 2015
The Farrelly brothers consider their place in the project; Jason takes his concerns about digital directly to Ben; the search for a perfect location continues, causing drama amongst members of the team; the cast assembles for a table read.
The Farrelly brothers consider their place in the project; Jason takes his concerns about digital directly to Ben; the search for a perfect location continues, causing drama amongst members of the team; the cast assembles for a table read.
Data di messa in onda
Ott 11, 2015
Jason's ready to take charge as production begins, but Effie's shooting schedule presents problems when it comes to the director's penchant for perfectionism. Meanwhile, Len makes his
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Jason's ready to take charge as production begins, but Effie's shooting schedule presents problems when it comes to the director's penchant for perfectionism. Meanwhile, Len makes his first visit to the set and is met with the crew's concerns about a lack of communication; and time is ticking on the deadline to get the signatures required to legally shoot at night.
Data di messa in onda
Ott 18, 2015
Jason and the crew prepare for the film's most expensive scenes yet; the production team begins preparations for the last shoot of the film; Effie tries to find a way to stick with
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Jason and the crew prepare for the film's most expensive scenes yet; the production team begins preparations for the last shoot of the film; Effie tries to find a way to stick with Jason's original vision of a car-crash scene.
A wedding-rehearsal dinner filmed at dusk is expected to be the most expensive shoot so far. Also: Len is skeptical of Jason's vision for a car-crash scene, but Effie works hard to find a way to make it happen.
Data di messa in onda
Ott 25, 2015
Jason maps out logistics for the car-crash scene with a stunt coordinator after finally selecting a location to film it. Later, Jason is encouraged by a surprise visitor to the set as he and the crew hurry to finish shooting before sunrise.
Jason maps out logistics for the car-crash scene with a stunt coordinator after finally selecting a location to film it. Later, Jason is encouraged by a surprise visitor to the set as he and the crew hurry to finish shooting before sunrise.
Data di messa in onda
Nov 01, 2015
With filming wrapped, Jason gets notes on his director's cut of the film, and, on Ben's suggestion, screens it for a test audience. Though resistant to some of the feedback, Jason looks
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With filming wrapped, Jason gets notes on his director's cut of the film, and, on Ben's suggestion, screens it for a test audience. Though resistant to some of the feedback, Jason looks to make fixes during reshoots - and works round the clock with the editor to get the final cut completed before the film's red-carpet premiere at the Ace Hotel in Los Angeles.
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