Waldemar looks at the pursuit of pleasure in the Rococo age, to which a huge amount of cultural energy was devoted. For the first time in history, pleasure and happiness were seen as unalienable human rights that everyone was free to pursue and is reflected so poignantly in the art of Boucher, Watteau, Gainsborough and Tiepolo. In its boundless search for delight it often went too far, but, put crudely, Rococo art stopped tasting like medicine and started tasting like cakes.
