The Ruth Ellis Files: A Very British Crime Story

In this first episode Gillian takes a forensic look at the police investigation launched just after Ruth's arrest. Gillian is all too aware of the femme fatale persona that has stuck with Ruth since 1955. She wants to build Ruth Ellis back up from the evidence and this means looking carefully at the police documentation from the time. Gillian begins with Ruth's first statement where she confesses to the crime, but intriguingly states that 'she's confused'. As Gillian follows the course of the investigation she uncovers some worrying assumptions, problematic omissions and missed opportunities. There's a key witness who was never questioned by the police - Ruth's 10-year old son Andre, who tragically took his own life in the 1980s. He left behind an audio cassette that features a recorded conversation where Andre shares his thoughts on his mother's case. Gillian uses this to piece together what the boy knew. Then there's the murder weapon; one of thousands of guns that flooded Britain during the war. Gillian traces its provenance and it leads her to a shocking conclusion. Experts in policing shed new light on the involvement of a possible accomplice and Gillian tracks down those who met Ruth and David. A picture begins to build of their relationship and lifestyle and it's a unique snapshot of the complex world of post-war Britain that made and then broke Ruth Ellis.

In episode two Gillian turns her attention to Ruth's trial which took just a day and a half. She starts with a tape-recorded conversation from the 1980s between Ruth's son Andre and the barrister who led the prosecution. Andre expresses doubts about his mother's trial, calling into question her state of mind and whether she was a cold-blooded killer. Gillian is interested to know whether the defence shared these concerns and she turns her attention to Ruth's solicitor. There are immediate and compelling questions about how he was hired, who by and why. Ultimately it seems he was determined that the jury should look beyond the tabloid stereotype of Ruth to understand her troubled background - that way, they'd be inclined to recommend mercy and save Ruth from execution. But Ruth and her barrister had other ideas - while she refused to play ball he pursued a defence strategy so risky that the judge was forced to put his foot down. There's the ongoing question of Ruth's alleged accomplice and how much Ruth's defence team knew of his involvement and continuing revelations from the forgotten witness - Ruth's son Andre. Gillian draws on expert opinion from top legal minds who know the case intimately, and they paint a portrait of a woman trapped not only by the constraints of 1950s society but by the narrow parameters of English law.

In episode three Gillian turns her attention to Ruth's execution and the last-minute attempts to save her life even though Ruth herself was determined to die. Despite this Ruth decides to change her solicitor and Gillian is intrigued as to the reasons why. When Ruth does finally admit that someone else was involved in the murder, her new solicitor races to the Home Office in a bid to stop the execution. He isn't alone in not wanting to see Ruth hanged. Gillian looks at the hundreds of letters that were sent by the British public to the government asking for Ruth to be reprieved. It's a fascinating snapshot of British attitudes in the 1950s; the letters point to Ruth's mental state, the domestic violence she'd suffered and even the trauma experienced by those who'd lived through the Blitz. The police are sent to track down Ruth's other lover Desmond Cussen, who Ruth now claims gave her the gun and drove her to the scene of the murder. But they can't find him and won't take Ruth's word for it. The Home Office decides to press on with the execution; they worry that if they don't follow through on such a high-profile murder case that this will accelerate the abolition of capital punishment. Ruth is hanged and Gillian explores the role of her case in the introduction of the defence of diminished responsibility in England and its place in the eventual abolition of capital punishment in Britain in 1965. But Ruth's personal legacy is much more tragic as Gillian explores the effects of the events of 1955 on Ruth's family. This takes Gillian to a taped conversation recorded by Ruth's son in the 1980s, where his despair at what happened when he was ten is movingly clear; Andre lost his mother and he lost David who he loved. He took his own life in the 1980s and today his ashes are close to his mother's in a cemetery in Hertfordshire not far from where David Blakely was buried. Three victims of a truly tragic set of circumstances.