Haley Fohr's voice is built for cathedrals, but we'll take a funeral chapel. In Circuit des Yeux's Tiny Desk (home) concert — recorded amid the sepia-toned stained glass of the historic May Chapel at the Rosehill Cemetery and Mausoleum — Fohr's operatic, four-octave vibrato contains a wondrous terror, but also an illumination of being.
