Having spent time with Collections from the Whiteout, Ben Howard's sonically adventurous fourth album, I was curious to see how he would adapt these songs to the Tiny Desk (home) concert format. So when the opening shot shows Ben in a room alone, an acoustic guitar in hand, it was both an "oh yeah!" and an "uh-oh" moment. Gone were all those textures that he, Aaron Dessner, and a load of talented musicians had worked on, but front and center was that delicate, reflective voice that I love. It's a voice that, in the recent past, was often swarming in effects and buried in reverb.
