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Season 1
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1x17
Jean Renoir le patron: Michel Simon, la direction d'acteur
Episode overview
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A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 4 July 2001.
A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 4 July 2001.
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The portrait of an exiled film-maker. Pitts survives by filming beyond boundaries. The story of an auteur who will always say ''I am situated in the meantime''.
The portrait of an exiled film-maker. Pitts survives by filming beyond boundaries. The story of an auteur who will always say ''I am situated in the meantime''.
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En 1971, Labarthe et son équipe s’entretiennent avec Elia Kazan, mais suite au – premier – arrêt de Cinéastes/cinéma de notre temps, les images restent en état de rushes. Danielle Anzin,
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En 1971, Labarthe et son équipe s’entretiennent avec Elia Kazan, mais suite au – premier – arrêt de Cinéastes/cinéma de notre temps, les images restent en état de rushes. Danielle Anzin, sa femme et monteuse, termine aujourd’hui ce tout dernier volet de la série Cinéma de notre temps. « Je croyais ces rushs de 1972 perdus à tout jamais. Mais, en 2016, par un de ces étés interminables de grande canicule, je devais classer, sous cette chaleur, des bobines de mes films dans mon immense capharnaüm qui me tient lieu d’archives, à la campagne. Et là, je retrouvais quelques bobines en 16mm noir et blanc, juste titrées au feutre noir : New-York/Connecticut. Elles contenaient en fait plusieurs entretiens d’Elia Kazan. Perdus dans un classement improbable entre les rushs de tournage de CITIZEN KANE d’Orson Welles et l’explication d’un gag par Keaton à Serge Daney… »
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